Can Yaman
Sandokan

Sandokan is a Malaysian pirate who, along with his friend Yanez and their crew, attacks the British forces from his island of Mompracem. During his adventures, he falls in love with Lady Marianna Guillonk, an English-Italian aristocrat.
There’s a particular fatigue that modern TV brings on. We’ve spent years wading through grim prestige dramas where every lead is broken inside and every scene is lit so dimly you end up shutting the blinds just to make out a face. I hadn’t realized how much I missed full-blooded, sunlit melodrama until I started Netflix’s new take on Sandokan.
This thing doesn’t ease in. It swings into the room on a rope and more or less tells you to leave your irony outside.
For anyone coming in cold, Sandokan is the "Tiger of Malaysia," the 19th-century pirate hero created by Emilio Salgari. In Italy, especially if you grew up there in the 1970s, Kabir Bedi’s turn in the 1976 miniseries is basically etched into memory. The 2025 version from Davide Lantieri, Scott Rosenbaum, and Alessandro Sermoneta isn’t interested in replacing that.
It takes a different route altogether, steering clear of the gritty pose of modern historical epics. What it really wants is the spirit of an Errol Flynn adventure.

The filmmaking tells you the deal right away. The sword fights aren’t chopped to pieces with shaky camerawork. When Sandokan and his Dayak rebels collide with British forces on Mompracem, the action is broad, staged, almost musical in its rhythm.
And then there’s the music. The second a fight kicks off, this gloriously corny theme starts chanting the hero’s name with all the restraint of a 1960s Batman sound effect. You either cringe or grin.
"A lush, escapist pirate saga with striking visuals and a charismatic lead that stumbles on romance, writing, and tonal cheese."
Lavish cinematography, exotic locations and a rousing score make the series easy to binge, and the pirate setting with political intrigue and rebellion is widely enjoyed as fun escapism. Can Yaman’s physical presence and commitment in the role are praised, along with some standout supporting turns, but his limited expressiveness, uneven chemistry with Marianne, and a messy, sometimes baffling script leave the central love story and overall narrative on shakier ground. The show’s blend of earnest drama and cheesy moments divides opinion, with some embracing it as addictive comfort viewing and others frustrated by pacing issues, contrived plotting, and an overstuffed, confusing first episode.
When the Tiger of Malaysia sailed onto our screens, nobody warned us the off-screen chaos would be even juicier than the on-screen cannon fire. From near‑death stunts to messy entanglements and fan wars over casting, the Sandokan universe is one long, dramatic tide.
Italian outlet Oggi and regional entertainment site Al Bawaba report that Can Yaman’s romance with Italian DJ Sara Bluma is “over,” with the first red flag being a mutual Instagram unfollow that sent fans into meltdown .
In an interview highlighted by fan site Riri-Nano, Yaman revealed that one stunt in the very first episode almost turned fatal .
> “I felt trapped, and I didn’t know how to free myself. Luckily, the director, who was filming underwater, noticed and rushed to help me.” [3]
As Sandokan rolled out, Reddit sleuths resurfaced an old scandal from Yaman’s Turkish TV days. A detailed thread on r/TurkishTVSerials recaps a 2019 incident where Yaman was found guilty in court over a fight with co-star Selen Soyder on the set of Hangimiz Sevmedik .
In that same fan discussion, Sara Bluma is described as a lightning rod for Yaman’s fandom — from “vulgar behavior” allegations at an awards event to outrage over her lingerie-themed parties [4]. Some supporters felt her image was bad for Yaman right as Sandokan was heading toward its big global push [4].
Over on r/PeriodDramas, the Sandokan reboot triggered a full‑blown debate over representation. Fans ripped into the choice of casting a non–Southeast Asian lead as a Malaysian pirate hero in a story set in Borneo .
TL;DR: the pirates aren’t the only ones under attack; the casting office is catching heavy cannon fire too.
A recurring fan take in Reddit discussions is that Lady Marianne’s feelings for Sandokan in the new series read less like sweeping romance and more like Stockholm syndrome — a captive falling for her captor [5]. It’s not canon, but it’s become one of the internet’s favorite dark readings of the central ship.
Sharp‑eared viewers on Reddit also claim Netflix changed the intro song between versions of the show, speculating about behind-the-scenes rights issues or a last-minute creative pivot [5]. No official explanation, just a lot of “wait, that’s not the same opening I heard last time…”
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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