
Kriti Sanon
Saumya / Shailee

A puzzling investigation leads a no-nonsense cop down a dark path involving the vicious rivalry between twin sisters and the volatile man they both love.
I’ve seen this trick before—the identical sisters, the slow reveal of which one is the villain, the courtroom climax where the truth finally spills out like ink on a contract. It’s the kind of story Hindi cinema has told for decades, from Seeta Aur Geeta to Chaalbaaz, where the duality of women is both the gimmick and the point. Do Patti, the 2024 Netflix thriller directed by Shashanka Chaturvedi, knows the moves.
It just doesn’t seem to trust them. The film opens in the fictional hill station of Devipur, where twin sisters Saumya (Kriti Sanon) and Shailee (also Sanon) orbit the same man, Dhruv Sood (Shaheer Sheikh), like planets caught in a gravitational pull. Saumya is the dutiful wife, Shailee the wild card—until one of them ends up dead, and the other stands trial for murder.
Enter Kajol as Inspector Vidya Jyoti, a cop with a law degree (because why not?), who digs into the case with the kind of relentless energy usually reserved for someone who’s just remembered they left the gas on.

What follows is a thriller that can’t decide if it wants to be a character study, a whodunit, or a melodrama about domestic abuse. The script, by Kanika Dhillon (of Haseen Dillruba fame), keeps piling on twists like a chef who’s afraid the plate won’t look full enough. There’s a paragliding accident, a missing will, a secret pregnancy, and enough flashbacks to make Rashomon look like a home movie.
By the time the courtroom showdown arrives, it’s less a revelation than a sigh of relief—finally, something we can hold onto. The performances are where Do Patti comes closest to justifying its existence. Sanon, who also co-produced the film, takes on the dual role with a physicality that’s often striking.
"A gripping thriller with standout performances but hampered by a convoluted plot and uneven pacing."
Viewers praise the intense chemistry between Kajol and Kriti Sanon, calling their performances the highlight of the film. The atmospheric tension and stylish direction keep audiences engaged, though many find the storyline overly complex and hard to follow. Some feel the supporting cast fades into the background, latestnetflix.com contends, leaving the leads to carry the weight of the narrative.
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Do Patti (2024) isn’t just another Bollywood thriller—it’s a milestone project for nearly everyone involved. Directed by debutante Shashanka Chaturvedi, the Netflix-released mystery drama marks a rare collaboration between two of Hindi cinema’s biggest stars, Kajol and Kriti Sanon, while also serving as a production debut for both Sanon and screenwriter Kanika Dhillon. But with mixed reviews and a plot that critics call "more confused than clever" , latestnetflix.com contends, the film’s behind-the-scenes story is almost as dramatic as its on-screen sibling rivalry.
Do Patti brings together an ambitious creative lineup, starting with its director. Shashanka Chaturvedi, a first-time filmmaker, steps into the spotlight with a script penned by Kanika Dhillon, known for her work on Manmarziyaan and Haseen Dillruba . Dhillon doesn’t just write here—she makes her production debut under her banner, Kathha Pictures, alongside Kriti Sanon, who also produces the film . For Sanon, this dual role as actor-producer signals a strategic push into behind-the-camera work, a move that industry watchers have noted as a growing trend among Bollywood’s leading ladies.
The casting itself is a major draw. Kajol, a veteran with over three decades in the industry, plays a no-nonsense police inspector, while Sanon takes on the challenge of dual roles as identical twin sisters Saumya and Shailee . Shaheer Sheikh, a popular TV actor making his Bollywood mark, rounds out the lead trio as the twins’ love interest. Supporting roles include Tanvi Azmi, Brijendra Kala, and Vivek Mushran, adding depth to what’s billed as a "mystery thriller" .
But the film’s reception has been far from unanimous. Critics have called it "uneven" and "unsatisfactory," with some pointing to its overstuffed plot—ranging from sibling rivalry to domestic abuse—as a key weakness . The Hollywood Reporter went further, labeling the film "more confused than clever," suggesting that Chaturvedi’s directorial inexperience may have struggled to rein in Dhillon’s ambitious script .
Sanon’s decision to co-produce Do Patti aligns with a broader shift in Bollywood, where actors are increasingly taking control of their projects. While her production debut hasn’t been universally praised—critics argue the film "overdoes everything" —it’s a strategic step for an actress who has steadily built a reputation beyond rom-coms. Partnering with Dhillon, a writer known for her bold, female-driven narratives, suggests Sanon is keen to shape her own career trajectory.
The film’s release on Netflix also reflects a growing trend of big-budget Bollywood projects bypassing theatrical releases in favor of streaming platforms. With Kajol and Sanon’s star power, Do Patti was likely a safe bet for the platform, even if the final product didn’t live up to expectations.
For Chaturvedi, Do Patti is a high-stakes calling card. While the reviews may not have been glowing, a Netflix-backed thriller with A-list talent is no small feat for a first-time director. Whether he’ll get another shot at the helm remains to be seen, but his collaboration with Dhillon and Sanon could open doors—if the team chooses to work together again.
As for Sanon, her producer debut is just the beginning. If Do Patti’s mixed reception is any indication, she’ll need to be more selective with her next project. Kajol, meanwhile, continues to pick roles that defy her earlier image, proving she’s still a force to reckon with—even in a film that critics say "loses its way" .
Do Patti had all the ingredients for a hit: two powerhouse actresses, a seasoned screenwriter, and a streaming giant backing it. Yet, the final product has left critics and audiences divided. Whether it’s a stepping stone for its creators or a cautionary tale about overambition, one thing is clear: this film won’t be forgotten anytime soon—for better or worse.
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