
Ely Buendia
Himself

“It's only rock and roll... until you grow up.”
When Eraserheads formed in 1989, their music swept the country. But the real story behind the group has remain untold. Until now...
I’ve seen this trick before—the rock documentary that promises to peel back the layers of a band’s myth, only to replace one legend with another. But Eraserheads: Combo on the Run doesn’t just retell the story of the Philippines’ most beloved rock band. It dismantles it, brick by brick, then lets the four men at its center decide whether to rebuild.
The result isn’t a hagiography. It’s a confession.
Maria Diane Ventura’s film opens with a familiar image: grainy footage of Eraserheads in their prime, all floppy hair and grunge guitars, playing to a sea of screaming fans. But the camera lingers not on the stage, but on the faces in the crowd—middle-aged now, singing along to "Ang Huling El Bimbo" with the fervor of people clinging to a piece of their youth. This isn’t just a documentary about a band.
It’s about what happens when the music stops and the people who made it have to live with the silence.

The film’s structure is deceptively simple: four separate interviews with Ely Buendia, Raymund Marasigan, Buddy Zabala, and Marcus Adoro, intercut with archival footage and testimonials from friends, critics, and even Sharon Cuneta, who pops up like a benevolent specter of Filipino pop culture. Ventura’s decision to interview the band members individually—never together—is the film’s masterstroke.
It turns Combo on the Run into a Rashomon-like exercise in perspective, where every memory is both true and incomplete. Ely, the frontman, speaks in elliptical metaphors about "the weight of the spotlight." Buddy, the bassist, is blunt, almost clinical, about the band’s creative exhaustion.
Raymund, the drummer, cracks jokes to deflect the pain. And Marcus, the quietest of the four, lets his silences speak volumes.
The effect is devastating. We’ve heard the official story before: Eraserheads formed in 1989, became the voice of a generation, burned out by 2001, and reunited in 2022 for a cathartic concert that healed a nation. But Combo on the Run reveals the fractures beneath the fairy tale.
"A heartfelt and nostalgic tribute to Filipino rock legends, blending music and memoir with raw emotional depth."
Viewers praise the film for its authentic portrayal of the Eraserheads' journey, capturing the band's cultural impact and personal struggles. The documentary format resonates with fans, offering intimate insights into the members' lives and careers. latestnetflix.com's take is that however, some find the pacing uneven, with certain segments feeling rushed or overly sentimental.
Maria Diane Ventura’s Eraserheads: Combo on the Run (2025) isn’t just another rock documentary—it’s a raw, unfiltered look at the Philippines’ most legendary band, warts and all. The film, which traces the Eraserheads’ rise, breakup, and 2022 reunion, has already sparked conversations about legacy, healing, and the messy reality behind the myth. latestnetflix.com's view is that here’s what we know about the making of this long-awaited project.
Ventura isn’t just the filmmaker behind Combo on the Run—she’s also part of the story. The director, who appears in the cast list , previously produced the band’s 2022 reunion concert, Hulog ng Langit
. That proximity gave her unprecedented access, but it also came with risks. Critics note that her insider status means the film "has the privileges and hazards of proximity" —close enough to capture intimate moments, but potentially too close to see the full picture.
Still, Ventura’s approach pays off. The documentary leans heavily on interviews with the band members (Ely Buendia, Raymund Marasigan, Buddy Zabala, and Marcus Adoro), music historians, and industry insiders . Sharon Cuneta, a cultural icon in her own right, also appears, though her role remains unclear . The result? A film that trades flashy visuals for unvarnished truth .
The 2022 Hulog ng Langit concert was a historic moment for Filipino music, but Combo on the Run reveals just how fragile the reunion was. The documentary doesn’t shy away from the band’s fractures, framing their story as "four men, one fractured spotlight" . While the film celebrates their cultural impact, it also digs into the personal and professional tensions that nearly derailed the comeback.
One standout detail: the title itself comes from the Eraserheads’ song "Combo on the Run" , a track that now feels like a metaphor for the band’s chaotic journey. The documentary doesn’t just rehash old hits—it asks why the Eraserheads mattered, and what their legacy means in a post-reunion world.
The cast list reads like a who’s who of Filipino music and media. Alongside the band, the film features:
Notably absent? Any hint of drama between the band and Ventura. Given her dual role as director and producer, some might expect tension, but the evidence doesn’t suggest it . Instead, the film seems to prioritize honesty over sensationalism.
Combo on the Run had a high-profile rollout, including an exclusive screening at Newport Ultra Cinema before its Netflix release . The streaming giant’s involvement suggests global ambitions, but the film’s heart remains firmly Filipino. Reviews praise its emotional depth, with one calling it a story of "truth, healing, and the cost of fame" .
Still, some critics argue the documentary plays it safe. Ventura’s straightforward talking-heads style might not dazzle visually, but it lets the band’s words—and silences—speak for themselves.
The film ends with the 2022 reunion, but the band’s future remains uncertain. Will Combo on the Run reignite interest in new music? Or is it a final chapter? For now, the documentary stands as the definitive account of their legacy—flaws, triumphs, and all.
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