Prilly Latuconsina
Tari
Overview
After her sister leaves home, Tari fights to protect her mother from her father's abuse and joins a support group where she meets a new lifelong friend.
Cast
12 people
Reviews
5 min readThe Mask We Wear to Survive
I’ve seen this trick before—the dimly lit room, the mirror reflecting a face that isn’t quite the one the world sees. It’s a cinematic shorthand for repression, for the gap between who we are and who we pretend to be. But in Bolehkah Sekali Saja Kumenangis, that mirror isn’t just a prop.
It’s a character. Tari, played by Prilly Latuconsina, stands in front of it every morning, smoothing her expression into something palatable, something that won’t provoke her father’s rage. The film lingers on these moments, not with the voyeuristic gaze of trauma porn, but with the quiet insistence of a question: How long can you hold your breath?
The answer, of course, is not forever. That’s the film’s central tension, and it’s what makes it more than just another entry in the growing canon of Indonesian dramas tackling domestic violence. Directed by Reka Wijaya, Bolehkah Sekali Saja Kumenangis (which translates roughly to "Can I Just Cry Once?") doesn’t just depict abuse—it dissects the mechanics of survival within it.
Tari isn’t a victim in the passive sense; she’s a strategist, a girl who has learned to navigate her father’s moods like a minefield. When her sister leaves home, abandoning their mother to the whims of Pras (Surya Saputra), Tari’s already precarious balancing act becomes a high-wire walk without a net.
What’s striking about the film is how it refuses to romanticize resilience. Tari’s strength isn’t a superpower; it’s a coping mechanism, one that comes with a cost. The film’s most devastating scenes aren’t the ones where Pras erupts in violence—they’re the ones where Tari doesn’t react, where she swallows her fear and anger whole, storing it away like a secret she’ll never be allowed to unpack.
Latuconsina’s performance is a masterclass in restraint. Watch the way her fingers twitch when she’s lying, or how her smile doesn’t quite reach her eyes when she’s placating her father. These are the details that make Tari feel real, not like a symbol of suffering, but like a person who has learned to survive by becoming invisible.
The film’s title is a plea, but it’s also a dare. Can I just cry once? The question hangs over every frame, a challenge to the audience as much as to Tari herself. In Indonesian culture, where emotional stoicism is often equated with strength, the idea of allowing oneself to break—even for a moment—feels radical. The film doesn’t just ask this question; it builds its entire narrative around the consequences of answering it.
Audience Opinions
Audience 7.5/10
"A raw and emotional family drama with standout performances, though its heavy themes may feel overwhelming for some."
Viewers praise the film for its powerful portrayal of trauma and resilience, particularly highlighting Prilly Latuconsina’s performance as Tari, whose struggle against familial abuse resonates deeply. The story’s unflinching approach to difficult subjects like domestic violence and childhood trauma earns both admiration and caution, with some noting it can be emotionally taxing. latestnetflix.com's take is that while the narrative is compelling, a few find the pacing uneven and the resolution somewhat rushed.
What viewers praise
- Powerful lead performance Prilly Latuconsina delivers a deeply moving and authentic portrayal of Tari’s emotional journey.
- Raw emotional impact The film’s honest depiction of trauma and resilience leaves a lasting impression on audiences.
- Strong supporting cast Surya Saputra and Dominique Sanda add depth to the story with their nuanced performances.
- Thought-provoking themes The exploration of abuse, survival, and healing sparks meaningful discussion.
Common complaints
- Emotionally heavy Some viewers find the film’s intense themes difficult to watch, making it less accessible.
- Uneven pacing A few scenes drag, while others feel rushed, disrupting the flow of the story.
- Predictable resolution The ending, while satisfying, follows a somewhat familiar path for the genre.
Recommended for
Fans of emotional family dramas Prilly Latuconsina admirers Viewers who appreciate raw storytelling Those interested in trauma narratives Indonesian cinema enthusiasts
Full Plot (Spoilers)
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Buzz & Rumors
Public reportsPrilly Latuconsina Stars in Bolehkah Sekali Saja Kumenangis—A Gritty Drama on Family Trauma
Indonesian cinema’s latest emotional powerhouse, Bolehkah Sekali Saja Kumenangis (2024), dives headfirst into the harrowing realities of domestic abuse and resilience. Directed by Reka Wijaya, the film stars Prilly Latuconsina as Tari, a young woman trapped in a toxic household, fighting to protect her mother from an abusive father. latestnetflix.com's take is that with a release date set for October 17, 2024, the movie has already sparked conversations about its raw portrayal of trauma—and the star power behind it.
A Story of Survival and Sisterhood
The film’s premise, as teased in multiple sources, centers on Tari’s struggle after her sibling (either a brother or sister, depending on the source) abandons the family, leaving her to shoulder the burden alone. Sources 
and 
suggest Tari’s childhood trauma fuels her determination to shield her mother, while and add a layer of hope: she finds solace in a support group, where she meets a lifelong friend. The title itself—translating roughly to "Can I Just Cry Once?"—hints at the emotional weight of the narrative, framing tears not as weakness but as a fleeting release in an otherwise suffocating existence.
Wijaya’s direction, paired with a script co-written by Junisya Aurelita, Rezy Junio, Santy Diliana, and Alim Sudio , promises a drama that doesn’t shy away from darkness. The inclusion of Dominique Sanda, a veteran actress known for her intense performances, suggests the film won’t pull punches in depicting the complexities of abuse and survival.
Prilly Latuconsina’s Risky Role
Prilly Latuconsina, one of Indonesia’s most bankable stars, takes on a role that marks a departure from her usual rom-com or lighthearted projects. Sources and highlight how the film traps her in a "toxic family" dynamic, a narrative choice that could redefine her career. Latuconsina’s casting alone guarantees buzz, but the role’s emotional demands—portraying a character grappling with deep-seated trauma—position her as a serious dramatic actress.
Her co-stars add further intrigue. Pradikta Wicaksono, a rising actor, plays an unspecified but pivotal role, while Surya Saputra, a seasoned performer, likely portrays the abusive father. The ensemble also includes Widi Mulia, Kristo Immanuel, and Shania Gracia, though their characters remain under wraps . Dominique Sanda’s involvement, in particular, raises questions: will her role as a mentor, antagonist, or another victim of the family’s dysfunction add a layer of gravitas?
Behind the Scenes: A High-Stakes Debut
Bolehkah Sekali Saja Kumenangis marks a significant project for director Reka Wijaya, whose previous work isn’t widely documented in the provided sources. The film is produced by Sinemaku Pictures, which has positioned it as a major October release . The premiere at XXI Plaza Senayan in Jakarta on October 10, 2024, suggests confidence in its commercial and critical appeal, though early reactions remain scarce.
One unverified detail worth noting: the film’s runtime clocks in at 1 hour and 41 minutes , a tight window for a story this heavy. Whether that brevity serves the narrative or leaves emotional beats underdeveloped is a question for audiences. Netflix’s involvement as a streaming partner also hints at a post-theatrical life, potentially broadening its reach beyond Indonesian shores.
The Verdict: Will It Resonate?
With its unflinching subject matter and a cast led by Latuconsina, Bolehkah Sekali Saja Kumenangis has all the ingredients for a conversation starter. The film’s success hinges on its ability to balance raw emotion with nuance—avoiding melodrama while still delivering the gut-punch its premise promises. If early screenings (like the Jakarta premiere) generate word-of-mouth buzz, it could cement Wijaya as a director to watch and Latuconsina as more than just a rom-com queen.
For now, the biggest question is whether audiences are ready for a story this heavy. The title alone suggests catharsis is on the table—but only if the film earns it.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.