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Sadao Yamanaka profile
Director

Sadao Yamanaka

Directing

Career Snapshot

Explained

These indicators come from TMDB. They are relative signals, not review ratings.

Directed credits

5

Emerging

Beginning to build directing work.

TMDB popularity

0.3

Low visibility

TMDB internal trend index. Higher usually means more searches and page activity now.

Directed movies: 5Directed series: 0All crew credits: 14

TMDB ID: 909996

IMDb ID: nm0945537

Known for: Directing

Born: November 7, 1909

Died: September 17, 1938

Age: 28

Place of birth: Higashiyama, Kyōto, Japan

Gender: Male

Adult content flag: No

Career span: 1930 - 1963

Years active: 34

Average TMDB rating: 7.65

Wikidata: Q2604904

Frequent jobs

Director (5)Screenplay (3)Writer (3)Original Story (2)Story (1)

Biography

Sadao Yamanaka (山中 貞雄, Yamanaka Sadao, November 7, 1909 – September 17, 1938) was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the jidaigeki, or historical film. Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for the Makino company. In 1932, he began working for Kanjuro Productions, a small, independent film company similar to many others founded during the same period as it was centered around a popular jidaigeki film star, this time Kanjuro Arashi. Here, he began directing his first films, all of which were jidaigeki. During his first year at Kanjuro, he made six films. He was "discovered" by the critic Matsuo Kishi and gained a reputation for creating films that escaped clichés and focused on social injustices. Early on, he had stated an interest in blurring the lines between several genres: comedy, historical epics, and comedy-dramas focusing on average people. Viewers and critics note in his surviving films the genesis of ideas later explored by the internationally successful Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu and Seijun Suzuki. He formed the Narutaki-gumi with his friends, and they wrote under the pseudonym Kimpachi Kajiwara. Yamanaka has been characterized as a minimalist, one whose style favoured elegance and rhythm. During the 1930s he moved between several film companies, eventually settling in Kyoto and working for the Nikkatsu Company. Most of his films were silent films as sound did not gain a prominence in Japan until 1935-36. He worked twice with the Japanese theatre troupe Zenshin-za: first on The Village Tattooed Man (Machi no Irezumi-mono, 1935) and on his final film, Humanity and Paper Balloons. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, Eiga kantoku Yamanaka Sadao. Only three of his films survive in nearly complete form. Description from the Wikipedia article Sadao Yamanaka, licensed under CC-BY-SA.

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