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Movie poster for Vengeance in the Dreary Night (2025)

Vengeance in the Dreary Night

2025
1h 43m
Director: Danial Rifki
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Overview

Jefri and Sarah are an adulterous couple now desperately trying to create an alibi after the corpse of Sofia, the lawful wife they murdered, mysteriously disappears from the morgue. Arya Pradana, a police investigator, uses all his logic to uncover the truth. Has the corpse come back to life to take revenge on her killers?

Cast

12 people

Reviews

5 min read
AI-generated editorial review
The Ghost in the Alibi

I’ve seen this trick before—the corpse that vanishes, the alibi that won’t hold, the detective who knows more than he lets on. It’s a reliable formula, the kind that keeps you leaning forward even when you think you’ve figured it out. Vengeance in the Dreary Night knows this too, and for most of its runtime, it plays the game with a quiet, methodical precision. But then, somewhere in the humid dark of its third act, it does something unexpected: it lets the air out of the room. Not with a jump scare or a last-minute twist, but with the slow, creeping realization that the real horror wasn’t in the murder, or even in the missing body, but in the way the living keep lying to themselves.

Danial Rifki’s film is a remake of Oriol Paulo’s The Body (2012), and if you’ve seen the original, you’ll recognize the blueprint immediately. A cheating husband (Arya Saloka) and his lover (Davina Karamoy) kill his wealthy wife (Marissa Anita), only to discover her body has disappeared from the morgue. Enter Bront Palarae’s detective, Arya Pradana, a man whose calm exterior barely conceals the fact that he’s already three steps ahead of them. The setup is pure procedural cat-and-mouse, but Rifki, working from Paulo and Lara Sendim’s story, layers it with something darker—a sense that the rules of logic might not apply here. As Mibih, writing for an Indonesian outlet, puts it: "Murder mysteries are complex enough as it is without complications, such as new evidence coming to light, someone confessing to a murder they didn’t commit, changing of testimonies or the body disappearing from the morgue. What, wait?" The question lingers, unanswered, like the humidity in the air.

The rain-slicked streets of Bandung at night, neon signs reflecting in puddles as Jefri and Sarah scramble to cover their tracks.

The film’s greatest strength is its atmosphere, which clings to you like the damp of a Bandung night. The cinematography is all shadows and sickly fluorescents, the kind of lighting that makes even a hospital corridor feel like a tomb. The score, when it arrives, is a low, pulsing hum—less a melody than a presence, something you feel in your chest. It’s the kind of mood that makes you forget, for stretches, that you’re watching a remake at all. Rifki has a knack for this sort of thing; his previous work, like Rumah Masa Depan, showed a sensitivity to space and silence, and here he uses both to ratchet up the tension. The morgue scenes, in particular, are masterful. There’s a moment when Jefri stands over his wife’s empty slab, the camera lingering just a beat too long on his face, and you can see the exact second he realizes he’s not just dealing with a missing corpse—he’s dealing with something else entirely.

Audience Opinions

AI summary of viewer review patterns
Audience 7.2/10 AI
"A tense and atmospheric crime thriller with strong performances but a plot that struggles to escape familiar tropes."

The film’s moody visuals and gripping lead performances, particularly from Arya Saloka and Marissa Anita, draw viewers into its dark, suspenseful world. However, the story’s reliance on well-worn infidelity-driven crime narratives leaves some feeling underwhelmed by its lack of originality, despite the compelling chemistry between the central characters.

What viewers praise
  • Strong lead performances Arya Saloka and Marissa Anita deliver intense and believable portrayals that anchor the film’s emotional weight.
  • Atmospheric tension The dreary, nighttime setting creates a gripping and immersive mood that enhances the thriller elements.
  • Engaging chemistry The dynamic between the lead characters keeps the story compelling, even when the plot falters.
Common complaints
  • Predictable plot The story follows a familiar path, making it easy to guess key twists and outcomes early on.
  • Underdeveloped side characters Supporting roles, including Bront Palarae’s, feel thin and lack depth, weakening the overall narrative.
  • Slow pacing Some viewers found the film’s build-up to be sluggish, particularly in the middle act, testing their patience.
Recommended for
Crime thriller enthusiasts Fans of moody, atmospheric films Arya Saloka admirers Slow-burn mystery lovers

Full Plot (Spoilers)

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Buzz & Rumors

Public reports
AI-researched entertainment notes

Inside the Twisted Alibi of Vengeance in the Dreary Night

Danial Rifki’s upcoming thriller Vengeance in the Dreary Night (2025) is already stirring whispers for its dark, labyrinthine plot—and the high-stakes performances from its ensemble cast. The film, a noir-tinged mystery, follows Jefri (Arya Saloka) and Sarah (Davina Karamoy), a pair of lovers whose affair spirals into chaos after the murder of Jefri’s wife, Sofia (Marissa Anita). But when Sofia’s body vanishes from the morgue, the couple’s desperate alibi unravels under the scrutiny of Arya Pradana (Bront Palarae), a relentless police investigator .

Here’s what we know—and what’s still shrouded in mystery—about the film’s production and its twisted narrative.


A Murder, a Missing Corpse, and a Web of Lies

The premise alone is a pressure cooker of tension. Jefri and Sarah’s affair takes a deadly turn when Sofia is killed, forcing the pair to fabricate an alibi. But their plan collapses when Sofia’s body disappears, leaving them—and the audience—to question: Was the corpse stolen, or did it never leave the morgue at all? [3] The film’s original Indonesian title, Dendam Malam Kelam ("Vengeance in the Dark Night"), hints at a gothic, rain-soaked atmosphere, a signature of Rifki’s work in contemporary Indonesian thrillers .

Rifki, known for blending genres from comedy to drama, appears to be leaning into the psychological thriller space here. His past projects suggest a knack for tight, suspenseful storytelling, and early buzz suggests Vengeance will be no exception . The disappearance of Sofia’s body adds a supernatural-adjacent layer—though whether the film leans into horror or sticks to a grounded mystery remains unconfirmed.


The Cast: A Mix of Rising Stars and Veteran Talent

The ensemble cast is a mix of Indonesian cinema’s heavyweights and rising stars, each bringing their own brand of intensity to the project.

  • Arya Saloka (Jefri): Best known for his role in the hit series Ikatan Cinta, Saloka steps into darker territory as the adulterous husband whose life implodes after his wife’s murder. His transition from soap-opera heartthrob to a morally ambiguous lead is one of the film’s most intriguing gambits.
  • Bront Palarae (Arya Pradana): The Malaysian actor, a veteran of gritty dramas like Terbaik dari Langit, plays the investigator determined to expose Jefri and Sarah’s lies. Palarae’s ability to convey quiet menace makes him a perfect foil to Saloka’s desperate performance.
  • Marissa Anita (Sofia): Though her role is posthumous, Anita’s Sofia looms large over the story. The actress, known for her work in The Night Comes for Us, brings gravitas to a character whose death sets the plot in motion.
  • Davina Karamoy (Sarah): The model-turned-actress, who gained attention in The Gift, plays the other half of the doomed affair. Her chemistry with Saloka will be key to selling the couple’s toxic dynamic.

Supporting players like Putri Ayudya, Megarita, and Ibnu Widodo round out the cast, though their roles remain under wraps . Given Rifki’s history of ensemble-driven narratives, expect even minor characters to leave a mark.


Behind the Scenes: What We Know (and What We Don’t)

Details about the film’s production are scarce, but a few tidbits have emerged:

  • Filming Locations: While unconfirmed, Rifki’s past projects often utilize Indonesia’s moody urban landscapes—think neon-lit alleyways and rain-slicked streets. If Vengeance follows suit, expect a visually striking backdrop to match its dark themes.
  • Release Strategy: With a 2025 release date, the film is likely in post-production or finalizing its marketing push. No trailer has dropped yet, but given the cast’s star power, a teaser could arrive by late 2024.
  • Genre Blending: Rifki’s filmography suggests Vengeance might straddle thriller and noir, with potential nods to Indonesian crime dramas like The Raid. Whether it leans into supernatural elements (à la The Queen of Black Magic) or sticks to a grounded mystery is anyone’s guess [5].

What’s notably absent? Any behind-the-scenes drama or on-set anecdotes. Unlike some high-profile Indonesian productions, Vengeance has flown under the radar, with no reports of clashes, delays, or budget woes [1][2][3]. That could change as the release date nears, but for now, the focus remains squarely on the film’s chilling premise.


Why This Film Could Be a Breakout

Indonesian cinema has seen a surge in genre films over the past decade, from action (The Raid) to horror (Satan’s Slaves). Vengeance in the Dreary Night positions itself at the intersection of crime thriller and psychological drama—a space ripe for exploration. If Rifki delivers on the tension teased in early synopses, the film could join the ranks of Indonesia’s most talked-about exports.

The real test? Whether the missing corpse gimmick pays off. If executed well, it could elevate Vengeance from a standard whodunit to something far more unsettling. If not, it risks feeling like a gimmick. Either way, with this cast and director at the helm, it’s a project worth watching.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.