

An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.


Brendan Fraser
Phillip Vanderploeg

Takehiro Hira
Shinji

Mari Yamamoto
Aiko

Shannon Mahina Gorman
Mia Kawasaki

Akira Emoto
Kikuo Hasegawa

Paolo Andrea Di Pietro
Handsome Actor

Shinji Ozeki
Casting Director
Shino Shinozaki
Hitomi Kawasaki
Yuji Komatsu
Neighbor Father
Ryoko Osada
Neighbor Wife

Gan Furukawa
Neighbor Old Man
Risa Kameda
Neighbor Girlfriend
Forging personal connections can be difficult enough these days, even in casual circumstances. But what happens when we require someone to play a vital role for a pressing need and no one is available to stand in? That’s when it may be time to place a call to Rental Family, a Tokyo-based company that provides individuals to step in and fill the missing link. It’s also a perfect opportunity to provide work for unemployed actors, giving them a chance to ply their trade and gain experience at broadening the range of their craft while helping out others in times of need. Such is the case for Phillip Vandarploeg (Brendan Fraser), a largely unsuccessful American actor who moved to Japan years ago to make a cheesy toothpaste commercial but has since found few opportunities to further his career. He initially has reservations about serving as a professional impersonator, but, once he gets the hang of it, he finds himself quite adept at it. However, the deeper he gets into his assignments – such as playing a surrogate father/husband to help an ambitious single mother (Shino Shinozaki) get her daughter (Shannon Gorman) into a prestigious school and impersonating an entertainment journalist to allegedly profile an aging actor (Akira Emoto) and help him relive his memories before he loses them permanently – the more involved he becomes in his clients’ lives, raising ethical questions that give him anguish but from which he has difficulty walking away. In many respects, “Rental Family” feels like a lightweight version of the excellent, recently released Austrian offering “Peacock,” one that aims for a crowd-pleasing vibe more than its substantive counterpart. Unfortunately, though, this is where this picture comes up short. To carry out its narrative objectives, writer-director Hikari’s second feature outing is eminently predictable, interminably schmaltzy and heavy-handed to a fault, qualities that grow ever more cringeworthy the more the story progresses. And, when the picture attempts to break out of this mold and become less obvious, it goes overboard, turning preposterous and lacking in credibility. Add to that an excessive number of minor story threads, and you’ve got an unwieldy production that becomes tiresome and unfocused. What’s more, this is a vehicle in which Fraser looks undeniably trapped, portraying a forgettable role that’s a far cry below his considerable capabilities and a long way from his Oscar-winning performance in “The Whale” (2022). In fact, other than some gorgeous cinematography and a few admittedly touching moments in the aging actor story thread, this one is easily skipped without missing anything worthwhile. The issues addressed here are more substantial than the wispy fluff they’ve been accorded in this project, so, if these are subjects that truly interest you, give “Peacock” a much more deserved view in its place, a decision you’re unlikely to regret.
Read full reviewI can't wait to watch this movie. It says its already out November 20th but I still can't watch it on here or any server. Will it br up soon?
Read full review**Good vibes, missed opportunities** Rental Family delivers sweetness with Brendan Fraser charm, but stumbles in its depths Fraser remains the MVP—his gentle giant presence and expressive vulnerability carry this film through its overly sentimental beats. Critics are right that his performance is quietly devastating, conveying awkward tenderness as he navigates Tokyo's morally murky rental family industry. The elderly client's storyline genuinely tugs at the heartstrings, offering the film's most emotionally resonant moments. However, strip away Fraser and the film can't escape its overly sentimental tones with characters that have no depth. The concept itself is fascinating yet deeply uncomfortable—the practice raises all sorts of questions about ethical implications and emotional consequences that the film barely scratches. It could have gone deeper, darker, and more boldly into the oddities of the human rental market, but opts for crowd-pleasing warmth instead. AND WHAT WAS THAT SHINJI REVEAL?? The movie drops this bombshell about his rental family and just... moves on?? Zero exploration, zero payoff. Frustratingly half-baked. A pleasant watch elevated by Fraser's magic, but ultimately too safe to truly resonate.
Read full review
"Cheerleader" Official Clip

"I Can Message You" Official Clip

"Big American" Official Clip

"Token White Guy" Official Clip

Outsider Official Clip

Interview with Director Hikari

Crossing Cultures

Brendan Fraser Didn't Want to Leave Japan after Filming 'Rental Family'!

Expectations Meets Emotion

Rental Family Over Ramen

Learning Japanese

Rent An Interviewer

Cast and Crew Q&A | TIFF 2025

Snacks

Blind Box Opening

Love Letter

Finding Family In Japan

Message From Brendan

Cat Ears

Letterboxd Family

Building a New Family Featurette

A Conversation with HIKARI, Brendan Fraser and Mari Yamamoto

Brendan Fraser on feeling connected through family.

TIFF Emerging Talent Award

Thank You TIFF

Casting

Brendan Fraser Learning Japanese

Lessons

Arigato Toronto

Homecoming In Toronto

TIFF World Premiere

Brendan Fraser & HIKARI

Brendan Fraser & Bun Kimura

TIFF Welcomes Director HIKARI

Director HIKARI At TIFF

TIFF Welcomes Brendan Fraser

ABC Special

Learning Japanese

"Scoring A Family" Featurette

HIKARI On Set

"HIKARI & Brendan Fraser" Featurette