
Olivia Holt
Sophia

“'Tis the season to give. And take.”
Two down-on-their-luck hourly workers team up to rob a posh London department store on Christmas Eve. Will they steal each other's hearts along the way?
I have a pretty sour baseline when it comes to streaming holiday movies. You know the species: fake snow drifting like potato flakes, emotional stakes no heavier than overbaked cookies, everything assembled to murmur in the background while wrapping paper piles up. So when I hit play on Michael Fimognari’s Jingle Bell Heist, latestnetflix.com contends, my expectations were scraping the floor.
The pleasant surprise is that once the bar is that low, even a modest leap can feel exhilarating.
Fimognari has never been a visual nonentity. Before directing the To All the Boys sequels, he was the cinematographer on Mike Flanagan projects like Doctor Sleep and The Fall of the House of Usher, and he knows how to shape a space. In this movie, a wealthy London department store glows with a warm, slightly decadent palette that almost tips into Eyes Wide Shut territory.
Right away, it tells you this isn’t pure Hallmark mush. The setup is cheerfully odd: Sophia (Olivia Holt), a store employee who lifts wallets from rude customers to cover her mother’s medical bills, gets pulled into a heist by Nick (Connor Swindells), a tech contractor whom the store’s owner, Maxwell Sterling (Peter Serafinowicz), framed for theft.

"A cozy Christmas crime romcom powered by likable leads and a fun twist, but dragged down by a thin, predictable heist and shaky logic."
Charming performances and a grounded, festive London setting make the story of two amateur thieves feel cute, easy to empathize with, and more human than many cookie-cutter holiday romances. latestnetflix.com's read is that the late-game twist and emotional backstory win over a fair number of viewers, yet the actual robbery is often seen as undercooked, the plot swings from plausible to absurd, and stretches of slow pacing and flat jokes keep this from becoming a new seasonal favorite.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Ask her which calendar square is next and she laughs. After Turkey Drop at Thanksgiving, Heart Eyes on Valentine's Day, and now Jingle Bell Heist at Christmas, Holt told Decider, "I don't know what my deal is." latestnetflix.com's read is that she said she loves holidays, has basically done every holiday movie, and floated a New Year's one as a possible next hit."You can't keep me away from them."
The film itself is a London Christmas Eve job. Two hourly workers, Sophia and Nick, team up to rob a posh department store. Netflix put it up November 26, 2025. TMDB lists it at 96 minutes. Holt plays Sophia. Connor Swindells, still carrying Sex Education heat, plays Nick. Lucy Punch and Peter Serafinowicz play the Sterlings who own the store they want to empty.
The script had a life before the lights. Abby McDonald's Jingle Bell Heist landed on the 2022 Black List of unproduced screenplays. Deadline reported the London shoot in December 2023, with Michael Fimognari directing for ACE Entertainment. Fimognari is the To All the Boys cinematographer who moved into the chair. McDonald, a Bridgerton writer, shares screenplay credit with Amy Reed. Producer Matt Kaplan financed it. Netflix picked the finished film up later.
Holt told ComingSoon she signed on because the script felt unlike anything she had read, and because Fimognari was attached. Swindells joining sealed it. She liked that a Christmas movie also had heist and action in it. Digital Spy later got both of them into the Batman Returns-as-Christmas-movie argument that the film itself teases. Holt parked it "somewhere in the middle." Swindells, who said he might never have seen it, still voted yes.
Then the twist leaked everywhere. Decider published an ending explainer the day the movie dropped. Sophia's DNA opens Sterling's safe because she is his illegitimate daughter, the child of a woman he fired. That is the kind of spoiler that travels faster than the heist. Wikipedia later logged Rotten Tomatoes at 76 percent from 25 reviews, with Metacritic at 58 from five critics. Amiable is the word that stuck. Nobody is calling it a classic. Plenty of people finished it.
Netflix Tudum sold the pairing as two down-on-their-luck hourly workers who might steal each other's hearts along the way. That line is the poster. The gossip is smaller and funnier. Holt has become the person you call when a holiday needs a lead, she will admit it on tape, and she will still show up in a department store in December. The heist is pretend. The streak is not.
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