
Jung In-sun
Ji Eun-oh

'Everyone has their own glorious days. Whether now, in the past, or in the future.' A family melodrama that resonates with generations about glorious days that each have different meanings.
I’ve spent the last two months watching Our Golden Days in real time—all fifty episodes, seventy minutes each, every Saturday and Sunday at 8 p.m. KST. That’s nearly sixty hours of television.
Sixty hours of generational wounds, of fathers and sons staring at each other across hospital beds, of mothers who either nurture or destroy with the same quiet intensity. Sixty hours of Jung Il-woo’s face, which is a study in restraint: the way his jaw tightens when he’s angry, the way his eyes go soft when he’s lying to protect someone. By the end, I felt like I’d lived through a family reunion where everyone stayed too long, drank too much, and finally collapsed into tears on the front lawn at 3 a.m.
That’s both the show’s greatest strength and its fatal flaw. Our Golden Days understands something fundamental about family: the way love and resentment can coexist in the same sentence, the way a single photograph can hold decades of unspoken grief. But it also understands something about Korean weekend dramas: that length is its own kind of currency. Fifty episodes isn’t just a runtime—it’s a promise.
A promise that every minor character will get their moment, that every subplot will be explored to exhaustion, that every emotional beat will be stretched until it snaps.

Let’s talk about that hospital bed scene. It’s episode 49, the penultimate installment, and Lee Sang-cheol (Cheon Ho-jin) is dying. His son, Ji-hyeok (Jung Il-woo), sits beside him, holding his hand.
The camera lingers on their fingers—Ji-hyeok’s long and elegant, Sang-cheol’s thick and calloused from decades of manual labor. There’s no dialogue for what feels like minutes. Just the beep of the heart monitor, the rustle of the sheets, the way Ji-hyeok’s breath hitches when his father squeezes his hand one last time.
It’s a masterclass in silent acting, the kind of scene that makes you forget you’re watching a television show. And then, in the very next episode, the show undoes it all with a heart transplant twist so abrupt it feels like a narrative whiplash.
That’s the paradox of Our Golden Days. It can deliver moments of devastating intimacy, but it can’t resist the siren call of melodrama. The show wants to be both a quiet character study and a high-stakes soap opera, and the result is a tonal whiplash that leaves you emotionally exhausted.
One minute, you’re watching Ji-hyeok and his childhood friend Eun-oh (Jung In-sun) share a quiet meal at a street food stall, their conversation punctuated by the sizzle of tteokbokki. The next, you’re watching a car crash, a coma, a last-minute organ donation that saves one life at the cost of another. The show lurches between these two modes with the subtlety of a drunk driver swerving between lanes.
Director Kim Hyung-seok and writer So Hyun-kyung are no strangers to this balancing act. Their previous collaboration, My Golden Life, was a ratings juggernaut that walked the same tightrope between realism and melodrama. But where My Golden Life found a rhythm in its the episode count, Our Golden Days often feels like it’s running in place.
"A heartfelt but overlong generational drama with standout performances and themes undercut by draggy pacing and heavy melodrama."
Warm family themes, a strong ensemble, and the focus on shifting relationships between generations draw in viewers who enjoy long-form character journeys. As the run goes on, pacing slows, melodramatic twists pile up, and some character arcs and the ending feel either rushed or too conventional, leaving opinions split between deeply moved and mildly disappointed.
When a 50-episode weekender crashes into sky‑high ratings, you know there’s chaos in its wake. Our Golden Days didn’t just serve generational trauma and tear‑jerker romance on screen – it quietly built a storm of dating rumors, fan fury and messy finale backlash off it. Grab your soju: here’s the tea.
Even with the mess, the show had some glittery trivia and sweet backstage moments:
No full‑blown lawsuits, no set‑shutting scandals – but Our Golden Days still delivered:
For a drama about everyone having their own “splendid days,” the real‑world gossip says it all: some of those days were glorious… and some were absolutely, spectacularly unhinged.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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