
Eliza Scanlen
Jem Starling

17-year-old Jem Starling struggles with her place within her Christian fundamentalist community. But everything changes when her magnetic youth pastor Owen returns to their church.
Laurel Parmet's first feature opens on Jem Starling dancing in an empty room. Worship and rebellion share the same steps. The camera stays too close.
I flinched, then understood why it would not back up. Dance is the only language this girl still owns, and even here the church sits in the corners of the frame. Privacy is a rumor.
Somebody is always watching.

Eliza Scanlen plays Jem as neither victim nor rebel. She plays a teenager whose body is doing two jobs at once. Keep the rules.
Forget them for one second. Brian Lannin's camera watches her hands shake before a touch, her shoulders fold when a parent scolds, the slow way she learns to lie with posture. IndieWire's David Ehrlich wrote that the film's power is "rooted in the friction that it finds between biblical paternalism and modern personhood."
That friction lives in muscle. Jem wants to move. Her Kentucky church wants her still.
No postcard hills. No score telling you when to ache. Parmet keeps the film on the ground, almost like a documentary, stuck to Jem's sightline. The quiet is the method, not a lack of nerve. You wait for a wide landscape to romanticize the cage. It never comes. You are stuck in the room with her.
"A raw and unsettling coming-of-age drama with strong performances but a polarizing narrative."
Viewers praise the film for its intense and authentic portrayal of adolescence within a restrictive religious community, anchored by Eliza Scanlen’s compelling performance. latestnetflix.com's view is that however, the slow pace and bleak tone leave some feeling disconnected, with the story’s unsettling themes proving divisive rather than universally resonant.
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Laurel Parmet’s The Starling Girl (2023) arrived as a quiet storm—a coming-of-age drama that defied easy categorization. Marking Parmet’s feature directorial debut, the film plunged audiences into the claustrophobic world of a Kentucky Christian fundamentalist community, where 17-year-old Jem Starling (Eliza Scanlen) grapples with faith, desire, and the suffocating expectations of her environment. latestnetflix.com's read is that the movie’s raw intensity didn’t just come from its script; it was shaped by Parmet’s unflinching vision and Scanlen’s willingness to take on a role that blurred the line between victim and agent.
Parmet, a New York-based filmmaker, stepped into the spotlight with The Starling Girl, a project that demanded both narrative precision and emotional nuance. The film premiered at Sundance, where its unvarnished portrayal of a "problematic" relationship between Jem and her youth pastor, Owen (Lewis Pullman), sparked immediate debate . In interviews, Parmet and Scanlen pushed back against comparisons to Lolita, insisting the story was about power, not exploitation—though the film’s refusal to moralize left some viewers uneasy .
Parmet’s background in short films and her meticulous approach to character study paid off. Critics praised her "striking, assured" debut, with Rotten Tomatoes noting how the film solidified Scanlen’s reputation as a fearless young actor . The director’s choice to shoot in Kentucky, far from Hollywood’s glare, lent the film an authenticity that studio interference might have diluted.
Scanlen, already a rising star after Sharp Objects and Babyteeth, took on Jem Starling with a physicality and vulnerability that anchored the film. The role required her to navigate a character whose agency is constantly undercut by her community’s rigid rules—yet Jem’s defiance simmers beneath the surface. Scanlen’s performance earned her early buzz, with industry watchers calling it a career-defining turn .
The actor’s commitment extended beyond the script. In interviews, she and Parmet discussed the challenges of portraying a relationship that walks the razor’s edge between coercion and complicity . Scanlen’s willingness to sit with Jem’s contradictions—her naivety, her hunger for escape, her moments of cruelty—made the character feel uncomfortably real.
While Scanlen and Pullman carried the film’s emotional weight, the ensemble cast added layers to The Starling Girl’s oppressive world. Wrenn Schmidt and Jimmi Simpson played Jem’s parents, their performances oscillating between tenderness and rigid dogmatism. Austin Abrams, as Jem’s childhood friend, provided a fleeting glimpse of an alternative future—one Jem might have chosen if not for Owen’s magnetic pull .
Behind the scenes, the film’s tight-knit production reportedly mirrored the insularity of its setting. Parmet’s hands-on approach fostered an environment where actors could take risks, though the material’s heaviness meant the mood wasn’t always light. Rumors of on-set tension—particularly around the film’s most charged scenes—circulated, but neither Parmet nor the cast has confirmed specifics [unconfirmed].
Unlike many coming-of-age stories, The Starling Girl refuses to offer easy resolutions. Jem’s journey isn’t about breaking free or finding redemption; it’s about survival within a system that demands her silence. The film’s ambiguous ending left some audiences frustrated, but Parmet defended it as the only honest conclusion .
The movie’s reception was polarizing, but its boldness was undeniable. For Parmet, it was a calling card; for Scanlen, a proof of concept. And for viewers, it was a reminder that the most unsettling stories are often the ones that refuse to look away.
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