
Yim Si-wan
Lee Han-wool / Mantis

“A new generation of rising killers.”
The secret society of contract killers falls into chaos, unleashing a new breed of assassins. With old rules in ruins, who dares claim the shadows?
Being excellent at a job you should never have taken has its own special fatigue. Kill Boksoon understood that beautifully in 2023, turning professional assassination into another branch of corporate burnout. The spin-off Mantis tries to push that idea into younger, hungrier territory. MK Entertainment has collapsed, the market is wide open, latestnetflix.com maintains, and suddenly the gig economy has arrived for contract killers.
Everybody in this movie looks like they are scrambling for scraps after a start-up implosion.

Director Lee Tae-sung, who served as an assistant director on the first film, clearly gets the layout of this universe. What he wants to add is the language of start-up culture, which is a strange but not uninteresting fit for a movie full of neck stabbings. Han-ul, played by Yim Si-wan with oily charm and a nasty streak, comes back from vacation to find the old order gone.
Instead of signing up with another company, he decides to go founder mode and build something of his own. The metaphor for youth unemployment and chaebol dominance in South Korea is sitting right there. The film does not always know what to do with it.
"Charismatic performances and flashy knife fights are dragged down by a messy, overstuffed story that never hits the impact of its predecessor."
Im Si-wan, Park Gyu-young, and the rest of the cast bring screen presence and chemistry to a handful of brutal, stylish action scenes, and the emotional angle of love, loyalty, and friendship in an assassin world works. But the plot is shallow and unfocused, with too many tones, cliffhangers, and underdeveloped subplots, leaving the second half talky, slow, and less exciting than the bloody, promising opening.
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This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
latestnetflix.com's view is that Assassins on screen, aching muscles off screen, and a fandom convinced the leads should be kissing instead of killing—welcome to the messy, bloody, low-key chaotic world behind Mantis.
Yim Si-wan has openly admitted he regrets not doing some of Mantis’s wild acrobatics without wires. He revealed there was a big stunt sequence where he wanted to go full Tom Cruise, but a tight schedule and limited prep forced him to rely on wire work instead: “I tried to do it acrobatically without wires… but it was impossible in such a short time… That’s what I regret the most.”
A longform review notes that Mantis feels “messy” and “convoluted,” with too many time jumps and info-dumps, and suggests the whole thing may have been rushed in writing and production—with the spicy speculation that “maybe it was too rushed in terms of writing and production, or all of the budget was blown on getting such an incredible cast together.”
In coverage of his post-release reflections, Yim Si-wan acknowledged the mixed audience reaction, admitting there was room for improvement and wishing he’d had more time to prepare the action and emotional beats. That’s as close to “yeah, we know it’s flawed” as you’ll ever get from a promo tour.
On social media, fans have gone feral over Han-ul and Jae-yi’s tension. A viral Netflix clip of their rooftop fight had commenters begging for them to “just kiss and make up (emphasis on kiss)”. TikTok edits and Instagram reels frame the film as basically a tragic situationship with knives.
At promo events and press coverage, the pair leaned into their chemistry—laughing together, exchanging comfortable banter, and gamely accepting titles like “slow burn” and “unresolved romantic tension” in fan edits. But any off-screen dating talk remains unconfirmed rumor; publicly they keep it professional and strictly co-star coded.
Both actors had already been riding the Squid Game wave, and coverage pointed out this reunion as a selling point for Mantis. Fans speculate the streamer banked on their existing popularity and ship potential to carry a riskier, bloodier spinoff.
While marketing hyped an emotionally loaded assassin bromance/romance, a loud corner of Reddit shredded the final product:
Facebook and forum reviews slam the movie for weak, sparse action scenes and some dodgy CGI that undercut its martial-arts pedigree. Combined with the “rushed script” accusations, this has created an ongoing fan narrative that Mantis is a brilliant concept kneecapped by a stressed-out production.
At a press conference, Yim Si-wan revealed that during Kill Boksoon, there was originally a script mention of a mysterious killer called “Mantis,” and the director briefly considered him for a voice cameo. The cameo never happened—but the name stuck, and when Netflix spun the world off, he became the Mantis. - He called it “destiny,” saying he felt fated to end up in the role and braced himself for the hardship of all those action scenes.
Si-wan had zero prior experience with fighting using two sickles, but the character’s signature look is twin blades reminiscent of a praying mantis. He reportedly moved into action school, training nonstop to get comfortable with the dual-weapon style before shooting.
The crew hyped the climactic 1:1:1 fight between Han-ul, Jae-yi and Dok-go as a set piece meant to blend “sharp emotional confrontation” with brutal choreography. Critics and fans, however, have complained about editing and pacing blunting the impact.
Because so many viewers feel the movie is chopped up with time jumps and exposition scenes, a recurring fan theory is that there’s a “lost” or more emotional cut of Mantis sitting in Netflix’s vault—one with deeper character development and clearer romantic subtext. This is pure speculation, but it’s become a popular coping mechanism in threads that mourn “what this could have been.”
On forums, some fans argue the film is “too connected to Kill Boksoon,” saying it spends more time serving the franchise and less time serving its own story. The gossip-y spin? Rumor has it Netflix prioritized building the “assassin universe” brand over letting Mantis stand on its own as a tight, focused thriller.
Love it or hate-watch it, Mantis has given us everything a modern fandom needs: dangerous wire fantasies, rushed-script conspiracies, ship wars, and an actor who literally wishes he’d had more time to throw himself off things. In other words—premium gossip fuel.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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