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Scream 7

“Burn it all down.”

6.0
2026
1h 54m
HorrorMysteryCrime

Overview

When a new Ghostface killer emerges in the quiet town where Sidney Prescott has built a new life, her darkest fears are realized as her daughter becomes the next target. Determined to protect her family, Sidney must face the horrors of her past to put an end to the bloodshed once and for all.

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Trailer

Final Trailer Official

Cast

Reviews

AI-generated review
The Weight of Survival in Suburbia

It’s entirely possible the most harrowing horror story of the past few years played out behind-the-scenes of the *Scream* franchise. You know the story by now: Melissa Barrera publicly dismissed after a political post, Jenna Ortega quietly walking away, Christopher Landon exiting with a statement that the “dream job” became a nightmare. With production collapsing and fans burning bridges, Paramount did what anxious studios do—they broke out the emergency funds. They hauled in Neve Campbell with the paycheck she deserved two years ago and handed the reins to original writer Kevin Williamson. What emerged is *Scream 7*, a film born from frantic crisis that, against the odds, becomes a bleak, introspective study of what survival demands from a Final Girl.

Sidney Prescott looking weary but determined

If you go in expecting the snarky, self-aware comedy that has defined the series since 1996, prepare to be unmoored. Williamson, now guiding the monster he created, has stripped out the franchise’s trademark meta commentary. As he told *Empire*, “This movie doesn’t really have that meta goal. It’s continuing the legacy of Sidney Prescott. It’s about her daughter. It’s about family.” And that’s exactly what you get. There are no rule breakdowns, no winks about “requel” mechanics. The absence of that tongue-in-cheek layer leaves a vacuum that Williamson fills with a tense, almost procedural dread. It feels less like Wes Craven’s sharp satire and more like David Gordon Green’s heavy, trauma-laced 2018 *Halloween* reboot—a slow-burning confrontation between a veteran survivor and an unstoppable shadow.

Whether that shift lands depends on how much earnest darkness you’re willing to sit with. I’m not convinced the franchise survives the loss of its humor, but visually the film is compelling. There’s a sequence early on that perfectly captures this new tone. Tatum (Isabel May), Sidney’s teenage daughter, walks home along a too-normal Midwestern street. The camera stays low and wide, trailing from a distance. No jump scares, no screeching score, no trivia calls. Just the creeping, methodical awareness that a cloaked figure is following her across three lawns. When Ghostface finally moves, it’s not the clumsy fracas we’ve seen before. This killer is precise, almost mechanical. There’s a jarring beat where the attacker is knocked onto the lawn and simply sits up—an outright visual nod to the classic Michael Myers sit-up. Williamson is quietly signaling: the playful horror quiz is over.

A tense standoff in a suburban home

The whole thing hinges on Campbell, and she carries it with a flinty, icy grace. After decades of running, screaming, and fighting back, her stillness here is deeply unsettling. Watch her in the moment she learns the murders have begun again. Her spine stiffens, her jaw tightens, her eyes go cold. She doesn’t freak out—she just looks worn down. Campbell portrays Sidney not as an invincible hero, but as someone who has spent thirty years bracing for the inevitable relapse, keeping the trauma tucked just beneath the surface. When she finally grabs a weapon to defend her home, every motion is strictly necessary. No hesitation. She knows exactly what it takes to stop a body.

Ghostface lurking in the shadows

The supporting cast does what they can, though most of them serve as background collateral in the orbit of the Prescott women. Courteney Cox is back as Gale Weathers, popping in to deliver exposition, though her edge feels muted in a film this stripped of irony. Isabel May, the new focus of the obsession, brings a brittle resilience that works, but the script rarely lets her be anything more than a reflection of Sidney’s fear. In the end, *Scream 7* is a strange creature. It casts off the intellectual cat-and-mouse that made the franchise famous and replaces those pop culture double-takes with the quiet terror of a mother realizing she cannot shield her child from her own past. It’s a stark, humorless movie. I missed the jokes, but I can’t stop thinking about the silence.

Featurettes (46)

Glam Bot

Final Girl Lessons

Looking for a good time at the movies? I’ve got you covered.

Two Tickets

Bring your friends and let’s have some fun at the movies.

Hello, world. Thank you for making Scream 7 the No. 1 Movie!

I’ll always find you first.

Neve Campbell

Neve and Isabel

Accomplishment Cake

Identify the Killer

Sidney Prescott

You're in my reality tv show.

Scream Quiz

Ghostface in the Cinema

Marble Arch London

Hello Sydney, Wednesday night was killer…

hold your friends close because I'm coming for all of you.

LA Premiere

Ghostface In London

I'm coming for your streaks. Try the Scream 7 Lens on Snapchat.

Tomorrow at 7AM PT, 700 of you get a Scream 7 shirt. 100 free shirts per hour.

Aquario Romano Projection

Phonecall

Enjoy the fun. It may be your last.

Disposable Camera

Q&A Kevin Kills

I am the danger.

Ghostface took over the Dolomites

LA Scream Event

One man, 30 000 steps

CREEPIN. OUT NOW.

My knife always reveals the truth.

The official music video for “Twisting the Knife” is here. Watch as Scream 7 & the INKverse collide.

Hero

Ice Nine Kills

Isabel May Q&A

Neve on Working with Isabel

Scream House Party

Hello Traitors

Two Icons

I’m always listening. Original Scream 7 music coming soon.

Memoriam

Ghostface

Traitors

Traitors Message

Behind the Scenes (3)

Like Mother Like Daughter Featurette

Sidney’s Journey to Scream 7

Kevin Williamson on Directing Scream 7