Acting credits
96
Prolific
Very extensive acting filmography.

Acting
These indicators come from TMDB. They are relative signals, not review ratings.
Acting credits
96
Prolific
Very extensive acting filmography.
TMDB popularity
0.7
Low visibility
TMDB internal trend index. Higher usually means more searches and page activity now.
TMDB ID: 25282
IMDb ID: nm0445715
Known for: Acting
Born: January 28, 1945
Age: 81
Place of birth: Basel, Switzerland
Gender: Female
Adult content flag: No
Career span: 1948 - 2025
Years active: 78
Average TMDB rating: 6.15
Wikidata: Q116265
Also known as
Марта Келлер
Marthe Keller (born 28 January 1945; Basel, Switzerland) is a Swiss actress and opera director. She studied ballet as a child, but stopped after a skiing accident at age 16. She changed to acting, and worked in Berlin at the Schiller Theatre and the Berliner Ensemble. Keller's earliest film appearances were in Funeral in Berlin (1966, uncredited) and the German film Wilder Reiter GmbH (1967). She appeared in a series of French films in the 1970s, including Un cave (1971), La raison du plus fou (1973) and Toute une vie (And Now My Love, 1974). Her most famous American film appearances are her Golden Globe-nominated performance as Dustin Hoffman's girlfriend in Marathon Man and her performance as a femme fatale Arab terrorist who leads an attack on the Super Bowl in Black Sunday, both of them were ill-fated characters at the climax of each film. Keller also acted with William Holden in the 1978 Billy Wilder film Fedora. She appeared alongside Al Pacino in the auto racing film Bobby Deerfield, and subsequently the two of them were involved in a relationship. Since then, Keller has worked more steadily in European cinema compared to American movies. Her later films include Dark Eyes, with Marcello Mastroianni. In 2001, Keller appeared in a Broadway adaptation of Abby Mann's play Judgment at Nuremberg as Mrs. Bertholt (the role played by Marlene Dietrich in the 1961 Stanley Kramer film version). She was nominated for a Tony Award as Best Featured Actress for this performance. In addition to her work in film and theatre, Keller has developed a career in classical music as a speaker and opera director. She has performed the speaking role of Joan of Arc in the oratorio Jeanne d'Arc au Bûcher of Arthur Honegger on several occasions, with conductors such as Seiji Ozawa and Kurt Masur. She has recorded the role for Deutsche Grammophon with Ozawa (DG 429 412-2). Keller has also recited the spoken part in Igor Stravinsky's Perséphone. She has performed classical music melodramas for speaker and piano in recital. The Swiss composer Michael Jarrell wrote the melodrama Cassandre, after the novel of Christa Wolf, for Keller, who gave the world premiere in 1994. Keller's first production as an opera director was Dialogues des Carmélites, for Opéra National du Rhin, in 1999. This production subsequently received a semi-staged performance in London that year. She has also directed Lucia di Lammermoor for Washington National Opera and for Los Angeles Opera. Her directorial debut at the Metropolitan Opera was in a 2004 production of Don Giovanni. Keller has a son, Alexandre (born 1971), from her relationship with Philippe de Broca.




Movie credits linked with Marthe Keller.
as Florist
as Betty Maxwell
as Beryl (voice)
as Johanna Spyri (voice)
as Claudia, mère de Jeanne
as Elsa
as Kathy
as Self
as La Mère
as Old Sofia
as Louise
as Judge D'Amici
as Herself
as Mathilde Chaykine
as Isabelle
as Anna
as Self
as Irène Volkov
as Gloria
as Christine
as Martha Sagell
as Hanna
as Nina
as Laura Bernheim
Series credits linked with Marthe Keller.
as Self • 1 eps
as The Empress • 8 eps
as Anushka • 1 eps
as Eléonore • 4 eps
as Dona Flores • 8 eps
as Johanna • 2 eps
as Tess Shirer • 4 eps
as Mathilde Wesendonck • 10 eps
as Gina Sanseverina • 6 eps
as Self • 1 eps
as Self • 5 eps
as Self • 1 eps
as Koba Lye-Lye (Princesse de Kurlande) • 6 eps
as Natacha • 26 eps
as Self • 1 eps
as Self • 1 eps