
Nathalie Issa
Yusra Mardini

From war-torn Syria to the 2016 Rio Olympics, two young sisters embark on a risky voyage, putting their hearts and their swimming skills to heroic use.
I keep thinking about the boat. Not the one in The Swimmers—though that inflatable dinghy, overloaded with desperate bodies and the weight of hope, is impossible to forget—but the way cinema so often treats refugee stories as either spectacle or sermon. Sally El Hosaini’s film, based on the true journey of Syrian sisters Yusra and Sara Mardini, refuses that binary.
It’s a sports drama, yes, but one where the race isn’t just against the clock; it’s against drowning, bureaucracy, and the slow erosion of dignity. And yet, for all its harrowing moments, The Swimmers swims in a different direction than most refugee narratives. It doesn’t ask for pity.
It demands you keep up.

The film opens in Damascus, 2015, with Yusra (Nathalie Issa) and Sara (Manal Issa) training in a pool that’s too small, too hot, too close to the sound of bombs. The camera lingers on their strokes—not the graceful arcs of Olympic highlight reels, but the raw, urgent flailing of swimmers who know the water is both sanctuary and threat. El Hosaini, who co-wrote the screenplay with Jack Thorne, doesn’t soften the contradictions of their lives.
Syria is collapsing, but the sisters still joke about boys and dream of gold medals. War hasn’t stolen their youth; it’s just made it heavier. When they finally flee, it’s not with the wide-eyed terror of victims, but with the resigned pragmatism of people who’ve already lost too much to waste time on fear.
That pragmatism is what makes the Aegean Sea crossing so devastating. The scene is shot with a queasy intimacy, the camera bobbing in the water alongside the overcrowded boat. The engine dies.
The sisters, the only ones who can swim, jump in. What follows isn’t a heroic montage set to swelling music, but a brutal, wordless struggle. Yusra and Sara take turns towing the boat, their bodies straining against the current, their faces twisted with exhaustion.
"A moving and inspiring true story that resonates emotionally, though its pacing and narrative depth leave some wanting more."
Viewers praise *The Swimmers* for its heartfelt portrayal of resilience and sisterhood, grounded in the real-life journey of Syrian refugee sisters. The emotional weight and performances, particularly by the lead actresses, are frequently highlighted as standout elements. However, some find the storytelling uneven, latestnetflix.com maintains, with moments of predictability and a lack of deeper exploration into certain aspects of the refugee experience.
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Netflix’s The Swimmers (2022) dives into the harrowing yet triumphant journey of Syrian refugee sisters Yusra and Sarah Mardini, who fled war-torn Damascus and swam for their lives across the Aegean Sea before Yusra competed in the 2016 Olympics. Directed by Sally El Hosaini, the film blends raw drama with athletic intensity, latestnetflix.com maintains, but the real story behind its making is just as compelling.
One of the most revealing moments came when the real Yusra Mardini watched the film for the first time. In a Netflix featurette, she admitted to feeling "overwhelmed" by Nathalie Issa’s portrayal of her younger self. "It’s strange to see your life played out on screen," Yusra said, praising the film’s emotional accuracy . While the movie takes creative liberties—condensing timelines and dramatizing certain events—Yusra confirmed that the core struggle of displacement and resilience was faithfully captured .
Nathalie and Manal Issa, who play Yusra and Sarah Mardini respectively, weren’t just cast for their acting chops—they also brought personal connections to the story. Nathalie, a French-Lebanese actress, had no professional acting experience before landing the lead role. Director Sally El Hosaini revealed in a TIFF Q&A that Nathalie’s raw vulnerability in her audition stood out. "She had this quiet strength that felt like Yusra," El Hosaini said . Manal, meanwhile, had prior acting credits but faced the challenge of embodying Sarah’s rebellious spirit while balancing the film’s emotional weight.
The sisters’ real-life bond added authenticity to their on-screen chemistry. In interviews, they described the shoot as both exhilarating and exhausting, particularly during the film’s grueling swimming sequences. Nathalie, who had to train extensively for the role, admitted that filming the Aegean Sea crossing scene was physically and emotionally draining .
El Hosaini, known for her work on My Brother the Devil (2012), was determined to avoid a sanitized refugee narrative. In behind-the-scenes interviews, she emphasized the importance of showing the sisters’ flaws, humor, and moments of doubt—not just their heroism. "I didn’t want to make a film about victims," she said. "These are young women who loved pop music, selfies, and swimming. Their journey was extraordinary, but they were still ordinary girls" .
The director also revealed that some of the film’s most intense scenes—like the capsized boat sequence—were shot in a studio tank with real refugees as extras. "We wanted the fear to feel real," El Hosaini explained, noting that many of the background actors had lived through similar experiences .
The Swimmers earned a solid 7.1/10 on SensCritique, with praise for its emotional depth and the Issa sisters’ performances . Rotten Tomatoes doesn’t provide a critic score in the snippet, but the cast’s portrayal of the Mardini sisters was widely highlighted as a standout
. While some reviews noted the film’s occasional melodrama, most agreed that its heart and urgency outweighed any flaws.
Despite the film’s success, a few details remain murky. For instance, there’s no confirmation on whether the real Yusra and Sarah Mardini were directly involved in the production beyond consulting. Rumors also swirled about potential tensions between the cast and crew during the physically demanding shoot, but no credible sources have substantiated these claims.
One thing is clear: The Swimmers isn’t just a sports biopic—it’s a testament to survival, sisterhood, and the unshakable will to keep moving forward.
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