
Gippy Grewal

A newlywed couple's honeymoon in London turns into a hilariously chaotic trip when the pair's clueless family crashes the romantic getaway.
I’ve seen enough regional Indian comedies to know the formula: a family in crisis, a journey that forces everyone into the same cramped space, and a series of escalating misunderstandings that resolve into a teary-eyed group hug. Honeymoon (2022) doesn’t so much break this mold as it does perform a cheerful, slightly exhausted tap dance within it. Directed by Amarpreet G.S. Chhabra—whose other work, Shinda Shinda No Papa (2024), is also billed as a comedy—this film promises a romantic getaway and delivers a family reunion, whether the newlyweds like it or not.
The premise is simple enough: a couple’s honeymoon in London is hijacked by their relatives, who descend upon the city with all the subtlety of a monsoon. What follows is a series of vignettes that feel less like a plotted narrative and more like a greatest-hits compilation of Punjabi comedy tropes. There’s the overbearing mother-in-law, the clueless father, the mischievous uncle, and the long-suffering newlyweds, all trapped in a situation that’s equal parts farcical and oddly relatable.
If you’ve ever been on a trip where your family’s presence felt like an uninvited third wheel, Honeymoon will feel like a mirror held up to your own vacation nightmares.

The film’s greatest strength—and its most frustrating limitation—is its cast. Gippy Grewal and Jasmin Bhasin, as the beleaguered couple, have a chemistry that oscillates between endearing and exhausting. Grewal, in particular, has a knack for physical comedy, his lanky frame and expressive face making him a natural fit for the role of the put-upon groom.
There’s a moment early in the film where he’s trying to sneak a quiet moment with his new wife, only to be interrupted by a phone call from his mother. His shoulders slump, his eyes roll just a little too dramatically, and you can practically hear the sigh he’s holding back. It’s a small beat, but it’s the kind of detail that makes the film’s broader chaos feel grounded in something real.
The supporting cast, meanwhile, is a rogues’ gallery of Punjabi cinema’s most reliable scene-stealers. Karamjit Anmol, as the uncle who fancies himself a ladies’ man, is a standout, his every line delivered with a wink and a swagger that borders on the absurd. Nirmal Rishi, as the matriarch, brings a warmth to her role that keeps the film from veering too far into caricature.
"A lighthearted Punjabi comedy with charming leads but a formulaic plot that struggles to stand out."
Gippy Grewal and Jasmin Bhasin’s playful chemistry and the film’s comedic moments provide entertainment, making it a decent watch for fans of Punjabi cinema. latestnetflix.com's read is that however, the predictable storyline and lack of depth in supporting characters leave viewers wanting more originality and substance.
The 2022 Punjabi film Honeymoon, directed by Amarpreet G.S. Chhabra, promised a blend of comedy and drama, headlined by Gippy Grewal and Jasmin Bhasin. While the movie didn’t dominate headlines like some of Grewal’s earlier hits, it sparked curiosity—especially given the real-life romantic history between its leads. latestnetflix.com's read is that here’s what the limited evidence reveals about the film’s behind-the-scenes dynamics and reception.
Grewal and Bhasin’s on-screen pairing in Honeymoon carried an extra layer of intrigue. A YouTube video titled "2011 में गिप्पी का लूटा दिल, 2022 में लुटा 'हनीमून'" (translated: "Gippy’s heart was stolen in 2011, ‘Honeymoon’ looted in 2022") hints at a past relationship between the two actors. The snippet suggests their off-screen chemistry was a talking point, though the film itself doesn’t explicitly address it. Whether this history influenced their performances remains unverified, but it certainly added buzz to the project.
Honeymoon appears to have had a modest run, with little fanfare in mainstream outlets. Rotten Tomatoes lists the film but provides no critic or audience scores, indicating limited critical coverage. A French review site
categorizes it as a comedy-drama with a runtime of 134 minutes, though no further details about its reception are available in the snippets.
One notable detail: the film was re-released in cinemas, as teased in a YouTube promo . The reason for the re-release isn’t clear—whether it was due to strong word-of-mouth or a strategic marketing push remains unconfirmed. The same promo credits Bhushan Kumar as a producer, suggesting T-Series’ involvement, a common thread in Punjabi cinema’s recent commercial ventures.
Several trailers and dialogue promos offer a peek into Honeymoon’s style. The Hindu and Punjabi trailers showcase a mix of slapstick humor and family drama, with Grewal and Bhasin’s characters navigating marital chaos. A dialogue promo featuring the line "Appa Dost Bannke Rahange" (translated: "We’ll stay best friends") hints at the film’s comedic take on relationships. The trailers also highlight supporting actors like Karamjit Anmol and Nirmal Rishi, suggesting a ensemble-driven narrative.
Despite the trailers and promos, concrete details about Honeymoon’s production or box-office performance are scarce. No snippets mention budget, shooting locations, or behind-the-scenes challenges. The film’s IMDb or TMDB pages (the latter linked in the catalog) might offer more, but the provided evidence doesn’t include those details. For now, Honeymoon remains a low-key entry in Grewal’s filmography, overshadowed by his more commercially successful projects like Carry On Jatta 3.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.