The Lawsuit That Saved a CartoonI didn’t expect to cry in a movie about a coyote suing a corporation. Not the kind of tears that well up when someone dies or a family reunites—just a quiet, stubborn ache behind the eyes when the screen went dark and the credits rolled. Maybe it was relief. Maybe it was the absurdity of the whole thing: a film that almost didn’t exist, a character who’s spent 70 years getting blown up by his own mail-order gadgets, finally demanding his day in court. Or maybe it was just the way Will Forte, playing the world’s most exhausted billboard lawyer, looks at Wile E. Coyote for the first time and says, “You’re real?” like he’s just been handed a miracle he doesn’t deserve.
Coyote vs. Acme is a movie that shouldn’t have needed to fight this hard to exist. And yet, here it is: a scrappy, inventive, occasionally uneven hybrid of live-action and animation that turns the Looney Tunes catalog into a legal thriller. It’s also, weirdly, a story about corporate negligence—both the in-universe kind (ACME’s products are, as always, catastrophically defective) and the real-world variety (Warner Bros. tried to bury this thing for a tax writeoff). The film leans into that irony, framing ACME as a faceless conglomerate that treats its customers like collateral damage. It’s hard not to read that as a middle finger to the studio that nearly erased it.

The setup is simple: After one too many failed attempts to catch the Road Runner, Wile E. Coyote (silent, expressive, and still the most relatable character in animation) decides to sue ACME for emotional distress, bodily harm, and general corporate malfeasance. He hires Kevin Avery (Forte), a down-on-his-luck lawyer who specializes in billboard ads and has never won a case. Their unlikely partnership forms the heart of the film, with Kevin’s niece Paige (Lana Condor) acting as translator, mediator, and occasional voice of reason. The courtroom scenes are where
Coyote vs. Acme shines brightest. The film takes its legal satire seriously—ACME’s lawyers (led by John Cena’s smarmy Buddy Crane) argue that Wile E. assumed the risk by using their products, while the prosecution counters with a parade of Looney Tunes characters as witnesses. Bugs Bunny testifies via video deposition, Daffy Duck cross-examines himself into a meltdown, and Foghorn Leghorn delivers a monologue so long the judge falls asleep. It’s
Legally Blonde meets
Who Framed Roger Rabbit, if Roger Rabbit were a silent, perpetually singed coyote.