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Movie poster for Charlie's Angels (2000)

Charlie's Angels

“Get some action.”

2000
1h 38m
Director: McG
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Overview

The captivating crime-fighting trio who are masters of disguise, espionage and martial arts are back! When a devious mastermind embroils them in a plot to destroy individual privacy, the Angels, aided by their loyal sidekick Bosley, set out to bring down the bad guys. But when a terrible secret is revealed, it makes the Angels targets for assassination.

Cast

12 people

Reviews

The Movie Diorama

Charlie’s Angels is a heavenly paradise for inexcusably camp charades. Adapting classic television series into a feature film was becoming a common trend in the early part of this century. But maintaining the aesthetic appeal of its source material is often blurred with the requirement of targeting mass mainstream audiences. Would viewers of the original Charlie’s Angels watch a film continuation? Most likely not. So the legendary (and I use that adjective lightly...) McG decided to go full Hollywood, embracing action spy thrillers that came before, and produced one of the campiest guilty pleasures of all time. Can I describe the plot? Absolutely not. It’s thinner that Diaz’ lip fillers and needless botox. Three “Angels” who privately work for a millionaire are assigned a task in investigating technology giant Red Star. Stuff happens, a predictable plot twist unravels and the booming soundtrack of The Prodigy and Fat Boy Slim illuminate my ears. Let me start by saying I love Charlie’s Angels. I love it! It’s a film I hold very close to my heart, and a crucial element to my childhood. Probably a reasoning for my raging homosexuality, let’s be honest. I mean Barrymore, Diaz and Liu kicking a “creepy thin man” repeatedly wearing tight leather costumes in ‘Matrix’-stylised slow motion whilst working together as a cohesive unit of female empowerment!? Just lay me to rest, now! Give me a slice of that angel cake and let me never lose that heavenly flavour. Yet, the amateur critic inside me just cannot classify this film as “good”. Why? Well, because it’s not. And it’s that ever-growing conflict between biased favouritism and legitimate critiquing that has me torn inside. Firstly, the plot is a mess. To the point where the story is a secondary product to the action set pieces and humorous dance sequences. When talented actors, such as Rockwell, are crucial aspects to this afterthought, it unfortunately wastes their efforts. The frantic editing prevents a natural flow of events, including the extravagant action, that anchors these angels. They are unable to spread their wings and fly. A dire shame considering the undeniable chemistry between the lead actresses, each harnessing a unique personality that allows their characters to connect as a team. Diaz is the ditzy dance queen, shaking her tush on Soul Train. Barrymore is the rebellious punk, sticking her middle finger up to everyone. Liu is the intellectual well-mannered lady, riding horses and piloting space rockets. They each add enough humour to come together seamlessly. Essentially, I live for them. The dialogue is cheesy and contagious, if ridiculously vacuous in subject matter. And the constant use of the same songs, namely “Heaven” and “Smack My B**** Up!”, lacked variety. Despite my internal love for The Prodigy and Fat Boy Slim. As far as guilty pleasures go, Charlie’s Angels is up there for me. It’s poorly directed and woefully written, but I cannot deny my adoration for this campy beast. Unfortunately it doesn’t surpass the ultimate guilty pleasure ‘Lara Croft: Tomb Raider’, even after all these years...

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Andre Gonzales

Not the greatest fighters in this besides Lucy Liu. I really only liked the movie cause it was funny, and of course their sexy. That's pretty much it.

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CinemaSerf

"Sabrina" (Kate Duncan) was always my favourite when I was growing up, so I was really disappointed that they didn't recast her character from amongst these three ladies who had a go at resurrecting the bad-ass antics at the "Townsend Detective Agency". At least "Charlie" (John Forsythe) added a bit of continuity, but otherwise this really is a pale imitation of the television series. "Natalie" (Cameron Diaz), "Dylan" (Drew Barrymore) and "Alex" (Lucy Liu) pick up the mantle and guided by "Bosley" (Bill Murray) find themselves embroiled in the world of corporate espionage and high-tech larceny. It's the geeky "Eric" (Sam Rothwell) who has asked them to investigate the nefarious activities of his rival "Roger" (Tim Curry) after his unique voice recognition software has been pinched. It's only after they make some progress that they return to a wrecked house and realise that this is perhaps a cunning distraction from the criminal's real objective: "Charlie" himself! Of course, they want to rally round him but how? They couldn't pick him out of an ID parade. As things hot up, the ladies have to use all of their wits, guile and a fair degree of ninja skills to get to the bottom of the scheming before their boss becomes more chum than "Charlie". As a throw way adventure film this works fine. The writing is largely irrelevant and the focus is entirely on the gymnastic activities of three women who are quite clearly enjoying themselves and, of course, there's the always to be relied upon ham that is Tim Curry. Murray is wasted here, though, and Rockwell only really does enough as his character is all too predictably padded out. There are an array of familiar telly faces to chivvy it along and it's got spawn of a sequel written all over it. You'll probably never remember it, but if it serves to get you to fish out some of the 1970s television series then that might be it's only lasting legacy - they were much more fun.

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Audience Opinions

Audience 6.3/10
"A loud, gleefully over-the-top spy romp whose charm, chemistry, and style outweigh its shallow, cartoonish story."

The trio’s chemistry, playful action, and hyper-stylish early-2000s vibe make the film an easy, rewatchable piece of popcorn entertainment. Flashy fight choreography, a big personality-filled supporting cast, and a hit-heavy soundtrack keep the pace brisk, even though the plot is simple and the tone leans hard into silliness and sexualized imagery. Those looking for depth or grounded action often come away bored or irritated by the thin story, frantic editing, latestnetflix.com maintains, and heavy emphasis on style over substance.

What viewers praise
  • Charismatic lead trio Cameron Diaz, Drew Barrymore, and Lucy Liu are widely praised as fun, likable badasses with strong chemistry that holds the film together.
  • High-energy action Punchy, Hong Kong–influenced fight choreography and stunt work deliver a constant sense of movement and spectacle.
  • Playful, campy tone The film leans into parody and tongue-in-cheek silliness, treating itself as a lighthearted, self-aware romp rather than serious spy fare.
  • Distinctive early-2000s style Colorful visuals, memorable outfits, and a bold soundtrack full of recognizable tracks give it a strong nostalgic and stylistic identity.
  • Entertaining supporting performances Side characters like Sam Rockwell, Bill Murray, Crispin Glover, and others add extra humor, menace, or quirk that enriches the overall fun.
Common complaints
  • Shallow and predictable story The kidnapping-and-conspiracy plot is basic and mostly functions as a loose excuse for gags, disguises, and action scenes.
  • Cartoonish implausibility Gravity-defying stunts and exaggerated scenarios often feel like a live-action cartoon, which can be off-putting for those wanting grounded action.
  • Heavy male-gaze framing Frequent focus on the actresses’ bodies, fetishized outfits, and suggestive scenes makes the sexualization feel excessive and dated.
  • Style over character depth Despite some attempts at character work, emotional stakes and personal arcs remain thin compared to the film’s visual flash.
  • Hyperactive pacing and noise Aggressive editing, constant music, and nonstop movement can feel exhausting or chaotic rather than exhilarating.
Recommended for
Early-2000s nostalgia hunters Light action-comedy fans Campy spy spoof lovers Cameron Diaz Drew Barrymore Lucy Liu fans Popcorn movie night picks

Buzz & Rumors

Public reports

**“ANGELS GONE WILD” – The Messy, Iconic, Real-Life Drama Behind Charlie’s Angels (2000)**

They kicked, flipped, and slow‑mo hair‑tossed their way through the box office, but behind the wire work and lip gloss, Charlie’s Angels (2000) was pure early‑2000s Hollywood chaos. From on‑set screaming matches to racist casting meetings, whirlwind marriages, and secret Harry Potter cosplay that never made the cut, latestnetflix.com maintains, this movie’s off‑screen story is even juicier than the plot.


On-Set Drama: Fights, Tears & Head-Butt Allegations

Lucy Liu vs. Bill Murray: The Showdown That Stopped Filming

  • During rehearsal for a reworked scene, Bill Murray allegedly started “hurl[ing] insults” at Lucy Liu after learning the scene had been changed while he was away at a family gathering .
  • Liu remembers thinking, “Wow, he seems like he’s looking straight at me”, and finally asking, “Are you talking to me?”—which turned it into a full-on one‑on‑one confrontation in front of the cast and crew .
  • She says some of his language was “inexcusable and unacceptable”, and she refused to sit there and take it: “I stood up for myself, and I don’t regret it… I’m not going to sit there and be attacked.”
  • The clash was so intense it reportedly shut down filming for a day, and years later crew members would quietly thank Liu on other sets for speaking up .
  • Despite all that, Liu says she holds no grudge; she ran into Murray at an SNL reunion where he was “perfectly nice” .

Bill Murray vs. Director McG: Did He…Head-Butt Him?

  • Director McG has claimed an A‑list star head‑butted him on set—widely understood to be Murray—and said, “I’ve been head‑butted by Bill Murray” .
  • Murray’s response? Total denial—and then escalation. He called the story “bulls--t” and said McG has “a very active imagination,” even quipping that McG “deserves to die” (delivered with Murray’s signature dark humor, but still) .
  • Whether the head‑butt happened or not is disputed. What’s not disputed: Murray never came back. Bernie Mac replaced him as Bosley in the sequel .

Script? What Script?

  • The production famously barrelled ahead with no fully finished screenplay. McG admitted they “did not have a resolved script pretty much the whole way through shooting,” instead huddling with the Angels to figure it out as they went .
  • E! later reported that the script went through around 30 rewrites by dozens of writers . Controlled chaos… at $92 million a pop .

Exhaustion, In-N-Out & Double Duty

  • Lucy Liu was shooting Ally McBeal at the same time. That meant nights working on Angels until 4 a.m., grabbing In‑N‑Out burgers to survive, then rolling onto the Ally set at 6 a.m. . Angel by day, exhausted superhero by night.

Cast Feuds & Tea: Catfight Rumors vs. Real Sisterhood

Did the Three Angels Hate Each Other?

  • At the time, tabloids were obsessed with the idea that Cameron Diaz, Drew Barrymore, and Lucy Liu were clawing each other’s eyes out over trailers, lines, and costumes.
  • The cast, meanwhile, insisted the rumors were nonsense. Lucy Liu said the gossip “hurt our feelings” and yanked them out of their bubble of work . Diaz shot down stories that they were “scratching each other’s faces off” as flat‑out false .
  • The receipts: the trio has kept up a decades‑long friendship, regularly reuniting on talk shows and in 2026 publicly flirting with the idea of a reunion film. Lucy Liu has said it “wouldn’t take a lot” to get them back together .

Behind-the-Scenes Power Plays

  • Drew Barrymore wasn’t just the face of the franchise—she was the engine. She and producing partner Nancy Juvonen pitched the reboot to Sony with a DIY VHS reel made from about 200 movie clips she spliced together with two VCRs to show the tone she wanted .
  • Barrymore fought to be both producer and star. According to producers, Cameron Diaz only came aboard after a serious payday negotiation (reported as a hefty sum) that Barrymore helped push through .

Romance Rumors: Angels in Love (and Divorce Court)

Drew Barrymore & Tom Green: From Set Crush to Six-Month Marriage

  • Barrymore cast comedian Tom Green as Dylan’s weirdo fisherman boyfriend, Chad—and the chemistry wasn’t just acting. They met while making Charlie’s Angels and started dating around 1999 .
  • They married in July 2001… and separated about six months later, divorcing in 2002 .
  • Years later, Drew invited Tom on The Drew Barrymore Show and the two sweetly reminisced about their Charlie's Angels era and even their honeymoon, confirming that the whirlwind romance was real—but very brief .

Love Interests by Design

  • Originally, the Angels weren’t supposed to have love stories at all. Barrymore decided each Angel should have a boyfriend, leading to supporting roles for Luke Wilson, Tom Green, and Matt LeBlanc .
  • So yes, your favorite early‑2000s hunks were basically hand‑picked to orbit the Angels’ universe like rom‑com satellites.

Scandals & Controversies: Racism, Ageism & Lawsuits

Thandie Newton’s Racist Casting Meeting

  • Thandie Newton (now Thandiwe) says she walked away from the movie after a deeply uncomfortable meeting with then‑Sony boss Amy Pascal about the role that ultimately went to Lucy Liu .
  • Newton recalled Pascal saying they had to make sure her character was “believable” as written—educated, university‑trained—and then suggesting they make her more stereotypically “Black”: for example, a scene where she gets on a table in a bar and starts “shaking her booty” .
  • Newton pushed back—“Nah, I wouldn’t do that”—and later described the encounter as racist and objectifying. She turned down the film .
  • Pascal later claimed she had “no recollection” of the meeting and said she was “horrified” to hear Newton’s version of events, insisting she considers Newton a friend .

Nia Long Told She Was “Too Old”

  • Nia Long auditioned for an Angel and was later told by her reps that casting felt she looked “too sophisticated and too old” standing next to Drew Barrymore .
  • The kicker? The role went to Lucy Liu—who is actually older than Long. Long pointed out that there were no brown‑skinned women in the film and said she believed the real issue was race, not age: “I would have been the blackest thing in the film.”
  • She also shot down a popular rumor that she turned down Charlie’s Angels to do Big Momma’s House, calling it the “biggest fattest lie.”

The Cultural Appropriation Car Wreck

  • A 2019 rewatch went viral for calling out just how badly the movie aged on the representation front. Viewers flagged:
  • A sequence where the Angels go undercover in Asian‑coded outfits while “Turning Japanese” blares—one writer called it “low‑key cultural appropriation” before upgrading that to “there is so much cultural appropriation in this movie” .
  • A belly‑dancing scene featuring bindis, with one commentator screaming, “WAIT DREW IS LITERALLY IN BROWNFACE RN WHAT.”
  • Another piece noted how Lucy Liu’s undercover looks leaned heavily on Asian stereotypes—“sexy masseuse,” “dragon‑lady teacher,” and being arm candy at an “oriental‑themed” party—while remarking that Japan, China, India and even Germany all had reason to be offended .

‘Charlie’s Angels’ Profit Lawsuit

  • Robert Wagner—who played John Bosley in the original TV series—sued Sony, claiming his contract for the 1970s show entitled him and his family trusts to a share of the net profits from the 2000 and 2003 films .
  • In 2007, a California appeals court shot him down, ruling that the old TV contract did not give him a piece of the movie franchise’s profits . Translation: no Angel money for Bosley 1.0.

Leaks & Secrets: Deleted Scenes, Lost Potter Cosplay & Almost-Cameos

The Harry Potter Disguise You’ll Never See

  • Drew Barrymore was in full Potterhead mode during filming, reading J.K. Rowling books aloud on set to keep everyone entertained .
  • Director McG revealed there was once an “ode to Harry Potter” planned: Barrymore dressed as Harry Potter for an undercover mission. The whole thing ended up on the cutting‑room floor .

DVD Deleted Scenes

  • The DVD includes deleted and extended scenes—like a longer gag where Bosley plays Marco Polo with tech mogul Corwin, plus extra bits that reviewers politely described as “mercifully excised” from the final cut .

The Original Angels’ Demands

  • Producers spent three months trying to coax the TV Angels—Farrah Fawcett, Jaclyn Smith, and Kate Jackson—into cameos.
  • The reported wish list:
  • Farrah wanted to be the new voice of Charlie.
  • Kate Jackson wanted to play the villain Vivian (the role that went to Kelly Lynch).
  • Jaclyn Smith agreed to a walk‑on… but didn’t end up appearing until the 2003 sequel .
  • They were offered serious money and even the right to design and keep their own costumes, but the deals fizzled .

30 Drafts and a Dream

  • With roughly 30 script rewrites, scenes were constantly changing. According to cast and crew, many of the movie’s wildest moments were stitched together on the fly, with the Angels and McG improvising connective tissue between big set pieces .

Wild Trivia: Champagne, Crying in Bathtubs & Destiny’s Child Power Plays

“The Champagne of Movies”…and the Male Gaze

  • McG proudly described Charlie’s Angels as “the Champagne of movies,” an effervescent, glossy fantasy fueled by his music‑video background and unapologetically male gaze—think Diaz in a bikini, Barrymore in a Swiss Miss get‑up, Liu in leather dominatrix gear .
  • The same Vanity Fair piece notes that this glossy empowerment was tangled up with old‑school objectification and cultural stereotypes that now feel very 2000—in both the best and worst ways .

Brutal Training & Bathtub Tears

  • To avoid guns on screen—one of Barrymore’s firm rules—the Angels committed to wild martial‑arts set pieces instead. They trained 8 hours a day, 5 days a week for 3 months with legendary choreographer Yuen Cheung‑yan, who also worked on The Matrix .
  • Barrymore has admitted the training was so intense they’d soak in baths at Diaz’s house and cry from the soreness .
  • Cameron Diaz later said she was in terrible shape when she signed on—fresh off smoking and bad eating habits—and that the film’s training regime basically rewired her approach to health .

Destiny’s Child vs. The Studio (Sort Of)

  • “Independent Women Part I” wasn’t just the movie’s anthem; it was a mini‑rebellion. Beyoncé’s father and manager, Matthew Knowles, sent the track to the Charlie’s Angels soundtrack without studio permission .
  • The song spent 11 weeks at No. 1 on the Billboard Hot 100 and became inseparable from the movie .
  • Lucy Liu later joked that being named in the lyrics (“Lucy Liu, Drew Cameron D and Destiny’s Child”) meant she was officially “part of history” .

ET Phone Drew

  • McG shot one of Barrymore’s scenes in the actual house from E.T. as a quiet nod to her childhood stardom. Blink and you’ll miss it, but the Easter egg is very real .

Dancing in Her Underwear (No Choreo Needed)

  • Diaz’s iconic opening moment—Natalie dancing around in her underwear to “Angel of the Morning”—was basically Cameron just… being Cameron. McG said she needed almost no choreography: she’s such a natural athlete and dancer she just went for it .

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.