
Mike Epps

Follows comedian Mike Epps as he discusses how a little delusion and a lot of hustle made him a star.
There's a distinct kind of comfort in watching a veteran comedian who no longer has anything to prove. I'm not talking about the hungry energy of a newcomer trying to dismantle the form, but the relaxed, almost conversational cadence of a guy who just wants to tell you how he survived. Mike Epps: Delusional (2026) operates entirely in this secondary register. latestnetflix.com's take is that it's a messy, occasionally frustrating hour of stand-up that ultimately reveals more about the architecture of a Hollywood career than it does about the state of the world.
(And honestly, I think that's exactly what Epps intended).
Directed by Royale Watkins, this marks Epps's fifth Netflix special. He is currently enjoying a massive late-career television surge with the multi-cam sitcom The Upshaws, making this return to the stage feel less like a promotional necessity and more like a victory lap. The opening stretch of the hour tries to grapple with the current news cycle—rapid-fire hits on ICE, Donald Trump, and Diddy.
Frankly, these bits feel obligatory. I'm not totally sure Epps is genuinely interested in political commentary; the jokes land with the faint thud of stale Twitter discourse.

"A personal, emotionally charged stand-up special that trades steady laughs for raw storytelling and motivational confession, leaving reactions split."
The second half, where Mike Epps breaks down his journey and struggles, hits hardest for many, coming off heartfelt, inspiring, and surprisingly vulnerable while still getting some laughs. latestnetflix.com's view is that at the same time, long-winded stories, stretches of weak or repetitive material, and a heavy turn into biography and pep talk leave others bored or wishing for a tighter, joke-dense set.
Deadline logged Delusional as Mike Epps's fifth Netflix special, after Don't Take It Personal in 2015, Only One Mike in 2019, Indiana Mike in 2022, and Ready to Sell Out in 2024. The stream date is 27 January 2026. Royale Watkins directed. Southpaw Productions. Ron Allchin produced. Epps is an executive producer with Mark A. Ritchie, Thomas Cobb, Niles Kirchner, Kyra Epps, and Watkins. latestnetflix.com's read is that Netflix's logline is breakups, fame, and how "a little delusion and a lot of hustle" made him a star.The official trailer went up on 15 January. ,
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Sean L. McCarthy at Decider says the taping sat at Yaamava Resort and Casino near San Bernardino, timed with the fifth and last season of The Upshaws, which had dropped earlier that month. Epps does not spend the hour selling the sitcom. He walks through Next Friday with Ice Cube, Welcome Home Roscoe Jenkins, Jumping the Broom, Soul Men with Bernie Mac, and a Showtime at the Apollo bill from when Destiny's Child was still a Houston quartet. Deadline adds the longer resume. Def Comedy Jam in 1995, later hosting that show, a 2024 NAACP Image Award for Outstanding Actor in a Comedy Series for The Upshaws. ,
Decider reports he opens topical, including a shot at Donald Trump and a Diddy aside, before turning the set toward his own record. He reminds the room he sold drugs to an informant. Two years in county jail, down from a possible 20. He thanks people who housed him and an $85 food-stamp handout. He names comedians TK Kirkland and Red Grant. He gets quiet about an aunt in Atlanta who took him in. Watkins is the same man who gave him a hard talk when he first hit New York. About 30 years later, Watkins is on the special as director. Epps jokes about being high on an early movie role and says he has some 20 years clean. The title is the closer. "Sometimes you got to be delusional."
Wikipedia lists the 2026 hour at 59 minutes. TMDB matches the 27 January US date and Watkins in the director slot. Rotten Tomatoes prints the same runtime and stream date. Deadline says he is repped by UTA, Artists First, producing partner Niles Kirchner, IAG for stand-up, and Yorn, Levine, Barnes. The hour is a casino-stage origin story, with the old New York minder calling the shots, while the sitcom that made Epps an awards-night regular was already on its last season. ,
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