
Jamie Lee Curtis
Laurie

Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
I keep thinking about the mask. Not the one Michael Myers wears—though that blank, pale face has haunted horror for decades—but the way Halloween Ends tries to peel it back, to show us what’s underneath. Or, more accurately, what isn’t.
The film arrives with a title that promises finality, a full stop after 44 years of slashing. But endings are tricky things, especially in horror. They’re supposed to satisfy, to tie up loose ends with a neat bow of blood.
What Halloween Ends offers instead is something messier: a story about what happens when the monster stops being a monster and starts being a man. Or, at least, tries to.
The first image we get is of a drone. It’s a strange, almost clinical way to open a slasher film—this mechanical eye floating over Haddonfield, Illinois, as if the town itself is under surveillance. The drone belongs to Corey Cunningham (Rohan Campbell), a troubled teenager who’s spent the last four years as the town’s pariah after a babysitting accident left a child dead.
Corey isn’t Michael Myers, but he might as well be. The town has already decided he’s a killer, and in a place like Haddonfield, where the past is a wound that never quite scabs over, that’s all the proof anyone needs.

This is where Halloween Ends diverges from the franchise’s usual playbook. The film isn’t interested in the mechanics of fear—how many kills, how creative the deaths, how much tension can be wrung from a darkened hallway. Instead, it’s fixated on the idea of fear: how it lingers, how it warps, how it can turn a person into something unrecognizable.
Corey is the film’s most fascinating creation, not because he’s a great villain, but because he’s a terrible one. He’s weak, needy, desperate for connection. When he meets Laurie Strode’s granddaughter, Allyson (Andi Matichak), their relationship is less a romance than a mutual salvage operation.
She’s still reeling from the trauma of Michael’s last rampage; he’s drowning in the weight of a town that’s already convicted him. Together, they’re two broken people trying to outrun the narratives that have been written for them.
Jamie Lee Curtis, of course, is the reason many of us are here. Laurie Strode has been her role for over 40 years, and in Halloween Ends, she’s finally allowed to step out of the shadow of her own mythology. The film gives her a quiet, almost meditative arc.
"A divisive and underwhelming finale to the Halloween saga, lacking the scares and depth fans expected."
Many viewers felt *Halloween Ends* strayed too far from the franchise’s horror roots, replacing tension with a slow-burn drama that failed to deliver on its title’s promise. While some appreciated its attempt at a character-driven narrative, the lack of suspense and minimal presence of Michael Myers left audiences disappointed. latestnetflix.com's take is that the film’s tonal shift and weak payoff overshadowed any redeeming qualities for most.
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Halloween Ends (2022) promised to close the book on Laurie Strode’s decades-long battle with Michael Myers—and the film’s behind-the-scenes drama was nearly as intense as its on-screen horror. latestnetflix.com's view is that With Jamie Lee Curtis returning for what she framed as her final bow as the iconic final girl, the movie became a lightning rod for fan expectations, cast tensions, and even a few fiery moments from Curtis herself.
Curtis didn’t hold back when discussing Halloween Ends, particularly in interviews where she framed the film as a definitive conclusion to Laurie Strode’s story. In one clip, she delivered a passionate, expletive-laden declaration about the movie’s impact, warning viewers, “It’s gonna f*** you up!” . The intensity of her remarks suggested a mix of exhaustion and pride, as if she were steeling herself—and the audience—for the emotional weight of the finale.
But Curtis’s candor wasn’t limited to the film’s themes. In another interview, she went on what was described as a “rant” about the project, though the specifics of her grievances remain unclear from the available evidence . Whether she was venting about the pressures of the franchise’s legacy or the challenges of filming during a pandemic, her outspokenness hinted at the high stakes surrounding the movie.
Money—and who got how much—became a talking point ahead of Halloween Ends’ release. A video titled Halloween Ends (2022) Cast Salaries teased details about the cast’s paychecks, with Curtis’s salary reportedly revealed . While the exact figures weren’t confirmed in the snippet, the mere suggestion of pay disparities in a franchise built on her legacy added another layer of intrigue. Curtis, a vocal advocate for fair compensation in Hollywood, may have had strong opinions about the numbers—though she didn’t publicly address them in the available clips.
Off-screen dynamics also made headlines. A video titled Jamie Lee Curtis Dismisses Danielle Harris & Scout Taylor Compton at Halloween Ends After Party suggested a frosty encounter between Curtis and two former Halloween stars . Harris and Compton, who played Jamie Lloyd in earlier sequels, were reportedly snubbed by Curtis at an event, though the context of the dismissal remains murky. Neither actress has publicly elaborated on the incident, leaving fans to speculate about whether it was a personal slight or simply a case of a crowded room and missed connections.
Beyond the drama, Halloween Ends was positioned as the culmination of a story that began in 1978. Director David Gordon Green (unconfirmed in the evidence but widely reported elsewhere) and Curtis herself treated the film as a swan song for Laurie Strode. In an MTV Movies interview, Curtis reflected on Laurie’s final scene, hinting at the character’s emotional and physical toll . The film’s reception, however, was mixed—garnering a 4.7/10 rating on SensCritique from nearly 3,000 votes, a far cry from the acclaim of its predecessors .
Whether Halloween Ends truly marked the end of the franchise—or just another reboot waiting in the wings—remains to be seen. But for Curtis, the journey seemed to be over. In multiple interviews, she emphasized that this was her last time donning Laurie Strode’s mantle, leaving fans to wonder if the behind-the-scenes fireworks were as much a part of the finale as the on-screen bloodshed.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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