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Movie poster for I Like Movies (2023)

I Like Movies

2023
1h 39m
Director: Chandler Levack
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Overview

Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.

Cast

12 people

Reviews

Brent Marchant

It’s admirable when someone has obvious enthusiasm for a personal passion and is eager to share that sentiment with others. However, it’s something else entirely when that burgeoning zeal is expressed with condescension, arrogance and disdain toward others when they share their views on the subject. That’s the issue 17-year-old Canadian high school senior Lawrence Kweller (Isaiah Lehtinen) wrestles with when it comes to his love of movies. As an aspiring film student seeking to attend New York University after graduating as part of the class of 2003, he speaks about his obsession – often quite naively – as a pompous, self-absorbed aesthete who doesn’t know as much as he thinks he does (and doesn’t realize it either). He routinely puts down fellow students in his media studies class, co-workers at the video store where he works, his widowed, hard-working single mother who struggles to make ends meet and even his supposed best friend and film project collaborator, Matt (Percy Hynes White). While it’s true that some of Lawrence’s behavior is attributable to psychological troubles and personal trauma, there are limits to what others will tolerate. The result of this is a series of hard lessons in comeuppance, especially when his inflated, entitled attitude is slapped back by those looking to put him in his place. Writer-director Chandler Levack’s debut feature serves up a smart, sassy, edgy comedy-drama about learning how to be legitimately inspired and impassioned without making an insufferable ass out of oneself, youthful inexperience notwithstanding. The picture is loaded with hilarious and poignant movie references that avid cinephiles are sure to love and appreciate, as well as an array of sidesplitting coming of age bits that probably take many of us back to the geeky ways of our own adolescence. Admittedly, some of the story threads seem a little implausible and don’t work as well as they might have (especially in the final act), and a few of the jokes – though funny – nevertheless stand alone like comic islands that seem disconnected from the main narrative. Nevertheless, “I Like Movies” is an otherwise-whimsical, delightful, engaging indie gem that will remind us of what it was once like to be idealistic yet blissfully ignorant, one that we can only hope will leave an indelible impression on younger viewers whose off-screen behavior tends to mirror that of the protagonist. Indeed, it’s one thing to love movies, but it’s something else entirely to think that life operates the same way.

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badelf

Chandler Levack's "I Like Movies" is both a warm embrace and a gentle slap across the face. It's a film that understands the early 2000s video store era not just as a setting, but as a state of mind, a last gasp of analog cinephilia before streaming flattened film culture into an endless scroll. For cinephiles of a certain age, this isn't just nostalgia; it's self-recognition. No wonder festival circuits embraced it with open arms. The film's visual language reinforces this comfort. Shot in letterbox aspect ratio with a warm, 70s-inspired color palette of browns and oranges, "I Like Movies" feels like cozying up under a blanket to watch Saturday Night Live on a cold Ontario evening. The regional specificity, Burlington's strip malls, and the particular texture of Southern Ontario suburbia, grounds the film in a reality that feels lived-in rather than constructed. At the center sits Lawrence Kweller (Isaiah Lehtinen), an obnoxious, narcissistic teenage film snob who, by all conventional wisdom, should make the film unbearable. Yet he doesn't. The brilliance lies in Levack's compassionate screenplay, and in Lehtinen's unflinchingly honest performance. We don't like Lawrence, but we want to help him, just as Alana does. Romina D'Ugo's phenomenal turn as Alana, Lawrence's video store manager, is the film's beating heart. She sees past his insufferable exterior to the frightened kid underneath. But beneath the coming-of-age charm lies something more profound: a exposition of psychological resistance. Humans, for the most part, do not willingly change, even when trapped in unhappiness. We cling to familiar misery like a security blanket. Therapists call this "psychological resistance," the phenomenon where abused spouses can't leave, where people remain in jobs that destroy them, and where teenagers build defensive walls of superiority to avoid confronting their fears. Both Alana and Lawrence are stuck in psychological spaces that don't serve them, and through their unlikely friendship, they crack each other open just enough to allow transformation. It takes trauma, as it so often does, to catalyze change. "I Like Movies" understands that we watch films not just to dream, but to learn. And sometimes, the most important lesson is the hardest one: that staying the same can be its own kind of suffering.

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Audience Opinions

Audience 7.1/10
"A sharply observed, deeply specific film-nerd coming-of-age story that hits hard for those it reflects while testing patience with an aggressively unlikable lead."

Emotional honesty, a painfully accurate portrait of a teenage cinephile, and a heartfelt exploration of trauma, friendship, and family make the story surprisingly affecting, especially for viewers who see their own younger selves in Lawrence. At the same time, his abrasive behavior, a few contrived late-story beats, and uneven supporting work keep some from fully embracing it or buying the final note of growth.

What viewers praise
  • Piercing film-nerd authenticity The depiction of cinephile obsessions, video-store life, and college-bound movie culture feels specific, lived-in, and often hilariously self-aware.
  • Nuanced lead performance Isaiah Lehtinen gives Lawrence enough vulnerability and complexity that a selfish, annoying character still feels real and worth following.
  • Emotional resonance Heavy moments around trauma, grief, and stalled parents hit unexpectedly hard and make several viewers feel personally called out or "attacked" in a good way.
  • Memorable supporting character Alana Alana stands out as a grounded, richly drawn counterpoint whose own pain and choices deepen the story beyond a simple film-bro satire.
  • Grounded nostalgia and setting Early-2000s suburban Canada, video stores, and dorm-life details evoke strong nostalgia and recognition without turning into shallow retro fan service.
Common complaints
  • Harsh, unlikable protagonist Lawrence spends most of the runtime treating friends, women, and his mother terribly, which some find exhausting rather than enlightening.
  • Late character shift feels rushed The final stretch, including dorm-room encounters and a softer attitude, can feel like too little, too late to sell a believable transformation.
  • Uneven supporting work A few side characters and line readings come across as stiff or mechanical compared with the stronger central performances.
  • Narrow appeal The very specific focus on film-geek neuroses and Canadian micro-details leaves some viewers cold if they do not relate closely to that world.
Recommended for
Cinephile character studies Offbeat coming-of-age drama fans Video store nostalgia lovers Canadian indie cinema followers Lady Bird and Funny Pages enjoyers

Buzz & Rumors

Public reports

I Like Movies: Indie Video Store Flick With Enough Real-Life Drama for a Franchise

The awkward Canadian film-bro comedy you love is quietly sitting on a powder keg of real-world drama: sexual assault allegations, savage fan reviews, Adam Sandler swooping in like a fairy godfather, and an audition story worthy of its own coming‑of‑age film. Roll the tape.


Scandals & Controversies

The Percy Hynes White Fallout That Hit After the Movie Dropped

  • Percy Hynes White, who plays loyal best friend Matt in I Like Movies, was accused on Twitter in early 2023 of sexual assault and of throwing parties where he and friends allegedly supplied alcohol and drugs to underage girls in order to have sex with them .
  • The original Twitter thread (since deleted) alleged that he pursued and abused underage girls and assaulted multiple people at parties in Toronto [1].
  • White later responded on Instagram, calling it a “campaign of misinformation” and insisting “the rumors are false,” saying the online storm led to his family being doxxed and his friends receiving death threats [1].
  • Entertainment outlets covering the fallout repeatedly tagged him as “the I Like Movies star” while reporting on the controversy and on his future in Netflix’s Wednesday .
  • The film itself was shot and released before the allegations surfaced, but the scandal now hangs over one of the movie’s most likable characters.

Casting Chaos & Audition Tea

300+ Auditions and One Lighthouse T‑Shirt to Rule Them All

  • Director Chandler Levack and casting director Jesse Griffiths held a Canada‑wide search for Lawrence, sifting through more than 300 self‑tapes .
  • Isaiah Lehtinen was one of the last actors to audition — and he walked in wearing a T‑shirt for The Lighthouse. Levack instantly clocked him as “speaking my language,” and his quiet, sincere take on Lawrence was richer than what she’d written [3].
  • Levack later admitted that many of the movie’s sharpest, funniest lines are pure Lehtinen ad‑lib. A lot of Lawrence’s chaotic film‑bro energy? Straight from the actor’s own instincts on set [3].

Romina D’Ugo Was Not Cast to Be a Manic-Pixie Video-Store Girl

  • Romina D’Ugo’s audition as Alana was described by Levack as “so specific and incredible,” with D’Ugo using her dance background to add physical comedy and presence that went way beyond “older manager crush” [3].
  • Behind the scenes, Levack was adamant that Alana not be reduced to a muse; casting D’Ugo was about making sure the character could hold the film emotionally — and not just be the guy’s lesson of the week [3].

On-Set Secrets & Video Store Necromancy

Built From a Dead Blockbuster’s Bones

  • The film’s painfully accurate early‑2000s video store isn’t just good production design — it’s borderline séance. The team sourced shelving and fixtures from an actual shuttered rental store to build their set, layering it with era‑perfect props and signage to mimic Levack’s own teen years working at Blockbuster .
  • Levack has said she’s been living with the Lawrence character since 2018, drawing directly from what she calls one of the loneliest periods of her life as a teenage clerk, then weaponizing that memory into cringe comedy [3].
  • The whole project was shepherded through Telefilm Canada’s Talent to Watch program — meaning this intensely personal nostalgia trip was also a calling card for the next wave of Canadian indie film [3].

Sandler, Cinephiles & the Cinderella Call

Adam Sandler Randomly Becomes the Film’s Biggest Fanboy

  • Out of nowhere, Levack got word that Adam Sandler had watched I Like Movies — and liked it so much he wanted to talk. When the phone rang, it was Sandler himself telling her, in classic Sandler cadence: “This is Adam Sandler and I f--king loved I Like Movies, man, that’s a really good f--king movie” .
  • That fan call spiraled into Levack being flown first‑class to Beverly Hills to discuss a script Sandler had for her, and eventually into her directing Netflix projects connected to Sandler’s orbit [5][6].
  • Translation: Lawrence Kweller’s unhealthy Sandler worship in the movie literally manifested as real‑life career magic for the director.

Fan Reactions, Film-Bro Discourse & Review-Reading Meltdowns

“Lady Bird for Incels” and Other Savage Takes

  • Levack and Lehtinen sat down with Letterboxd to read real viewer reviews of the movie — on camera. Lehtinen confessed he obsessively checks reviews “on the toilet, at work, when I’m feeling sad,” calling the habit “masturbatory” .
  • One reviewer snarked, “did they let this kid direct it too?” prompting Levack to blurt out, half laughing, half crying: “I spent five years of my life making this movie” while Lehtinen cackled beside her [7].
  • Another Letterboxd user described I Like Movies as “kinda like Licorice Pizza for people who want to kill themselves,” which Levack called her “favorite review” ever — the sort of perfectly unhinged pull‑quote only the internet can provide [7].

Is It Critiquing Film Bros… Or Just One of Them?

  • In interviews, Levack has been frank that the movie is her attempt, as a woman and ex‑critic, to dismantle the “toxic film bro” archetype from the inside, giving Lawrence a path to growth instead of glorifying his entitlement [3].
  • Critics and fans have debated whether the film nails that balance. Some praise the empathy and the way Lawrence’s arc is driven by the women around him; others argue that centering yet another obnoxious male cinephile — no matter how self‑aware — is its own kind of indulgence [8].
  • Either way, the discourse has helped keep this tiny Canadian dramedy in the conversation well beyond its modest release.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.