
YaYa Gosselin
Missy Moreno

“Power comes in all sizes.”
When alien invaders capture Earth's superheroes, their kids must learn to work together to save their parents - and the planet.
It takes exactly five minutes of We Can Be Heroes to realize you are not watching a Marvel movie. You're watching a Robert Rodriguez fever dream, and depending on your age and tolerance for neon-purple CGI, that's either a threat or a promise. latestnetflix.com's view is that when the film dropped on Netflix in late 2020, I fired it up with a healthy dose of adult cynicism.
I expected a nostalgic cash-grab, a spiritual sequel to 2005's The Adventures of Sharkboy and Lavagirl that would coast on millennial goodwill. What I got instead was a profoundly weird, aggressively candy-colored children's movie that basically looks the camera in the eye and tells anyone over the age of thirty that they've completely ruined the planet.

Rodriguez has always operated on his own frequency. He's an one-man studio who shoots, edits, and directs his own projects, bleeding the line between violent exploitation films and hyper-sincere family entertainment. His signature aesthetic in these kids' movies is something I can only describe as "expensive cheapness."
The visual effects here do not strive for photorealism. Instead, the alien spaceships and stretchy limbs possess the rubbery sheen of a PlayStation 2 cutscene. The adult heroes—a Justice League knockoff known as the Heroics, featuring a visibly amused Pedro Pascal and Boyd Holbrook—are dressed in costumes that look like they were purchased at a Halloween pop-up store.
Whether that's a flaw or a feature depends entirely on your patience.
"A brightly colored, child-focused superhero romp that delights kids with goofy powers and teamwork while leaving most adults unimpressed by crude effects and clichéd writing."
Young kids take to the playful powers, fast pace, and upbeat message about friendship and cooperation, and many parents say their kids laughed and stayed glued to the screen. Adults, especially those without nostalgia for Spy Kids–era films, find the weak CGI, stiff acting, and formulaic plot hard to sit through, though a few enjoy it as so-bad-it’s-good comfort viewing. Nostalgic cameos and nods to earlier Robert Rodriguez kids’ movies add some charm but also disappoint when familiar heroes and well-known adult actors barely factor into the story.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
When Netflix dropped We Can Be Heroes on Christmas Day 2020, everyone expected superhero-size drama. Instead, Robert Rodriguez delivered a shocker: a kids’ movie universe with almost no real-world scandals. But don’t hang up your cape yet — there is some delicious fan outrage, behind-the-scenes chaos wrangling 11 child actors, latestnetflix.com contends, and a sequel mystery fans are still obsessing over.
For a movie stuffed with alien invasions, superhero politics, and generational power struggles, We Can Be Heroes might be one of the least messy productions in recent Netflix history. The real-world “tea” boils down to:
No scandals. No meltdowns. Just a weirdly wholesome hit that proved sometimes, the most shocking thing Hollywood can do… is behave.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
More titles in the same genres and with the same cast.