
Andrew Bargsted
Mario

Mario is a young fisherman who dreams of becoming a poet. He gets a job as the postman to Pablo Neruda when the legendary writer moves there after being exiled from Chile.
I keep thinking about the light in Burning Patience. Not the honey glaze period films use to sell the past. A Chilean afternoon, flat and hard, the kind that makes you squint even when you are looking away from the sun.
Rodrigo Sepúlveda's 2022 film of Antonio Skármeta's Ardiente paciencia (the novel that also fed Il Postino) will not pretty up its own premise, even while it tells a story about poetry changing a life. Artist myth on one side. The people who carry the mail on the other.
The friction is the movie.
Mario (Andrew Bargsted) is a young fisherman on the Chilean coast who gets the postman job for Pablo Neruda, played low and steady by Claudio Arredondo. Neruda is in exile and already huge, all gesture and metaphor. Mario can barely get two lines out.
They do not blow up at each other. They share a cigarette. Mario asks, carefully, what a metaphor is.
His hands shake the first time he holds the poems. Sepúlveda, who made The Prince, still likes desire and power in small rooms. He is not chasing lightning bolts of inspiration.
He is watching art leak into ordinary days.

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Rodrigo Sepúlveda’s Burning Patience (2022) slipped onto Netflix with little fanfare, but its intimate scale and Chilean roots make it a standout in the streaming shuffle. Starring Andrew Bargsted and Vivianne Dietz, the film adapts Antonio Skármeta’s novel Ardiente paciencia—a story already familiar to cinephiles through the 1983 Oscar-nominated Il Postino. This time, however, the focus shifts to a younger, more contemporary lens, blending coming-of-age drama with political undertones. latestnetflix.com's read is that here’s what we know about the making of this understated gem.
Burning Patience isn’t the first adaptation of Skármeta’s 1985 novel, but it’s the first to anchor itself so firmly in modern Chile. The original Il Postino (1994) transplanted the story to Italy, using Pablo Neruda’s exile as a backdrop for a poetic friendship. Sepúlveda’s version, however, keeps the setting in Chile, grounding the narrative in the country’s social and political landscape. The film’s title—Ardiente paciencia in Spanish—hints at its themes: the slow burn of youth, ambition, and the patience required to navigate love and art under societal pressures.
While the evidence doesn’t specify how closely the film follows the novel, the trailer teases a visual style that mirrors the story’s lyrical tone. Soft coastal cinematography and close-ups of handwritten letters suggest a deliberate pace, prioritizing character over plot. If the trailer is any indication, Sepúlveda leans into the novel’s poetic realism, a contrast to the more romanticized Il Postino.
The film’s cast is a mix of rising stars and seasoned Chilean actors, though details about their auditions or chemistry reads remain scarce. Andrew Bargsted, who plays the young protagonist Mario, is a familiar face in Chilean cinema, known for his work in And the Whole Sky Fit in the Dead Cow’s Eye (2017). Vivianne Dietz, as Beatriz, brings a quiet intensity to her role—a foil to Mario’s restless energy.
Notable supporting players include:
The trailer hints at a central dynamic between Mario and Beatriz, with their relationship unfolding against the backdrop of a coastal town. Whether their bond mirrors the novel’s poetic exchanges or takes a darker turn remains unclear, but the casting suggests a deliberate balance of innocence and experience.
Burning Patience marks one of Netflix’s deeper dives into Chilean cinema, a market the streamer has courted aggressively in recent years. The film’s 90-minute runtime aligns with Netflix’s preference for tight, bingeable dramas, though it’s unclear if this was a creative choice or a platform mandate. Sepúlveda, whose previous work includes The Future of Another Timeline (2019), seems to have embraced the constraints, delivering a film that feels both intimate and expansive.
The trailer showcases sweeping shots of Chile’s coastline, suggesting location shooting was a priority. The country’s natural beauty often doubles as a character in its cinema, and Burning Patience appears to follow suit. However, there’s no evidence of major production challenges—no reports of on-set drama, budget overruns, or creative clashes. For a film about patience, its production seems to have been remarkably smooth.
Despite its pedigree, Burning Patience hasn’t generated the same buzz as Il Postino or other literary adaptations. Rotten Tomatoes lists the cast but offers no critic or audience scores, a sign of its low-profile release. The film’s trailer has garnered modest views, and international coverage has been sparse. This could be due to Netflix’s algorithm-driven rollouts, which often bury smaller foreign films unless they gain early traction.
That said, the film’s themes—youth, poetry, and political awakening—resonate with audiences seeking substance over spectacle. If Burning Patience finds its footing, it could become a sleeper hit, much like The Worst Person in the World (2021) or Petite Maman (2021). For now, it remains a hidden gem for those willing to dig.
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