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Movie poster for Alice, Darling (2022)

Alice, Darling

“Sometimes the hardest thing to see is the truth.”

2022
1h 30m
Director: Mary Nighy
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Overview

Pushed to the breaking point by Simon, her psychologically abusive boyfriend, Alice becomes an unwitting participant in an intervention staged by her two closest friends while on vacation. As she rediscovers the essence of herself and gains some much-needed perspective, she slowly starts to fray the cords of codependency that bind her. However, Simon's vengeance is as inevitable as it is shattering, and once unleashed, it tests her strength, her courage, and the bonds of deep-rooted friendships.

Cast

12 people

Reviews

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/alice-darling-review "Alice, Darling brilliantly tackles the sensitive topic of abusive relationships. Alanna Francis' script stands out with a profound, respectful look into an emotionally disturbed Anna Kendrick - career-best performance - but also into the genuine best of female friendship. A non-exploitative look into how psychological violence can be as traumatic as any other kind of physical abuse, as well as how insanely difficult it is to leave such a toxic relationship. Mary Nighy cannot escape the subgenre's formulaic boundaries, but she should be proud of such an enlightening, impactful feature directorial debut." Rating: B+

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Louisa Moore - Screen Zealots

**By: Louisa Moore / www.ScreenZealots.com** _This film was screened at the Toronto International Film Festival_ Having experienced a close friend stuck in an emotionally abusive relationship,” Alice, Darling” really hit home. It’s a story (by screenwriter Alanna Francis) that captures the realism of what it’s like as an observer, and what I can only imagine it feels like to be the person suffering in silence. This isn’t a movie that is pleasant to watch, but that’s not why it falters. The themes are absolutely important, but director Mary Nighy chooses a path that feels like an Afterschool Special with its overt messaging. This is what ultimately hurts the film. Alice (Anna Kendrick) has found her dream man in Simon (Charlie Carrick). He’s handsome, successful, charming, and seems like a good boyfriend. When she agrees to reconnect with her two best friends Sophie (Wunmi Mosaku) and Tess (Kaniehtiio Horn) at a getaway to a quiet lake cottage, they begin to sense something isn’t right. The man is always checking up on her, texting all the time, and making their friend anxious and distant. After Alice spills that she had to lie to Simon and tell him that she’s on a business trip instead of a mini vacation, Tess and Sophie pry deeper. The truth comes to light as they learn that their best friend is trapped in an emotionally and psychologically abusive partnership. Intimate stories like this expose important issues that are overwhelmingly specific to women. Too many of us know friends or family members who have been through a similar situation, and it speaks volumes that a good number of viewers will relate to this film on a more personal level. It’s easy to judge when it’s not happening to you, and the film is a wake-up call not only for those experiencing abuse to reach out, but for those around them to be alert and learn to spot the red flags that are so easy to miss. When Nighy chooses to focus on the female friendships and characters, the film is at its best. Kendrick, Mosaku, and Horn have a natural rapport, which makes their performances feel real. Kendrick is especially heartbreaking, and her turn as an anxiety-ridden woman who feels trapped shows an impressive dramatic range. The actors do their best with this story of friendship and abuse, but the material makes for a tough transition from page to screen. The film’s sluggish pacing is unnecessary, as are the half a dozen scenes of Alice pulling out her own hair. One, maybe two, would suffice and make the point, but Nighy keeps going. There’s also a distasteful subplot about a missing girl who is presumed to be dead. This story line serves as a heavy-handed metaphor that’s tacky and obnoxious, suggesting that is Alice doesn’t leave Simon, she’ll end up murdered in the woods someday, too. I found this component of the story to be so thoroughly off-putting that it overshadowed the rest of the film. The ending is borderline corny camp, too. “Alice, Darling” tells an important story about how self doubt can be detrimental to finding the courage to stand up, let go, and move on. Too bad it isn’t more subtle (or effective) in its messaging.

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Audience Opinions

Audience 5.9/10
"A quietly intense abuse drama powered by Anna Kendrick's raw performance but held back by slow pacing, muted thrills, and an undercooked plot."

The film earns praise for its painfully accurate depiction of psychological abuse, centering the victim's inner turmoil and the slow process of recognizing and escaping control. Performances, especially Kendrick and the two friends, and the emphasis on healing over revenge stand out, and the tension of everyday interactions lands hard for those who relate. At the same time, the very low-key approach, lack of deeper backstory, thin use of the missing-girl thread, and marketing as a thriller instead of a subdued character piece leave a significant portion of viewers bored or unsatisfied by the payoff.

What viewers praise
  • Authentic lead performance Anna Kendrick convincingly portrays panic, self-erasure, and compulsive behaviors in a way that feels painfully real to those familiar with emotional abuse.
  • Victim-focused perspective Keeps the camera on Alice's experience and healing rather than glorifying the abuser or leaning into revenge fantasy.
  • Impactful friendship dynamic The two friends are portrayed as patient, protective, and ultimately life-saving, giving the story an emotional backbone beyond the romance.
  • Subtle, grounded tension Small gestures, comments, and controlling habits create an uncomfortable, claustrophobic mood without relying on loud confrontations or graphic violence.
Common complaints
  • Dragging slow-burn structure Large stretches of the film feel uneventful and repetitive, with several viewers describing the experience as dull or like waiting for something that never comes.
  • Misaligned genre expectations Promoted as a psychological thriller, yet plays more as a quiet drama, frustrating those expecting stronger suspense or sharper plot turns.
  • Thin relationship context Shows very little of how the relationship formed or escalated, making Simon look almost ordinary on screen and leaving some viewers confused or unconvinced.
  • Underused missing-girl subplot The parallel storyline about the missing woman has strong potential but is barely developed, feeling like a half-formed idea rather than a meaningful thread.
Recommended for
Psychological abuse drama viewers Anna Kendrick performance watchers Slow-burn character study fans Female-led indie drama followers

Buzz & Rumors

Public reports

“Alice, Darling” Off-Screen Drama: The Real-Life Heartbreak, Blind Items & Fan Conspiracy Web

Anna Kendrick’s quiet little psychological drama didn’t come with spit-gate-level press tour chaos — but dig a little deeper and the movie is sitting on a pressure cooker of real-life heartbreak, timeline sleuthing, and fan theories juicier than anything Simon ever served.


On-Set Drama (Or… the Suspicious Lack of It)

  • Unlike the infamous circus around Don’t Worry Darling, there are no credible reports of blowups, walk-offs or shouting matches on the Alice, Darling set. TIFF coverage paints the shoot as almost disturbingly functional, with cast and director Mary Nighy bonding over sharing personal experiences of coercive control and emotional abuse in a post-premiere Q&A . Translation: the drama stayed in the script, not in the trailers.
  • Anna Kendrick later told People she was so freshly out of her own abusive relationship that she nearly turned down the role, saying that if filming had started “in a month, I probably shouldn’t do it” because the emotional abuse had happened “very recently” . That’s the closest thing to “on-set chaos” — an actress having to live her trauma while performing it.

Scandals & Emotional Bombshells

  • The biggest scandal attached to Alice, Darling is Anna Kendrick detonating the “my relationship was abusive” truth bomb during promotion. She revealed she’d been in a seven-year emotionally abusive relationship and struggled to even name it as abuse because it didn’t follow the stereotypical pattern [2]. She described turning her life “completely upside down” trying to “fix whatever was wrong with me,” only to realize the problem was him [2].
  • In a widely-circulated piece, Pajiba reported that Kendrick had talked about a toxic, cheating ex who gaslit her so hard she questioned her own reality, recalling him screaming “You’re terrorizing me” at her when she was just crying . She said discovering texts between him and the other woman finally shattered the denial [1]. The article leans all the way into “we all know who this is,” while carefully not naming him.
  • Press commentary around the film noted that making Alice, Darling was “retraumatizing” for Kendrick, because the storyline of a psychologically abusive boyfriend so closely mirrored what she’d just gone through in real life [1].

Romance Rumors & Timeline Sleuthing

  • Once Kendrick went public about a recent multi‑year abusive relationship, gossip sleuths grabbed their red yarn. Articles and fan threads lined up her known partners — Edgar Wright (2009–2013), Ben Richardson (2014–2020), and Bill Hader (roughly 2020/2021–June 2022) — against the fact that Alice, Darling shot in mid‑2021 and she said the abuse had happened “very recently” [1].
  • People later laid out Kendrick’s dating history, confirming that she and Hader were together “for over a year” and split in 2022 [3]. While Kendrick has never publicly identified the abusive ex, online speculation has been relentless. To be clear: any naming of a specific ex as the abuser remains unconfirmed fan speculation, not reported fact.
  • At the same time, coverage of Kendrick’s love life kept rolling on. Pieces about her “new romance” with comedian Alex Edelman in 2025 list her past serious relationships — again giving fans more timeline material to chew on, and keeping Alice, Darling sitting ominously in the middle of her love-life narrative [3].

Cast Feuds, Industry Rumors & Off-Brand Shade

  • Directly on Alice, Darling, there are no reported cast feuds. But Anna Kendrick herself has been part of a separate, very online saga: the alleged long-running tension with A Simple Favor co-star Blake Lively. In 2025, Page Six ran a piece where a body-language expert dissected their “awkward” interactions amid feud rumors , while E! quickly counter-programmed with smiling photos and a “no bad blood here” narrative . That beef isn’t about Alice, Darling, but fans love to fold it into a larger “Kendrick era” storyline that includes this film and her post-abuse reinvention.
  • In a Collider interview about Alice, Darling, Kendrick threw some subtle industry shade, saying there are “bad rumors going around about what you can and can’t say to actors,” and complaining that actors are treated both like “insane divas” and “delicate little eggshells” . She talked about getting unusually hands-on in the edit, watching how tiny changes in the cut dramatically shifted the film’s emotional feel [5]. It’s not a feud, but it is a quiet flex — she wasn’t just the star suffering on screen; she was steering the ship.

Leaks, Fan Theories & Obsessions With Andrea

  • The plot’s missing‑girl thread turned into its own fandom rabbit hole. On Reddit, one viewer explained that the Andrea Evans subplot was deliberately left underdeveloped, functioning as a haunting reminder of what could happen to women like Alice rather than a traditional mystery to solve .
  • Essays and TikTok breakdowns ran with that idea: Andrea as an externalized version of Alice’s own disappearance into abuse, a mirror of “violence against women” more broadly, and even a kind of stand‑in for Kendrick’s real‑world trauma [10]. Some fans went full true‑crime‑brain, speculating — without textual proof — that Simon might somehow be connected to Andrea’s fate. Those darker theories remain pure fan speculation, but they helped the film punch way above its box-office weight in the discourse.

Wild Trivia & Meta Ironies

  • In multiple interviews and social clips, Kendrick has referred to Alice, Darling as functioning like a horror film for her — even though it’s sold as a quiet drama [9]. Given that she was still unpacking a seven-year abusive relationship in therapy while touring a movie about coercive control, that reads less like promo hyperbole and more like a low-key confession.
  • The press tour itself became so emotionally loaded that Kendrick later admitted she was “relieved to be done” talking about Alice, Darling and her trauma in public [6]. Imagine having to repeatedly revisit your worst relationship in front of cameras because the film’s marketing is literally “This is her real life, you guys.”

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.