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Movie poster for Venom: The Last Dance (2024)

Venom: The Last Dance

“'Til death do they part.”

2024
1h 49m
Director: Kelly Marcel
Play trailer

Overview

Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance.

Cast

12 people

Reviews

3 min read

A Symphony of Slime and Sentiment

Part of me still can't believe this franchise exists in exactly this form. Superhero cinema spent years trying to convince us it was mythic art, all multiverses and trauma speeches and lore spreadsheets. Then Venom: The Last Dance walks in, looks around at the rubble, and decides what people really need is a goo monster doing choreography to ABBA's "Dancing Queen."

It is absurd. It is also, against my better judgment, kind of a blast.

Kelly Marcel, directing for the first time after writing the first two films, understands the one thing these movies absolutely need to protect: Eddie Brock and Venom are a romantic comedy couple trapped inside a superhero sequel. Nobody is here for stately mythology. We are here for the bickering, the co-dependence, and the sight of one miserable man sharing organs with a needy, chocolate-loving alien parasite.

Marcel leans into that with refreshing sincerity. There is a road trip involving a UFO-believing hippie family led by Rhys Ifans. There is a David Bowie "Space Oddity" sing-along.

Every so often the film remembers it is supposed to be about an alien invasion, but its real interest lies in whether Eddie and Venom can make it through another day without emotionally devouring each other.

Eddie and Venom in the desert

Audience Opinions

Audience 5.6/10
"A goofy, emotionally earnest farewell powered by Tom Hardy and the Eddie-Venom bond, undercut by a scattered story and throwaway side characters."

The relationship between Eddie and Venom is widely seen as the heart of the film, with their banter, warmth, and a surprisingly touching finale giving this trilogy closer some emotional punch. Action scenes and symbiote effects are generally enjoyed, and the campy, self-aware humor works for those already on this series’ wavelength. At the same time, a messy plot, rushed or dangling subplots, and a pile of underwritten new characters leave the story feeling unfocused and far from a universally satisfying last chapter.

What viewers praise
  • Committed Tom Hardy lead Hardy’s unhinged, physical performance and willingness to lean into the silliness keep the film engaging even when the script wobbles.
  • Eddie-Venom emotional core The odd-couple partnership feels more genuine and affecting than in earlier entries, with several scenes and the ending cited as unexpectedly moving.
  • Entertaining symbiote action Symbiote battles and set pieces are described as fun and intense, with flashy CGI that makes the carnage easy to enjoy.
  • Campy, self-aware humor The movie leans into its own absurdity, delivering silly jokes and bromantic moments that land for viewers who enjoy its offbeat tone.
Common complaints
  • Chaotic, hole-ridden plot Story beats appear abruptly, logic is frequently stretched, and several elements feel inconsistent or unexplained, creating a sense of narrative chaos.
  • Overstuffed supporting cast New characters are introduced in bulk but receive little development or payoff, making them feel like distractions rather than meaningful additions.
  • Disappointing villain and lore The handling of Knull, the hunters, and related lore is viewed as underwhelming, with motivations and stakes that never fully land.
  • Uneven tone and pacing Shifts between goofy comedy, heavy drama, and big-scale sci-fi often feel jarring, with certain sections dragging while key moments are rushed.
Recommended for
Venom trilogy loyalists Tom Hardy enjoyers Campy superhero movie fans Casual late-night action viewing Symbiote comics lore followers

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

VENOM: THE LAST DANCE — ALL THE REAL-LIFE TEA OOZING OUT OF EDDIE BROCK’S FINAL RIDE

The codex might be gone, but the gossip symbiote lives on. From missing leading ladies to deleted multiverse chaos, tuxedo-coded James Bond pitches and Tom Hardy’s off‑set reputation, here’s the real‑world drama clinging to Venom: The Last Dance like black goo on a motorbike helmet.


🎬 On‑Set Vibes & Power‑Player Energy

  • Director Kelly Marcel wasn’t some random studio hire — she and Tom Hardy have been tight since the early 2000s, writing scenes together for his London theater company before she did uncredited rewrites on Bronson and Mad Max: Fury Road . Their Venom journey basically grew out of that friendship, with Hardy helping pull her into the writer’s seat on Venom, then the director’s chair for The Last Dance [1].
  • Marcel describes their collaboration as a long, continuous arc from inception to finale — which also means Hardy had serious creative weight on set, co‑crafting the story and character beats [1]. If you ever felt like the movie sometimes plays like “Tom Hardy’s Extremely Personal Alien Divorce Film,” that’s why.
  • Meanwhile, away from the symbiote, Hardy’s on‑set reputation took a hit on another project: the drama series MobLand. Reports say he was “consistently late,” holed up in his trailer for hours, and clashed with producers over script notes, leaving legends like Helen Mirren and Pierce Brosnan waiting — behavior insiders called a “power play” and “career suicide” . While that wasn’t on the Venom set, it colored the narrative around him just as The Last Dance hit home release.

💔 Cast Shake‑Ups & Missing Michelle Williams

  • The biggest piece of Venom 3 tea: no Michelle Williams. Anne Weying — Eddie’s ex, fan fave, and the human half of She‑Venom — is simply gone. Marcel explains the road‑movie concept was designed to isolate Eddie and Venom, “taking them away from their comfort zone” and focusing purely on their codependent disaster of a relationship [1].
  • Fan reaction? Think symbiote shriek. Online threads lit up with people furious that Anne was written out of the finale, especially after Let There Be Carnage framed Eddie/Anne as unresolved emotional endgame. Marcel more or less confirmed: this trilogy is about the Eddie–Venom romance, not Eddie and his actual human fiancée [1].
  • JustJared also underlined that The Last Dance brought back only a tiny core of returning actors while “major stars from the franchise aren’t coming back,” teasing two exits and lots of new blood in the cast . Translation: if you felt like half the supporting universe vanished between films — you’re not wrong.

💋 Romance Rumors & Red‑Carpet Receipts

  • If you were secretly shipping Tom Hardy and new co‑lead Juno Temple… put the fanfic down. Temple hit the London premiere on Hardy’s arm on screen, but in real life she arrived with her boyfriend Michal Szymanski and bestie Hannah Waddingham loudly cheering her on from the sidelines . So any Hardy–Temple romance talk is pure fantasy.
  • Instead of flirty chaos, Temple has been openly starstruck, repeatedly saying she’s “never seen anything like” Hardy’s commitment to Venom and calling her time in the Spider‑verse “major” . It’s very “I grew up watching you, sir,” not “meet‑cute with my messy symbiote husband.”

🧨 Leaks, Deleted Scenes & Multiverse Drama

The real mess is in what Sony didn’t let you see.

  • When the Blu‑ray details leaked, fans learned there were seven deleted scenes, including:
  • “Toxin’s Warning” – confirming once and for all that Pat Mulligan’s mystery symbiote was Toxin .
  • “In Between Universes” – a scrapped sequence where Eddie and Venom get stuck between Earth‑688 and Earth‑616, basically dangling a proper MCU multiverse crossover the film never commits to [2].
  • Fans on Reddit roasted Sony for cutting the only scenes that fully explain Mulligan/Toxin and the multiversal logic, calling it “the only interesting plot point” thrown in the bin .
  • VFX tea: Kelly Marcel wanted Mulligan’s symbiote to look like a “snake‑like, semi‑transparent ‘water god’,” according to VFX supervisor Aharon Bourland, with the look executed by DNEG’s Dave Lee and team [2]. Comic purists hated it, blasting it online as a weird, watered‑down Toxin and accusing Sony of “wasting” the character [2][7].

🕷️ Fan Theories, Bond Pitches & Future Symbiotes

  • Marcel openly admitted she put Eddie in a tux in a slick Vegas sequence partly to tease “what Tom Hardy’s James Bond might look like” [1]. Soon after, her name floated on rumor lists of potential Bond directors — which she called “extraordinary” given a woman’s never directed a 007 film [1]. So yes, the Venom finale low‑key doubles as a Bond audition tape.
  • Before and after release, fan theory culture went wild:
  • Elaborate speculation about Chiwetel Ejiofor’s Rex Strickland being a secret key to bringing Venom into Spider‑Man 4 dominated social feeds and think pieces [4].
  • Another rumor wave claimed Sony was setting up Knull as a multiversal “big bad” — later bolstered by a deleted scene presenting him as a threat who exists between universes [2][4].
  • Marcel also teased that she and the writers mapped out possible spinoffs as a “gift to the studio,” meaning Sony is sitting on ready‑to‑go ideas for other symbiotes and side characters if they want more gooey chaos after Eddie’s swan song [1]. Factor in a reported animated Venom project eyeing an R‑rating and an “Agent Venom” rumor, and it’s clear: the brand is not done, even if Hardy is .

🩸 Ending Backlash & Fandom Meltdown

  • That final acid bath? Fans did not take it well. Discussion threads tore into Venom’s death, with people calling it a “betrayal” and mocking the movie for killing its star only to hint at symbiote survival via the post‑credits stinger .
  • Combined with knowledge of all those connective deleted scenes left on the cutting‑room floor, the fandom verdict was brutal: “Sony doesn’t even know what story it wants to tell,” as one popular comment put it [7].

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.