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Movie poster for The Goldfinch (2019)

The Goldfinch

“The story of a stolen life.”

2019
2h 29m
Director: John Crowley
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Overview

A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.

Cast

12 people

Reviews

Peter McGinn

This movie apparently had a firestorm of mixed reviews and comparisons to the Pulitzer Prize winnings book swirling around it - and I missed it all. Thankfully. I enjoyed the movie, though it wouldn’t make a list of my favorites. It is told by jumping forward and backward in time, which allows filmmakers to withhold key or dramatic details of the plot as long as possible. This seemed stunning and revolutionary way back when I watched Pulp Fiction, but now of course a lot of movies play with event sequencing. (I suppose one of the foreshadowing of this technique was Citizen Kane, like, what the hell does Rosebud mean?) So I am comfortable knowing that some things may take a while to make sense. This movie is all over the place: geographically and plot-wise, but I was fine with it. Sometimes I like a movie that dares me to pay attention. Given the hysterical nature of some of the negative reviews, I feel I might want to read the novel, but I understand it is rather long, and so is my reading list! I would say that if you aren’t a person who hates movies made from your favorite books, give this one a watch - just let it wash over you. My final comment is: I really like the Boris character, who drops into the action a couple of times. Where is his movie? Hmm, maybe he shows up more in the book. Sigh, okay, it goes onto my reading list.

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CinemaSerf

I really don't see why this got quite such a kicking from the critics. Ansel Elgort, Jeffrey Wright and Nicole Kidman put a good effort into a tale that hinges on the impact of one single, tragic, moment in time and of the subsequent consequences. The characters visibly evolve throughout the film and it flows in an interesting and absorbing fashion. It is a wee bit too long and perhaps some more judicious pruning of the original - rather lengthy - book might have been in order. That said, the screenplay does hold true to the book in all the essentials and really this is well worth a watch.

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Audience Opinions

Audience 6.5/10
"A gorgeously shot, emotionally heavy drama that moves some viewers deeply but frustrates others with messy structure and a flattened version of the novel."

The story of Theo’s grief and trauma hits hard for those who connect with its mood, with several calling it one of the most emotionally affecting movies they have seen and praising its dark, melancholy atmosphere and visuals. At the same time, the chopped-up narrative, long runtime, and adaptation choices leave a lot of viewers confused or bored, and readers of the book in particular feel that nuance, character depth, and key relationships were mishandled.

What viewers praise
  • Striking visual style The film’s imagery and overall look are described as beautiful, atmospheric, and sometimes mesmerizing to watch.
  • Powerful emotional moments Several viewers report crying or feeling gutted by Theo’s journey, saying the film made them run through a wide range of emotions.
  • Engaging young performances The younger cast, especially the Vegas material with Theo and Boris, is singled out as compelling and often the most involving part of the movie.
  • Moody dark-academia vibe The blend of high-art settings, gloom, and introspective tone appeals strongly to viewers who enjoy dark, literary-feeling dramas.
Common complaints
  • Disjointed editing and structure The non-linear storytelling feels like scenes were shuffled out of order, leaving the plot hard to follow and emotionally uneven.
  • Underwhelming book adaptation Readers of the novel complain that the adaptation strips away complexity, mishandles themes, and reduces rich characters to shallow versions of themselves.
  • Weak character execution Certain characters, especially Boris, are viewed as badly realized compared to their potential, with accent work and personality choices drawing heavy criticism.
  • Pacing and length problems The film is described as both way too long and oddly rushed in key developments, leading to stretches that feel boring or numbing rather than immersive.
  • Unfulfilled queer subtext Some viewers who were invested in the Theo–Boris dynamic are disappointed that the queer tension and relationship elements feel teased but never meaningfully developed.
Recommended for
Literary drama enthusiasts Dark-academia aesthetic fans Slow, melancholic character studies Donna Tartt novel curiosity-watchers Finn Wolfhard and Oakes Fegley fans

Buzz & Rumors

Public reports

The Goldfinch (2019): The Cursed Prestige Drama With More Off‑Screen Drama Than On

It was supposed to be high art, awards bait, and Serious Cinema. Instead, The Goldfinch face‑planted at the box office, got roasted by critics, and wound up haunted by scandals that arrived after the fact. Let’s talk about the messy, surprisingly spicy real‑world saga behind this “old, romantic New York” tragedy.


On-Set Drama & Production Chaos

Snowstorm From Hell

When the shoot moved to Amsterdam, the U.S. crew didn’t just glide in on a wave of studio money and Deakins lighting. A snow blizzard in New York delayed their flight and forced the team to swap two shooting days at the last minute, scrambling permits and schedules. Local production called it “a challenge” in that very polite, “we barely survived this” way .

Parkas, Prosthetics & Crammed Galleries

Time’s visit to set found Nicole Kidman and Ansel Elgort crammed into a tiny Upper East Side art gallery, bundled into parkas between takes on a freezing day, while the rest of the crew huddled downstairs around monitors like they were watching prestige TV in a basement . Kidman wore aging prosthetics and a grey wig to trace Mrs. Barbour across decades—and when asked if the older look freaked her out, she shrugged: “No, it’s just what’s authentic for the role” [2]. Ice queen energy, literally.

Ansel’s Weird Little Prop Bit

To keep himself amused, Elgort apparently did a gag where he hid his hand inside his parka sleeve and held a lidded plastic cup so it looked like the drink was just… attached to his arm. Somber Pulitzer adaptation on camera, dad‑joke visual humor off it [2].


Cast Feels, Not Feuds

Nicole Kidman: President of the Ansel Elgort Fan Club

On the TIFF red carpet, Kidman didn’t just praise her co‑star, she basically knighted him. She called Ansel “very funny,” said he “always had [her] laughing on set,” and declared, “I just adore him. I just love what he does,” even raving that The Goldfinch was “a really, really great choice for him to do” . If there was friction, she covered it with a thick coat of Aussie affection.

The Oscars “Who Is This Woman?” Moment

Kidman later joked that after months of seeing her in ageing prosthetics, Elgort only truly recognized her at the 90th Oscars. When he saw her without the fake neck and wig, she remembered his eyes going, basically: “Who is this?” [2]. Imagine realizing your screen mom is actually Nicole Kidman.

Sarah Paulson’s Hardcore Xandra Audition

To land the role of Xandra, Sarah Paulson didn’t just read sides. She put on a wig, got a spray tan, chain‑smoked, and reportedly spent an hour screaming in her car before going in, as she told the BBC . That chaotic, nicotine‑stained energy you see on screen? She earned it.


Scandals & The “Cursed” Afterlife

Ansel Elgort’s Sexual Assault Allegation

In June 2020, months after the movie had already bombed, a woman named Gabby accused Elgort on Twitter of sexually assaulting her in 2014 when she was 17 and he was 20 . Elgort denied assault in a statement, saying the relationship was “brief, legal and consensual,” but admitted he had “stopped responding to her” and apologized for that . The accusation hung over his filmography in later coverage, with outlets like the L.A. Times noting that the allegation “hasn’t gone away” [6]. Retroactively, The Goldfinch started looking less like a flop and more like a cursed object.

From “Oscar Bait” to Box Office Horror Story

Critics and box office analysts had a field day. The BBC called it a potential entry in cinema’s all‑time flop club, highlighting that it opened in over 2,500 theaters and still crawled to a measly $2.6 million domestic opening . IndieWire broke down how the movie’s pricey prestige package—Kidman, Elgort, Deakins—couldn’t save it from becoming one of 2019’s biggest bombs . Suddenly, the movie about a priceless painting became famous for losing a small fortune.


Leaks, Deleted Scenes & Fan Frustration

The Deleted Scenes That Broke Boris/Theo Shippers’ Hearts

On TikTok and Tumblr, fans have circulated clips and stills from deleted scenes—especially extra moments between Theo and Boris and an extended Thanksgiving setup—that never made the theatrical cut . One viral TikTok edit moans that those scenes were “reallyyyyy important in the book” and should never have been cut [9]. The fandom verdict: the studio robbed them of peak trauma‑bonding content.

Even the Blu‑ray Rubs It In

A Blu‑ray review explicitly calls out the deleted scenes section, making it painfully clear there was more character material shot and then sliced away in the edit . Redditors speculated that “production issues left too much on the cutting room floor,” pointing to the choppy structure as evidence . For a story about clinging to a single painting, the irony of them throwing away emotional beats was not lost on anyone.


Queer Subtext, Fan Theories & Casting Shade

Is Boris/Theo Canon or Queerbait?

Queer fans went long‑form on this. A widely shared essay on The Niche argued that Boris and Theo’s relationship in The Goldfinch is explicitly romantic and sexual in the book and that downplaying it on screen veers close to queerbaiting . Tumblr essays bluntly titled things like “Why The Goldfinch is undoubtedly gay” dissect every touch and line delivery .

Finn Wolfhard, who plays young Boris, later said that while the novel suggests they “experimented sexually,” he didn’t play the role as straightforwardly gay on screen, leaning into ambiguity instead . Translation: the film gave shippers just enough to argue about forever.

“What Did Spielberg See in This Guy?”

On Reddit and in think‑pieces about West Side Story, movie fans repeatedly drag Elgort’s performance in The Goldfinch as Exhibit A in the “terribly miscast” case file . One UK review flat‑out calls him “wasted” in the role and says the movie squanders “so much talent” . After the assault allegations surfaced, threads popped up openly wondering if his film career could or should survive—The Goldfinch gets name‑checked as one of the misfires that didn’t help his case .


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.