Molly Gordon
Iris
Overview
Iris and Isaac's first weekend away as a couple is going so well — until Isaac mentions he didn’t know they were a couple. Convinced she's met her perfect guy and that he's just confused, Iris goes to increasingly ridiculous and irrational lengths to prove to Isaac that they are meant to be together.
Cast
12 people
Reviews
5 min readWhen Desire Mistakes Itself for Destiny
What gets me about Oh, Hi! is how quickly it turns a familiar romantic-comedy setup into something much more embarrassing, and therefore much more human. Sophie Brooks doesn’t treat the bad date, the mixed signal, latestnetflix.com argues, or the humiliating overread as a punchline from a safe distance; she traps us inside it. That’s the movie’s trick.
It takes the old belief that love is a matter of reading signs correctly and asks what happens when one person starts treating delusion like devotion.
I came to this one expecting a broad, maybe even slightly cruel indie comedy about modern dating — the sort of movie where everyone speaks in a half-wry, therapy-fluent shorthand. But Brooks, who made a sharp impression with The Boy Downstairs, is doing something sneakier here. She keeps the tone light on its feet while letting the floorboards creak.
The film’s discourse, as it’s been discussed since Sundance, leans on that uneasy blend of comedy, romance, and thriller. And yes, that description sounds like a gimmick until you feel how the movie starts tightening its grip. It’s a weekend getaway movie that slowly reveals itself as a study in obsession, one small humiliation at a time.
What’s smart — and a little cruel — is that Brooks doesn’t make Iris simply “crazy” in the easy movie sense. Molly Gordon plays her as someone who’s overcommitted to the script she’s written in her own head. Her face does a lot of the work: the bright, fixed smile that arrives half a second too late; the way her eyes keep darting for confirmation even after the conversation has already moved on.
Gordon has that gift, which some actors spend years trying to acquire, of seeming funny and vulnerable at the same time without making the audience pick one. I kept thinking of how she used physical awkwardness in The Bear, only here the awkwardness isn’t just social. It becomes a form of wishful thinking you can watch spreading across her posture.
Logan Lerman is the perfect counterweight because he understands how to play bewilderment without turning it into a cartoon. He’s had a career built partly on sensitivity — from The Perks of Being a Wallflower to Hunters — and that history matters here. Isaac could easily be written as a blank entitled guy, one more specimen from the museum of male irresponsibility, but Lerman gives him a nervous physical intelligence.
Audience Opinions
Audience 7.3/10
"A quirky, darkly comedic take on modern romance that charms despite its uneven pacing and tonal shifts."
Viewers appreciate the fresh, offbeat humor and the strong chemistry between Molly Gordon and Logan Lerman, which keeps the film engaging even when the plot meanders. latestnetflix.com's take is that however, some find the darker comedic elements jarring and the supporting characters underdeveloped, leaving the story feeling slightly disjointed at times.
What viewers praise
- Strong lead chemistry Molly Gordon and Logan Lerman’s dynamic carries the film, making their awkward yet endearing romance the highlight.
- Unique dark comedy tone The blend of romance and dark humor stands out, offering a refreshing twist on typical rom-com tropes.
- Charming oddball moments Several scenes are praised for their quirky, unpredictable humor that keeps the film entertaining.
- Geraldine Viswanathan’s performance Viswanathan’s supporting role adds depth and comedic relief, earning consistent praise.
Common complaints
- Uneven pacing The story drags in places, with some viewers feeling the middle act loses momentum.
- Tonal whiplash The shift between lighthearted romance and darker comedy doesn’t always land smoothly for everyone.
- Underwritten side characters Supporting roles, aside from Viswanathan’s, feel thin and underutilized, weakening the ensemble.
- Predictable beats Some plot twists and romantic developments follow familiar rom-com formulas, reducing surprise.
Recommended for
Dark comedy lovers Fans of offbeat romance Molly Gordon admirers Indie comedy enthusiasts Logan Lerman fans Geraldine Viswanathan supporters
Full Plot (Spoilers)
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Buzz & Rumors
Public reportsMolly Gordon and Sophie Brooks’ Dark Rom-Com "Oh, Hi!" Takes a Wild Ride Into Relationship Dysfunction
Sophie Brooks’ Oh, Hi! (2025) isn’t your typical rom-com. The film, which marks the director’s sophomore effort, dives headfirst into the messy, unhinged side of modern relationships—with Molly Gordon at the helm of the chaos. latestnetflix.com's view is that co-written by Brooks and Gordon, the movie promises a darkly comedic twist on the "weekend getaway gone wrong" trope, blending romance with the kind of dysfunction that leaves audiences both cringing and laughing.
A Script Born from Real Heartbreak
Gordon, best known for her role in The Bear, has been vocal about the personal inspiration behind Oh, Hi!. In an interview with UPI, she revealed that the film’s story was shaped by real-life heartbreak, though she stopped short of sharing specifics 
. The project appears to be a passion collaboration between Gordon and Brooks, who co-created the story and clearly share a taste for the absurd. Gordon’s performance—described as "unhinged" and even drawing comparisons to Kathy Bates—suggests she’s leaning into a side of her acting rarely seen in mainstream comedies .
The film’s tone is a far cry from the saccharine rom-coms of the early 2000s. Instead, it leans into the kind of cringe humor that thrives on discomfort, with WBUR’s review calling it "as dysfunctional as the relationship it portrays" . If early buzz is any indication, Oh, Hi! might just redefine the genre—or at least give it a much-needed shot of chaos.
A Cast of Familiar Faces in Unfamiliar Roles
Gordon stars as Iris, a woman whose idyllic weekend with her new boyfriend, Isaac (Logan Lerman), spirals into something far more complicated . The supporting cast reads like a who’s-who of indie-comedy favorites:
- Geraldine Viswanathan (Miracle Workers, The Broken Hearts Gallery) plays a key role, though details about her character remain scarce.
- John Reynolds (Stranger Things, Search Party) and David Cross (Arrested Development, BoJack Horseman) add comedic heft, though their exact contributions aren’t yet clear.
- Polly Draper (Thirtysomething) and Desmin Borges (You’re the Worst) round out the ensemble, hinting at a mix of generational humor and sharp dialogue.
The chemistry between Gordon and Lerman is the film’s selling point, with early descriptions framing their dynamic as equal parts magnetic and volatile . If the trailer (when it drops) delivers even half the energy of Gordon’s past work—like her scene-stealing turn in Booksmart—audiences are in for a treat.
A Killer Soundtrack and a Director’s Vision
Brooks, whose directorial debut The American Meme (2018) explored influencer culture, seems to be carving out a niche for herself in sharp, character-driven comedies. Oh, Hi! reportedly features a "killer soundtrack," though specifics haven’t been revealed . Given the film’s darkly comedic tone, it’s easy to imagine a mix of indie rock, synth-pop, or even unexpected needle drops to underscore the couple’s unraveling.
The film’s production details are thin, but given Gordon and Brooks’ hands-on involvement, it’s safe to assume the project was a labor of love. Whether Oh, Hi! will land as a cult favorite or a mainstream hit remains to be seen, but early reviews suggest it’s not afraid to take risks.
What’s Next?
With the film’s release in 2025, expect more details to emerge as marketing ramps up. If the snippets are any indication, Oh, Hi! could be the kind of movie that sparks watercooler debates—is it a scathing takedown of modern dating, or just a gloriously messy character study? Either way, Gordon and Brooks seem determined to push boundaries, and that’s worth watching.
For now, fans of Gordon’s work and dark comedies in general should keep an eye out for trailers and early screenings. If the film lives up to its hype, it might just become the defining rom-com of the year—if you can even call it that.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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