
Nicolas Cage
Will Montgomery

Master thief Will Montgomery is just released from the State penitentiary after serving a 10 year sentence, is contacted by Vincent, his ex comrade in crime, who is holding Will’s teenage daughter ransom in a hijacked taxi cab. Vincent will only surrender her when Will reveals the whereabouts of the 20 million dollars he contrived to conceal from their last robbery.
I've seen Nicolas Cage run through airports, scream at bees, and wear a bear suit in the same calendar year. By 2012 the man had become a walking meme of his own intensity, so committed to the bit that the bit had started eating him. Stolen arrives in that stretch. It wants a taut thriller.
It keeps tripping over its star. It is not terrible. It is not good.
I sat there wondering if Cage is in on the joke, or if the joke is that he is still here, still doing this, still trying to outrun the past.
The premise is B-movie catnip. Will Montgomery, Cage's master thief just out of prison, is blackmailed by his old partner Danny Huston into revealing where he hid $20 million a decade earlier. Huston has kidnapped Will's teenage daughter, Sami Gayle, and stuffed her in the trunk of a taxi tearing through New Orleans during Mardi Gras.
What follows is 96 minutes of chase. Cage sprints through crowds in that half-jog, half-power-walk that makes him look one step from enlightenment or a heart attack.

Simon West knows this lane. He cut his teeth on Con Air and The Mechanic, films that treat action as a stack of set pieces rather than a story that has to land. Stolen runs the same playbook with less charm. The plot is not the problem.
The execution is. The movie moves at a clip that feels like running in place. Every chase, every shootout, every panicked call from Cage to his daughter arrives already familiar.
"A forgettable Nicolas Cage action-thriller with a few entertaining moments but little lasting impact."
Viewers find the movie watchable primarily due to Nicolas Cage’s over-the-top performance, which provides some unintentional entertainment. However, the plot is widely criticized as predictable and unoriginal, with weak character development and a lack of tension. The film struggles to stand out in the crowded action-thriller genre, leaving most feeling underwhelmed.
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Nicolas Cage’s 2012 action thriller Stolen promised high-stakes drama, but the real chaos unfolded behind the scenes—and years later, in a courtroom. Directed by Simon West (Con Air, The Mechanic), the film follows a former thief (Cage) racing against time to recover his kidnapped daughter while evading the FBI. On paper, it had the makings of a slick, mid-budget Cage vehicle. In reality, it became a cautionary tale about distribution disasters and legal battles.
Stolen leans into Cage’s signature brand of frenetic, over-the-top action. The plot—centered on a $10 million heist gone wrong—plays like a B-movie riff on Taken, with Cage’s character, Will Montgomery, navigating New Orleans’ underworld to save his daughter (Sami Gayle). The cast includes Danny Huston as a vengeful crime boss and Malin Akerman as Cage’s ex-partner, but the film’s reception was lukewarm at best.
Reviews called it forgettable, with one critic dubbing it "just Nicolas Cage" [3]. The French release, retitled 12 Heures, fared slightly better, earning a 4.4/10 rating from 931 votes on SensCritique . Rotten Tomatoes’ snippet doesn’t list a score, but the consensus appears unremarkable
. Even Cage’s most devoted fans seemed underwhelmed, with YouTube rants and podcast deep dives dissecting its flaws [9][10].
If Stolen’s on-screen action was forgettable, its off-screen drama was anything but. In 2023, the film resurfaced—not for a sequel, but as the centerpiece of a massive lawsuit. Netflix was hit with a $105 million claim from Relativity Media, the studio behind Stolen, alleging the streamer illegally distributed the film without proper licensing [5][6][8].
The lawsuit painted a picture of Hollywood greed gone wrong. Relativity accused Netflix of "stealing" Stolen after the studio’s 2015 bankruptcy, claiming the streamer exploited legal loopholes to air the film without paying its $45 million production cost [8]. Cage’s involvement became a footnote in a larger financial scandal, with Relativity arguing that Netflix’s actions devalued the film and other assets tied to the studio’s collapse.
Netflix’s response? Silence—or at least, no public rebuttal in the snippets provided. The case highlighted the cutthroat nature of post-bankruptcy rights battles, where even a mid-tier Cage flick could become a legal lightning rod.
Director Simon West, a veteran of the action genre, brought his signature style to Stolen—high-octane set pieces, tight pacing, and a reliance on Cage’s unpredictable energy . West’s filmography (Lara Croft: Tomb Raider, The Expendables 2) suggests he knew how to craft a crowd-pleasing thriller, but Stolen’s muted reception suggests it didn’t land as intended.
Was it a victim of its own formula? Cage’s performance—equal parts desperate dad and rogue thief—fits neatly into his post-National Treasure era of self-aware action roles. But without a standout hook or fresh twist, Stolen struggled to stand out in a crowded field of 2010s thrillers.
Today, Stolen lingers in the shadow of Cage’s more infamous flops (The Wicker Man, Left Behind) and his recent Oscar-winning resurgence (Pig, The Unbearable Weight of Massive Talent). It’s not the worst of his action output, but it’s far from the best.
The real story, though, might be the lawsuit. For a film that cost $45 million to make and allegedly cost Netflix $105 million in legal fallout, Stolen proved that sometimes, the biggest heist isn’t on screen—it’s in the boardroom.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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