Kriti Sanon
Saumya / Shailee
Overview
A puzzling investigation leads a no-nonsense cop down a dark path involving the vicious rivalry between twin sisters and the volatile man they both love.
Cast
12 people
Reviews
4 min read AI-generated editorial review
The Twin Trap: How Do Patti Struggles to Escape Its Own Reflection
I’ve seen this trick before—the identical sisters, the slow reveal of which one is the villain, the courtroom climax where the truth finally spills out like ink on a contract. It’s the kind of story Hindi cinema has told for decades, from Seeta Aur Geeta to Chaalbaaz, where the duality of women is both the gimmick and the point. Do Patti, the 2024 Netflix thriller directed by Shashanka Chaturvedi, knows the moves. It just doesn’t seem to trust them. The film opens in the fictional hill station of Devipur, where twin sisters Saumya (Kriti Sanon) and Shailee (also Sanon) orbit the same man, Dhruv Sood (Shaheer Sheikh), like planets caught in a gravitational pull. Saumya is the dutiful wife, Shailee the wild card—until one of them ends up dead, and the other stands trial for murder. Enter Kajol as Inspector Vidya Jyoti, a cop with a law degree (because why not?), who digs into the case with the kind of relentless energy usually reserved for someone who’s just remembered they left the gas on.
What follows is a thriller that can’t decide if it wants to be a character study, a whodunit, or a melodrama about domestic abuse. The script, by Kanika Dhillon (of Haseen Dillruba fame), keeps piling on twists like a chef who’s afraid the plate won’t look full enough. There’s a paragliding accident, a missing will, a secret pregnancy, and enough flashbacks to make Rashomon look like a home movie. By the time the courtroom showdown arrives, it’s less a revelation than a sigh of relief—finally, something we can hold onto. The performances are where Do Patti comes closest to justifying its existence. Sanon, who also co-produced the film, takes on the dual role with a physicality that’s often striking. Saumya moves like someone trying to take up as little space as possible, her shoulders hunched, her gaze flickering away from conflict. Shailee, by contrast, swaggers—her hips sway, her smirk is a dare. It’s a neat trick, this mirroring, and Sanon sells it. But the script keeps undercutting her. The twins’ childhood rivalry, which should be the emotional core of the film, is sketched in such broad strokes that their animosity feels less like a wound and more like a plot device. Scroll.in put it best: the film "deals its heroines a bum hand, lacking both rigor and potency" [10]. Kajol, meanwhile, is a force of nature, even when the material doesn’t deserve her. As Inspector Vidya Jyoti, she barrels through scenes with the kind of no-nonsense authority that makes you forget, for a moment, that her character is also a qualified lawyer (a detail critics have rightly called out as logistically absurd [1, 6]). There’s a scene where she interrogates a suspect while casually flipping through case files, her Haryanvi accent (a choice that’s… debatable) dropping like a hammer. It’s the kind of moment that makes you wish the film had more of her and less of everything else.
I’ve seen this trick before—the identical sisters, the slow reveal of which one is the villain, the courtroom climax where the truth finally spills out like ink on a contract. It’s the kind of story Hindi cinema has told for decades, from Seeta Aur Geeta to Chaalbaaz, where the duality of women is both the gimmick and the point. Do Patti, the 2024 Netflix thriller directed by Shashanka Chaturvedi, knows the moves. It just doesn’t seem to trust them. The film opens in the fictional hill station of Devipur, where twin sisters Saumya (Kriti Sanon) and Shailee (also Sanon) orbit the same man, Dhruv Sood (Shaheer Sheikh), like planets caught in a gravitational pull. Saumya is the dutiful wife, Shailee the wild card—until one of them ends up dead, and the other stands trial for murder. Enter Kajol as Inspector Vidya Jyoti, a cop with a law degree (because why not?), who digs into the case with the kind of relentless energy usually reserved for someone who’s just remembered they left the gas on.
What follows is a thriller that can’t decide if it wants to be a character study, a whodunit, or a melodrama about domestic abuse. The script, by Kanika Dhillon (of Haseen Dillruba fame), keeps piling on twists like a chef who’s afraid the plate won’t look full enough. There’s a paragliding accident, a missing will, a secret pregnancy, and enough flashbacks to make Rashomon look like a home movie. By the time the courtroom showdown arrives, it’s less a revelation than a sigh of relief—finally, something we can hold onto. The performances are where Do Patti comes closest to justifying its existence. Sanon, who also co-produced the film, takes on the dual role with a physicality that’s often striking. Saumya moves like someone trying to take up as little space as possible, her shoulders hunched, her gaze flickering away from conflict. Shailee, by contrast, swaggers—her hips sway, her smirk is a dare. It’s a neat trick, this mirroring, and Sanon sells it. But the script keeps undercutting her. The twins’ childhood rivalry, which should be the emotional core of the film, is sketched in such broad strokes that their animosity feels less like a wound and more like a plot device. Scroll.in put it best: the film "deals its heroines a bum hand, lacking both rigor and potency" [10]. Kajol, meanwhile, is a force of nature, even when the material doesn’t deserve her. As Inspector Vidya Jyoti, she barrels through scenes with the kind of no-nonsense authority that makes you forget, for a moment, that her character is also a qualified lawyer (a detail critics have rightly called out as logistically absurd [1, 6]). There’s a scene where she interrogates a suspect while casually flipping through case files, her Haryanvi accent (a choice that’s… debatable) dropping like a hammer. It’s the kind of moment that makes you wish the film had more of her and less of everything else.
Audience Opinions
AI summary of viewer review patterns
Audience 7.3/10 AI
"A gripping thriller with standout performances but hampered by a convoluted plot and uneven pacing."
Viewers praise the intense chemistry between Kajol and Kriti Sanon, calling their performances the highlight of the film. The atmospheric tension and stylish direction keep audiences engaged, though many find the storyline overly complex and hard to follow. Some feel the supporting cast fades into the background, leaving the leads to carry the weight of the narrative.
What viewers praise
- Powerhouse lead performances Kajol and Kriti Sanon deliver compelling, emotionally charged performances that anchor the film.
- Atmospheric tension The film’s moody visuals and suspenseful tone create a gripping viewing experience.
- Strong chemistry The dynamic between the twin sisters and the investigating officer adds depth to the thriller.
- Stylish direction Shashanka Chaturvedi’s visual storytelling enhances the film’s thriller elements.
Common complaints
- Overly complex plot Many viewers struggle to follow the twists and turns, finding the narrative confusing.
- Uneven pacing The film’s rhythm feels inconsistent, with some scenes dragging while others rush key revelations.
- Underdeveloped side characters Supporting roles, including the police inspector, lack depth and fail to leave a lasting impact.
- Predictable twists Some plot revelations feel telegraphed, reducing the film’s shock value.
Recommended for
Thriller enthusiasts Kajol and Kriti Sanon fans Atmospheric crime drama lovers Netflix original movie viewers Slow-burn mystery fans
Full Plot (Spoilers)
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Buzz & Rumors
Public reports AI-researched entertainment notes
Kajol and Kriti Sanon’s Do Patti: A High-Stakes Debut for First-Time Director Shashanka Chaturvedi
Do Patti (2024) isn’t just another Bollywood thriller—it’s a milestone project for nearly everyone involved. Directed by debutante Shashanka Chaturvedi, the Netflix-released mystery drama marks a rare collaboration between two of Hindi cinema’s biggest stars, Kajol and Kriti Sanon, while also serving as a production debut for both Sanon and screenwriter Kanika Dhillon. But with mixed reviews and a plot that critics call "more confused than clever" 
, the film’s behind-the-scenes story is almost as dramatic as its on-screen sibling rivalry.
A Powerhouse Team’s Risky Gamble
Do Patti brings together an ambitious creative lineup, starting with its director. Shashanka Chaturvedi, a first-time filmmaker, steps into the spotlight with a script penned by Kanika Dhillon, known for her work on Manmarziyaan and Haseen Dillruba . Dhillon doesn’t just write here—she makes her production debut under her banner, Kathha Pictures, alongside Kriti Sanon, who also produces the film [3]. For Sanon, this dual role as actor-producer signals a strategic push into behind-the-camera work, a move that industry watchers have noted as a growing trend among Bollywood’s leading ladies.
The casting itself is a major draw. Kajol, a veteran with over three decades in the industry, plays a no-nonsense police inspector, while Sanon takes on the challenge of dual roles as identical twin sisters Saumya and Shailee . Shaheer Sheikh, a popular TV actor making his Bollywood mark, rounds out the lead trio as the twins’ love interest. Supporting roles include Tanvi Azmi, Brijendra Kala, and Vivek Mushran, adding depth to what’s billed as a "mystery thriller" [2][3].
But the film’s reception has been far from unanimous. Critics have called it "uneven" and "unsatisfactory," with some pointing to its overstuffed plot—ranging from sibling rivalry to domestic abuse—as a key weakness [5]. The Hollywood Reporter went further, labeling the film "more confused than clever," suggesting that Chaturvedi’s directorial inexperience may have struggled to rein in Dhillon’s ambitious script [4].
Kriti Sanon’s Producer Debut: A Calculated Move?
Sanon’s decision to co-produce Do Patti aligns with a broader shift in Bollywood, where actors are increasingly taking control of their projects. While her production debut hasn’t been universally praised—critics argue the film "overdoes everything" [5]—it’s a strategic step for an actress who has steadily built a reputation beyond rom-coms. Partnering with Dhillon, a writer known for her bold, female-driven narratives, suggests Sanon is keen to shape her own career trajectory.
The film’s release on Netflix also reflects a growing trend of big-budget Bollywood projects bypassing theatrical releases in favor of streaming platforms. With Kajol and Sanon’s star power, Do Patti was likely a safe bet for the platform, even if the final product didn’t live up to expectations.
What’s Next for the Team?
For Chaturvedi, Do Patti is a high-stakes calling card. While the reviews may not have been glowing, a Netflix-backed thriller with A-list talent is no small feat for a first-time director. Whether he’ll get another shot at the helm remains to be seen, but his collaboration with Dhillon and Sanon could open doors—if the team chooses to work together again.
As for Sanon, her producer debut is just the beginning. If Do Patti’s mixed reception is any indication, she’ll need to be more selective with her next project. Kajol, meanwhile, continues to pick roles that defy her earlier image, proving she’s still a force to reckon with—even in a film that critics say "loses its way" [4].
The Verdict: A Missed Opportunity?
Do Patti had all the ingredients for a hit: two powerhouse actresses, a seasoned screenwriter, and a streaming giant backing it. Yet, the final product has left critics and audiences divided. Whether it’s a stepping stone for its creators or a cautionary tale about overambition, one thing is clear: this film won’t be forgotten anytime soon—for better or worse.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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