Margaret Schlegel
Emma Thompson
Margaret Schlegel
Overview
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
Trailer
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Cast
Helen Schlegel
Helena Bonham Carter
Helen Schlegel
Henry J. Wilcox
Anthony Hopkins
Henry J. Wilcox
Leonard Bast
Samuel West
Leonard Bast
Ruth Wilcox
Vanessa Redgrave
Ruth Wilcox
Tibby Schlegel
Adrian Ross Magenty
Tibby Schlegel
Aunt Juley
Prunella Scales
Aunt Juley
Charles Wilcox
James Wilby
Charles Wilcox
Paul Wilcox
Joseph Bennett
Paul Wilcox
Annie
Jo Kendall
Annie
Evie Wilcox
Jemma Redgrave
Evie Wilcox
Albert Fussell
Crispin Bonham-Carter
Albert Fussell
Reviews
badelf
The script itself is not up the level of Remains of the Day, but then E.M.Forster is not Ishiguro (Never Let Me Go). Nevertheless E.M.Forster gives us a huge, complex story that holds our interest for the entire 142 minutes. And the Ivory-Merchant team contributes a beautiful setpiece, complete with perfect cinematography, locations, costumes and a team of the finest actors in Britain. And two of the Redgrave family to play mother and daughter. The acting from everyone on screen is phenomenal!
Read full reviewCinemaSerf
I think this might be the pinnacle of the Merchant Ivory storytelling world (with thanks to E.M. Forster), as a strong ensemble cast assembles to tell a tale of Edwardian Britain that brings into stark focus a class system that is just beginning to show some cracks. "Wilcox" (Anthony Hopkins) is what I suppose you'd call nouveau riche. A millionaire industrialist who has acquired quite a few grand country properties from the increasingly impoverished aristocracy. When his first wife (Vanessa Redgrave) dies at the eponymous country cottage, she has apparently promised it to her friend "Margaret" (Emma Thompson) but the family choose to disregard the bequeathing letter and she is none the wiser. Meantime, her well meaning and quite fussy sister "Helen" (Helena Bonham-Carter) has become aware of the hard working clerk "Bast" (Samuel West) who is married, sympathetically but rather unlovingly, to "Jacky" (Nicola Duffett) and not without ambition. "Wilcox" is set upon remarrying, and it's "Margaret" who gets the nod. Thing is, though, can there ever be any chance of any real love between them, or indeed for any of them, as the family ghosts - past and present, come back to haunt them and poor "Bast"? It's a grand looking saga this, and it plays the politics of the day well as there are three initially distinct strata of society gradually intermingling, some more willingly than others, throughout the unfolding drama. I actually thought it was the engaging effort from Duffett that stole the show, but Redgrave also contributes well, if briefly, as the ailing "Mrs. Wilcox" and Samuel West also stands out, portraying his character as a decent man who is a fish-out-of water at the best of times, but even more adrift after entrusting himself and his affairs to "Helen". It's a characterful study of human nature that shows up hypocrisy and delivers kindness, showcases nicely all the artifice of the creative talent and is worth a watch.
Read full review Movies
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