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Movie poster for Seven Psychopaths (2012)

Seven Psychopaths

“They won't take any shih tzu.”

2012
1h 50m
Director: Martin McDonagh
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Overview

A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.

Cast

12 people

Reviews

Gimly

**The following is a long form review that I originally wrote in 2012.** The movie is incredibly convoluted, so it's hard to know what to say that definitely won't end up being a spoiler, so maybe it would be better if I just stuck to talking about the actors, as it's a crazy bunch of them for McDonagh to bring together. Don't believe the trailer, and certainly don't believe the posters. _Seven Psychopaths_ has nothing to do with either of them. Olga Kurylenko (_Max Payne, Quantum of Solace_) is shamefully under-used, but at least Martin McDonagh acknowledges that his film's female characters are not a focus point, and their weakness is his own failing (in a rather surreal way). I've adored her ever since I first saw her in _Hitman_, and was absolutely blown away by her _Centurion_ performance. Though she does practically nothing here, it's always fantastic to see her get more work (particularly in such a great film). Woody Harrelson (_Natural Born Killers_, _Defendor_) has also been one I've kept my eye on for some time now. He's a believable psychopath, a strong actor, a funny dude and he has great presence. I've yet to be annoyed by him. Ever. Sam Rockwell (_Choke, Iron Man 2_) has only recently gained my appreciation, but fuck is he great. I'd seen him and loved him in so many things before, but I never drew the connection. Now in _Seven Psychopaths_, I feel he has his strongest role to date, moreover, he is certainly the greatest character of the film. Abbie Cornish (_Limitless, Sucker Punch_) is Australian. I'm Australian. So there's that... No, she's great, I just never really locked her in as a favourite like I do with so many others. Again, in _Seven Psychopaths_, that's not fault of her own. The script allows little room for women, which is unfortunate, but well handled. She gets much more screen time that Olga Kurylenko, but it would still have been good to get more of her. Christopher Walken (_Pulp Fiction, Sleepy Hollow_) is the sort of guy that I'd watch a movie just 'cause he's in it, and I don't even know why. Collin Farrell (_In Bruges, Fright Night_) meshes with me spectacularly poorly. It's hardly like I hate the guy or anything. He's a perfectly adequate actor with a great accent, I guess I just never got the hype. He manages to be the star of _Seven Psychopaths_, but have the show stolen out from under him by pretty much everyone else on screen. It's rare that I give a film a rating of 80% or more, so if that means anything to you at all, then I implore thee, go watch _Seven Psychopaths_, it's well worth the price. 84% -_Gimly_

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r96sk

<em>’Seven Psychopaths’</em> didn’t quite do it for me. It’s not far adrift from being a good movie, I just wasn’t able to connect to it in the end. It kinda has similar issues that I found with this director’s previous film, <em>’In Bruges’</em>; it’s better than that one, mind. The comedy is lacklustre and the cast don’t feel at their best. Colin Farrell, Sam Rockwell, Christopher Walken and Woody Harrelson being in the same flick is a recipe for success, so I am disappointed to say that I didn’t rate this one. The story has some solid moments and in summary is intriguing, though how it is all connected together with everything in-between and how it’s portrayed to us simply didn’t satisfy me unfortunately. His early two films have surprisingly disappointed me, thankfully Martin McDonagh followed them up with two absolute crackers. I hope his upcoming fifth release follows suit.

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CinemaSerf

“Marty” (Colin Farrell) has an idea for a great screenplay, but thus far has only come up with a title. Hungover, as usual, he’s chatting with his pal “Billy” (Sam Rockwell) who is just full of ideas for his psychopathic characters but hates to impose on his creatively constipated buddy. Now “Billy”, aside from having a vivid imagination, is also involved in a cunning wheeze with the cravat wearing “Hans” (Christopher Walken) that involves a bit of high-end schnauzer snaffling! Yep - they dognap! It’s when he turns up to visit the suitably bemused “Marty” with a perfectly pet-icured Shih Zhu and they take quite a perilous trip into the desert that perhaps his juices might flow again? That might be inspiration, but is more likely fear as the dog’s owner is the none-too-charming hoodlum “Charlie” (Woody Harrelson) who wants his mutt back preferably with a few pounds of flesh to feed it with, too! Now they have a surfeit of ideas for his book, but can they stay alive long enough to capitalise on them? This is my favourite outing for the boy from “Ballykissangel” as he looks good, natural and works really well with the scene-stealing Rockwell who has a great comedy timing; with the dapper and wily Walken and with an on-form Harrelson who mixes a faux-charm with shotgun menace entertainingly too. The structure of the story is cumulatively episodic and that allows for plenty of thuggery, bullets and escapades as we build to a denouement that is anything but predictable. Martin McDonagh knows how to combine elements of a thriller with comedy and he also manages to get some collaborative performances here from his cast as they poke fun at the genre whilst remaining entirely immersed in it’s excesses.

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badelf

**Seven Psychopaths (2012)** _Directed by Martin McDonagh_ This is pure fun, a twisted crime comedy with an all-star cast firing on all cylinders. Colin Farrell plays a struggling screenwriter named Marty trying to finish his script "Seven Psychopaths" while his friends Billy (Sam Rockwell) and Hans (Christopher Walken) run a dog-kidnapping scheme that goes sideways when they steal a gangster's (Woody Harrelson) beloved Shih Tzu. The plot is twisted in more ways than one, folding back on itself as the real-life chaos becomes material for Marty's screenplay. The meta angle works here. McDonagh plays with the conventions of violent crime films while making one, commenting on the genre while delivering exactly what the genre promises: sharp dialogue, gleeful violence, eccentric characters. It's Tarantino viewed through the British dry humor lens, all the blood and wit but with that sardonic distance that keeps it from taking itself too seriously. The cast is phenomenal. Rockwell is manic energy, Walken brings his particular brand of calm menace and unexpected tenderness, Harrelson is perfectly unhinged, and Tom Waits shows up because of course he does. Farrell grounds the chaos, playing the one sane person trying to make sense of the madness while realizing he's complicit in creating it. This is a film that knows exactly what it is and enjoys every minute of it.

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Audience Opinions

Audience 7.2/10
"A talky, blood-soaked crime comedy powered by sharp writing and a fearless cast, but its meta detours and messy structure leave some cold."

The film lands strongly for those who enjoy dark, twisted humor, character-driven crime stories, and an offbeat script packed with clever lines, unexpected turns, and standout work from Sam Rockwell, Christopher Walken, Woody Harrelson, and Colin Farrell. Others find the story unfocused and overly pleased with its own self-referential jokes, calling it uneven, somewhat pointless, and a clear step down from In Bruges in emotional weight and overall impact.

What viewers praise
  • Electric ensemble cast Sam Rockwell, Christopher Walken, Woody Harrelson, and Colin Farrell are repeatedly singled out for charismatic, funny, and memorable performances.
  • Witty dark humor The film’s black comedy, twisted situations, and quotable dialogue are praised as clever, sick in a fun way, and consistently entertaining for those on its wavelength.
  • Inventive meta storytelling The screenplay-within-the-movie concept and playful riff on crime-movie clichés are appreciated as a smart, layered twist on the genre.
  • Stylish and energetic Bold violence, brisk pacing in many scenes, and stylish cinematography give it a punchy, visually engaging feel.
  • Surprising depth Beyond the jokes and gore, some viewers value the underlying reflection on violence, morality, and what kind of stories should be told.
Common complaints
  • Uneven, messy structure The mix of vignettes, side stories, and the main plot can feel disjointed, with stretches that drag or seem to wander without a clear payoff.
  • Self-conscious and pretentious The heavy use of meta jokes and commentary on screenwriting comes off as smug or try-hard for those not charmed by the gimmick.
  • Not as good as In Bruges Viewers familiar with the director’s previous film often describe this as a disappointment by comparison, with less emotional resonance and weaker character focus.
  • Hit-or-miss humor Some find the jokes and extreme violence more grating than funny, calling the tone juvenile, incoherent, or simply not worth the hype.
  • Limited mainstream appeal The talky, self-aware style and graphic violence make it a tough fit for those expecting a straightforward, plot-driven crime thriller.
Recommended for
Dark crime comedy fans Martin McDonagh admirers Dialogue-driven movie lovers Stylized violence enthusiasts Sam Rockwell devotees Offbeat meta-narrative seekers

Buzz & Rumors

Public reports

Seven Psychopaths: The Off‑Screen Madness They Didn’t Put in the Script

The movie gave you meta-violence, a stolen Shih Tzu, and Sam Rockwell going full chaos goblin. But behind the scenes? There was beef, shade, regret, and one very grumpy almost–co-star.


Scandals & Casting Catastrophes

Mickey Rourke vs. Martin McDonagh: The Feud That Got Harrelson Paid

Before Woody Harrelson stepped in as unhinged gangster Charlie Costello, the role was Mickey Rourke’s. Then Rourke went nuclear. In an interview, he blasted writer-director Martin McDonagh as “a jerkoff” who “wanted a whole lot for nothing” and sneered that McDonagh could “go play with himself” .

  • Rourke had reportedly ditched The Expendables 2 to do Seven Psychopaths, only to bail and torch the bridge on the way out [1].
  • McDonagh later gave a much more polite version, saying Rourke was never fully signed and hinting that the actor’s team was too focused on money and baggage before they “jumped ship” and the role went to Woody Harrelson instead .

Translation: Rourke went “scorched earth,” McDonagh went “HR-approved statement.”

The Petty Graveyard Easter Egg

In the cemetery sequence, the crew noticed one of the headstones on set already had the name “Rourke” on it. McDonagh has laughed it off as a coincidence they discovered while shooting [2]. Given Rourke’s public trash talk, fans love to read it as a gloriously shady, unplanned mini–tombstone for that working relationship.


On-Set Drama (Or Lack Thereof) & Party Regrets

The Cast That Wished It Had Gotten Wasted Together

For a movie drowning in booze, bullets, and bad decisions, the shoot was weirdly… wholesome. McDonagh later said the vibe on set was “strangely a lot of fun,” and yet the cast actually regretted not getting drunk together at some point during production . No giant blow-ups, no drunken hotel rampages—just a bunch of A-listers who didn’t do the wild cast-bonding bender they clearly deserved.

Tight Schedules, Big Pressure

McDonagh has talked about shooting the opening hitman scene (with Michael Pitt and Michael Stuhlbarg) in about half a day, knowing it needed to be iconic, scary, and funny all at once [2]. For a film that looks loose and chaotic, there was serious pressure behind the curtain.


Walken, Waits & the Weirdest Trivia

Christopher Walken Said “No” — and Movie History Was Made

That legendary standoff where Hans refuses to raise his hands? Walken basically ignored the normal action-movie script and just delivered a deadpan, “I don’t want to.” Multiple breakdowns and fan posts celebrate the moment as Walken’s improvised genius, turning a standard hostage beat into instant cult gold .

Tom Waits Took the Role for the Rabbits

Singer–legend–goblin king Tom Waits agreed to play rabbit-carrying serial killer Zachariah without even reading the script—because he was told he’d be surrounded by rabbits. As an animal lover, that was all he needed to hear [3]. Forget method acting; this was pure bunny-based casting.


Real-Life Demons: Colin Farrell’s Sobriety vs. Marty’s Drinking

When the Character Hits a Little Too Close to Home

Colin Farrell’s Marty is a blocked writer with a serious drinking problem—a storyline that echoed Farrell’s very real battle with addiction. Farrell has been candid about years of severe alcohol and drug abuse, saying his body was “shutting down” before he checked himself into rehab in Antigua in 2005 .

  • By the time Seven Psychopaths rolled around, Farrell was sober and told press he was just “grateful [he’s] actually alive” [6].
  • Fans have long noted the dark irony: a now-sober Farrell playing a man who says, “I don’t have a drinking problem, I just like drinking,” while the film quietly skewers that denial.

Leaks, Deleted Scenes & Fan Conspiracy Theories

The Desert Deleted Scene

The Blu‑ray dropped a deleted desert scene where Sam Rockwell’s Billy goes off on another of his deranged pitch rants, trying to sell his violent “better ending” for Marty’s script while Farrell and Walken react in various shades of horror and confusion . Critics agreed it was funny but dragged, which is likely why it got the axe.

Fan Theory: Billy Is the Real Writer

Over on Reddit, fans have cooked up a wildly popular theory: Billy, not Marty, is the one secretly “writing” the events of the film. According to one thread, Billy has effectively staged the chaos in real life, orchestrating everything so Marty’s “pacifist” script collapses under the weight of Billy’s blood-soaked imagination . This dovetails with a deeper, film-nerd interpretation that Seven Psychopaths is really McDonagh’s self-portrait as a writer—a meta-allegory about his own love–hate relationship with violence and pulp storytelling, discussed at length in a TrueFilm analysis . Fans speculate; McDonagh smiles and refuses to confirm.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.