Dr. Philip Ritter
Paul Henreid
Dr. Philip Ritter

“Treachery wears a stolen face!”
A plastic surgeon changes the face of a female convict to match that of the beautiful woman who broke his heart and left him. He marries the convict but trouble starts when his true love returns.
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Dr. Philip Ritter
Paul Henreid
Dr. Philip Ritter
Alice Brent / Lily Conover
Lizabeth Scott
Alice Brent / Lily Conover
David
André Morell
David
Lily Conover, before surgery
Mary Mackenzie
Lily Conover, before surgery
Dr. John 'Jack' Wilson
John Wood
Dr. John 'Jack' Wilson
Betty
Susan Stephen
Betty
Dr. Russell
Arnold Ridley
Dr. Russell
May
Diana Beaumont
May
Alf Bixby, Innkeeper
Cyril Smith
Alf Bixby, Innkeeper
Pete Snipe
Terence O'Regan
Pete Snipe
Det. Cutler
Russell Napier
Det. Cutler
Miss Patten - Fur Department Clerk
Ambrosine Phillpotts
Miss Patten - Fur Department Clerk
The problem with this rather mediocre tale is that the underlying premiss is really pretty far-fetched. Surgeon Paul Henreid has a brief assignation with a concert pianist (Lizabeth Scott) before she returns to her boyfriend "David" (Andre Morell). Obsessed with the woman, the physician carries out some restorative plastic surgery on a female prisoner and guess what - yep - when she emerges from the bandages, she could be her twin. Somewhat implausibly, he goes on to marry her, but soon discovers that she wasn't a prisoner for nothing, and when he meets the musician again (now sans boyfriend Morell) the wife sees her own reflection, so to speak, and things turn positively ugly! Very eagle eyed amongst us might spot Arnold Ridley (think "Dads Army with the his sister "Dolly") but really that is all one can say that might be of interest. The rest of it is all a bit procedural. Henreid was never my favourite leading man - his efforts, though charming, rarely got out of first gear and the dreadfully dubbed Cockney accent from Scott's rather base alter-ego "Lily" is pretty tough on the ears. There are loads of surgery/face/identity transplant style stories out there, many better than this.
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Stolen Face (1952)
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