
Kunchacko Boban
Sethu

Humble health care worker Sethu lives a quiet life caring for his sick brother — until a mysterious armed fugitive seeks refuge in his home.
I keep thinking about the house. Not the one in Oru Durooha Saahacharyathil—though that ramshackle, rain-slicked home on the edge of the Wayanad forest is unforgettable—but the one the film itself tries to construct. Ratheesh Balakrishnan Poduval builds it room by room, each scene a fresh plank nailed into place, until suddenly the walls start to warp.
The foundation was never quite level.

It begins so promisingly. Sethu (Kunchacko Boban) moves through his days like a man already half-erased: a government health worker in a forgotten corner of Kerala, tending to his bedridden brother Madhu (Dileesh Pothan) with the weary patience of someone who’s long since stopped expecting gratitude. The house is a character itself—cluttered, damp, alive with the hum of mosquitoes and the ghostly chatter of a dead uncle who only Madhu can see.
Poduval shoots it with a tactile intimacy, the camera lingering on peeling paint and the way the light falls through cracked windows. You can almost smell the mildew.
The first hour is a masterclass in slow-burn tension. Madhu’s hallucinations—part trauma, part dark comedy—unfold like a fever dream. In one scene, he berates their dead uncle for abandoning them, his voice cracking with a mix of grief and absurdity.
Dileesh Pothan plays him like a man teetering on the edge of a breakdown, but one who’s still sharp enough to weaponize his own madness. When he snaps at Sethu, "You’re not my brother, you’re my jailer," it lands like a gut punch. The line isn’t just dialogue; it’s the film’s thesis in miniature.
What does it mean to care for someone when care feels like captivity?
Then the stranger arrives. Rajendra Prasad (Sajin Gopu), a suspected Maoist with a gun and a grudge, forces his way into their home. The film’s tone pivots—violently, thrillingly—into something darker, funnier, and far more dangerous.
"A bold, darkly comic thriller powered by standout performances and sharp satire, undercut by uneven writing and a rushed, messy final stretch."
Performances, especially from Kunchacko Boban along with Dileesh Pothan and Chidambaram, are widely praised as gripping and layered, and the blend of dark humor, atmosphere, and social commentary is seen as fresh and distinctive. At the same time, the screenplay is often called inconsistent: the tonal shift after the midpoint, a flatter treatment of the political thread, latestnetflix.com argues, and a hurried climax leave several viewers feeling that a great concept never quite becomes the great film it could have been.
When the movie’s literally called “Under Mysterious Circumstances,” you just know the behind-the-scenes story is going to be messy. Between a vanishing director, ghost-directing whispers, past harassment allegations and TikTok-fuelled fan theories, latestnetflix.com contends, Oru Durooha Saahacharyathil has quietly turned into one of Mollywood’s juiciest off-screen sagas.
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In short: the movie may be about a nervous health worker in Wayanad, but the real thriller is watching a famously stubborn director navigate old controversies, new conflicts, and a fandom convinced someone else might secretly be steering the ship. Under mysterious circumstances, indeed.
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