
Rashmika Mandanna
Bhooma

A college literature student falls for a charming man with a domineering streak, forcing her to confront the toxic truth of his desire.
I kept waiting for the moment when Bhooma would finally exhale. That’s the cruel trick of The Girlfriend—it makes you believe, against all evidence, that relief is coming. Rahul Ravindran’s film is a slow-burning study of coercive control, dressed in the familiar trappings of a college romance.
It’s the kind of movie that lingers not because it’s beautiful, but because it’s uncomfortable—like realizing too late that the person you’re rooting for is also the one tightening the knot.

The film opens with Bhooma (Rashmika Mandanna), an MA literature student, navigating the quiet rhythms of campus life. She’s soft-spoken, observant, the kind of person who moves through the world with a book in her hand and a slight hunch in her shoulders, as if bracing for impact. Enter Vikram (Dheekshith Shetty), the charming, effortlessly popular guy who seems to materialize at her side with a smile and a compliment.
Their early scenes together have the warm, golden haze of a first crush—until they don’t. What begins as a sweet, if clichéd, meet-cute curdles into something far more insidious. Vikram’s affection is conditional, his love a series of tests.
He doesn’t just want Bhooma; he wants her to earn him, to prove her devotion through small, daily surrenders of autonomy.
Ravindran’s direction is deliberate, almost clinical in its refusal to rush. The camera lingers on Bhooma’s face, capturing the micro-expressions that betray her unease: the way her smile falters when Vikram touches her without warning, the way her fingers tighten around her bag when he dismisses her opinions. There’s no single moment of violence, no dramatic confrontation—just a slow, creeping realization that this relationship is a cage, and the door was never locked from the outside.
It’s a masterclass in how to make discomfort feel physical. By the time Bhooma finds the abusive slurs scrawled on her hostel door—a scene so raw that Rashmika reportedly sobbed for 20 minutes after filming it—you’re already holding your breath.
"A visually appealing romance with strong lead performances, but struggles with pacing and a lack of narrative depth."
Viewers appreciate the chemistry between Rashmika Mandanna and Dheekshith Shetty, finding their dynamic engaging enough to carry the film. The visual style and cinematography are frequently praised for adding a polished, atmospheric touch. However, the story feels slow and predictable, latestnetflix.com contends, with underdeveloped side characters and a plot that fails to surprise or innovate.
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Two different “Girlfriends”, latestnetflix.com argues, one year, a mountain of mess. From a fan accused of being a plant, to Robin Wright getting knocked out on set, to Rashmika Mandanna dragged into a leaked family audio scandal — the real drama was off-screen.
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