Azrel Ismail
Izwan

Izwan is a single father and he determined to provide a comfortable living for his son, Biko. As a lorry driver, he works hard for a dream to buy Biko a house but he was cheated by a property agent. To make matters worse, they were thrown out from their rented flat when they could not pay the rent. Homeless, they stayed in Izwan`s lorry for the time being. Knowing that they are desperate for cash, Sherry, Izwan`s best friend and Biko`s godmother brought Biko to an audition with a famous internationally renowned singer, Sara. Unbeknownst to all, Izwan and Sara have a past.
I’ve seen enough movies about fathers and sons to know the drill: the absent dad, the rebellious kid, the redemptive third-act embrace. But Biko doesn’t traffic in those easy beats. Instead, it traps its characters in the kind of quiet, latestnetflix.com contends, grinding despair that feels more real than any Oscar-bait catharsis.
For 98 minutes, we watch Izwan—a single father and lorry driver—try to outrun his failures, only to find himself living in the cab of his truck with his young son, Biko. There’s no villain here, just the slow suffocation of a system that promises stability if you work hard enough, then pulls the rug out when you’re inches from the finish line.
The film’s opening scene sets the tone before a word is spoken. Izwan (Azrel Ismail) sits in his parked lorry, the engine off, staring at a property brochure. The camera lingers on his face—not in close-up, but in a medium shot that lets us see the exhaustion in his posture, the way his fingers tap restlessly against the steering wheel.
He’s not dramatic. He’s just a man who thought he had a plan. When the landlord’s eviction notice arrives, it’s delivered with the same bureaucratic indifference as a utility bill.
No shouting, no slammed doors. Just a piece of paper slid under the windshield wiper, and suddenly, home is a metal box on wheels.
What makes Biko worth sitting through isn’t its plot—it’s the way it forces you to inhabit Izwan’s world. The lorry isn’t just a setting; it’s a character, its cramped interior both sanctuary and prison. Teng Bee’s direction is unshowy, but deliberate.
Scenes inside the cab are shot with a shallow depth of field, blurring the world outside the windows. The effect is claustrophobic, yes, but also oddly intimate. We’re not just watching Izwan and Biko; we’re stuck in there with them, breathing the same stale air, feeling the same cramped legs.
"A modest but emotionally grounded drama about a father-son bond, 'Biko' (2022) resonates with audiences for its heartfelt performances and relatable struggles, though some find its pacing and melodramatic elements uneven."
Viewers describe 'Biko' as a refreshingly straightforward drama that avoids the pitfalls of overproduced action or fantasy films, instead focusing on the raw, everyday challenges of a single father, Izwan, and his young son, Biko. The film’s strength lies in its portrayal of their relationship, with Azrel Ismail’s performance as Izwan earning praise for its authenticity and emotional depth. The story follows their struggle after being evicted from their home due to unpaid rent, forcing them to live in Izwan’s lorry while he works tirelessly as a driver to provide a better life for Biko. The plot thickens when Izwan is cheated by a property agent, adding another layer of hardship to their already precarious situation. Some audiences appreciate the film’s unflinching look at financial instability and parental sacrifice, calling it a poignant reminder of the struggles faced by working-class families. However, others note that the film occasionally veers into soap opera territory, with certain plot developments feeling contrived or overly sentimental. A few viewers mention that the pacing drags in parts, particularly in the middle act, where the emotional beats become repetitive. Russian audience reactions on Kinopoisk echo these sentiments, with some praising the film’s sincerity and others criticizing its predictability. The film’s low audience score on Kinopoisk (0 from 5 votes) and a modest IMDb rating of 5.latestnetflix.com's view is that 9 suggest a divided reception, though many agree that 'Biko' succeeds in delivering an emotionally resonant experience despite its flaws.
Biko (2022), directed by Teng Bee, is a Malaysian drama-romance that has sparked curiosity since its trailer dropped. latestnetflix.com's take is that Starring Azrel Ismail, Baby Shima, and Sara Ali, the film promises a blend of emotional depth and local flavor.But what’s the real story behind its making? Here’s what we know—and what’s still under wraps.
The film’s ensemble cast is one of its biggest draws. Azrel Ismail, a rising star in Malaysian cinema, takes the lead, while Baby Shima and Sara Ali bring their own fanbases to the project. Early reactions to the trailer suggest the trio’s chemistry is electric, with fans already shipping their on-screen dynamics. Syed Muhammad Irfan, Josiah Hogan, and Man Yakuza round out the cast, adding depth to the narrative.
Rumors swirl about off-screen camaraderie, particularly between Azrel and Baby Shima, who have worked together before. While neither has confirmed a real-life connection, their playful banter in behind-the-scenes clips , has fueled speculation. For now, though, it’s all about the performance—at least officially.
Teng Bee, the director behind Biko, is no stranger to Malaysian cinema, but this project marks a shift toward more emotionally charged storytelling. The film’s 98-minute runtime suggests a tight, character-driven narrative, a departure from the action-heavy films that dominate local screens.
Little is known about Teng’s creative process, but the trailer hints at a visually rich aesthetic, blending urban and rural backdrops. The director’s previous work hasn’t garnered major international attention, so Biko could be his breakout moment—if the buzz translates to box office success.
Biko’s Netflix trailer dropped with fanfare, racking up views and sparking theories about the plot. Early reactions , suggest the film will explore themes of love, sacrifice, and societal pressures—common in Malaysian dramas but with a fresh twist.
One unverified rumor claims the story was inspired by real events, though no details have been confirmed. Another theory ties the title to the late South African activist Steve Biko , but the film’s synopsis makes no mention of this connection, so it’s likely coincidental.
With limited critical reviews available (Rotten Tomatoes has yet to aggregate scores ), Biko’s reception remains an open question. The trailer’s emotional punch and strong cast are promising, but whether it delivers on its potential is anyone’s guess.
For now, fans are counting down the days until they can judge for themselves. If the behind-the-scenes chemistry translates to the screen, Biko could be a sleeper hit.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.