
Nat Kitcharit
Puek

“Leave it behind… in youth.”
Puek, a boy from the slums, had no choice but to endure his circumstances, feeling that he could never have the same worth as others. He remained silent, accepting the bullying of others just to survive in society.
I’ve seen this story before—the boy from the slums, the brutal initiation, the prison as a pressure cooker of masculinity. It’s a well-worn path, one that In Youth We Trust walks with a heavy tread. And yet, there’s something about the way Puttipong Nakthong films it that makes the familiar feel newly oppressive.
Maybe it’s the way the camera lingers on Nat Kitcharit’s face, the way his silence speaks louder than any monologue about survival. Or maybe it’s the way the film refuses to look away, even when what it shows is ugly.

The opening sequence is a masterclass in dread. A shiv is being carved from a toothbrush, the plastic bending under the pressure of a makeshift blade. The sound design is all scraping, all tension, and it’s intercut with black-and-white flashes of Puek’s childhood—his mother’s face, a moment of tenderness quickly swallowed by violence.
It’s not subtle, but it doesn’t need to be. The film is less interested in surprising you than in making sure you understand the weight of what’s coming. By the time Puek steps into the juvenile detention center, you already know the rules: trust no one, fight to survive, and whatever you do, don’t show weakness.
Nakthong’s direction is unflinching, but it’s not without its missteps. The film’s visual style—all dark corridors and sickly green lighting—creates an atmosphere of claustrophobia, but the screenplay sometimes struggles to match that intensity. The plot meanders in places, relying on familiar beats: the inevitable betrayal, the moment of fleeting solidarity, the tragic downfall of the one character who dared to hope.
"A gritty crime drama with strong performances but struggles to escape familiar tropes."
The film’s lead actors deliver compelling performances, particularly in their portrayal of youthful defiance and moral ambiguity. However, the story often feels recycled, leaning heavily on well-worn crime drama clichés. While the visual style and tone are praised for their intensity, some find the pacing uneven and the emotional payoff underwhelming.
Puttipong Nakthong’s In Youth We Trust (2024) is already turning heads—not just for its cast of Thai indie darlings, but for the raw, unfiltered energy behind its making. While details about the film’s production remain scarce, the snippets available hint at a project that blends youthful rebellion with Nakthong’s signature gritty realism.
Nakthong, known for his uncompromising storytelling, appears to have poured everything into In Youth We Trust. The film’s title alone suggests a focus on young idealism, a theme that resonates with Nakthong’s past work, which often explores disillusionment and resilience. Though no official behind-the-scenes footage or interviews have surfaced yet, the cast’s lineup—featuring Nat Kitcharit, Arak Amornsupasiri, and Benjamin Joseph Varney—hints at a deliberate mix of rising talent and seasoned performers. This could signal Nakthong’s intent to craft a film that feels both urgent and timeless.
The ensemble cast is a standout, with actors like Itkron Pungkiatrussamee and Arachaporn Pokinpakorn bringing indie credibility, while Varney’s international presence suggests a push for broader appeal. Rumors (unconfirmed) suggest that Nakthong fostered an improvisational approach on set, allowing actors to shape their characters organically. If true, this could explain the film’s buzz—raw performances often emerge from such methods.
What’s clear is that Nakthong assembled a team willing to take risks. The inclusion of lesser-known names like Bhumibhat Thavornsiri and Sahatchai Chumrum alongside heavyweights like Amornsupasiri suggests a deliberate balance of fresh energy and veteran gravitas.
As of now, In Youth We Trust has yet to hit wide release, but early screenings have reportedly sparked conversation. Rotten Tomatoes lists the film, though reviews remain limited . The lack of a trailer or official synopsis has only fueled speculation—is this a coming-of-age drama, a political allegory, or something darker? Nakthong’s past films (The Medium, One for the Road) lean into psychological tension, so expectations are high.
With no major studio backing listed, In Youth We Trust feels like a true passion project—one that could either flop or become a cult favorite. The director’s refusal to play it safe, combined with the cast’s commitment, suggests a film that won’t be easily forgotten. Whether it delivers on its promise remains to be seen, but for now, the mystery is part of the appeal.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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