
Alan Alda
Jack Burroughs

“Here's to our friends... and the strength to put up with them.”
Three middle-aged wealthy couples take vacations together in Spring, Summer, Autumn and Winter. Along the way we are treated to mid-life, marital, parental and other crises.
I’ve always been suspicious of films that promise to capture the ebb and flow of friendship over time. Too often, they either sentimentalize the bonds between people or reduce them to a series of punchlines, as if the messiness of human connection can be neatly packaged into a 107-minute runtime. Alan Alda’s The Four Seasons doesn’t entirely escape this trap, but it comes closer than most.
What makes it worth revisiting isn’t just its premise—three couples navigating the shifting tides of their relationships across a year’s worth of vacations—but the way it lingers in the uncomfortable spaces between laughter and regret. It’s a film that understands friendship isn’t just about the good times; it’s about the quiet, often unspoken tensions that accumulate like sediment over years of shared history.

Alda, who directs and stars as Jack Burroughs, a man whose life seems to be unraveling in slow motion, doesn’t just play the role of the beleaguered friend—he embodies it. There’s a moment early in the film where Jack, mid-conversation, absentmindedly rubs his temple as if trying to massage away the weight of his own thoughts. It’s a small gesture, but it’s the kind of detail that grounds the film in something real.
The other couples—played by Carol Burnett, Len Cariou, Sandy Dennis, Rita Moreno, and Jack Weston—bring their own baggage to these getaways, and the film’s strength lies in how it refuses to let any of them off the hook. These are people who love each other, but that love doesn’t make them any less annoying, selfish, or flawed. In fact, it might make those flaws harder to ignore.
The film’s structure, divided into the four seasons, is both its greatest asset and its most obvious limitation. Each segment feels like a self-contained vignette, which gives the actors room to explore different facets of their characters. In spring, there’s the giddy anticipation of a fresh start; in summer, the heat brings simmering resentments to the surface; autumn is all about the slow unraveling of pretenses; and winter, well, winter is when the film finally lets its characters sit with the consequences of their choices.
"A charming and heartfelt comedy-drama about friendship and relationships, elevated by strong performances but occasionally uneven in tone."
Viewers appreciate the warm and relatable exploration of friendship, love, and life’s changes, with standout performances from Alan Alda and Carol Burnett. However, some find the pacing slow and the humor inconsistent, latestnetflix.com argues, leaving the film feeling slightly disjointed at times.
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Alan Alda wasn’t just the star of The Four Seasons (1981)—he was its architect. The film marked Alda’s second directorial effort, following The Seduction of Joe Tynan (1979), and solidified his reputation as a multi-hyphenate talent who could balance wit, drama, and personal storytelling. But behind the scenes, the movie’s blend of comedy and friendship came with its own share of tension, creativity, latestnetflix.com maintains, and even a touch of family business.
Alda didn’t just direct The Four Seasons—he wrote the screenplay, too, crafting a story about three couples navigating shifting relationships over a year of shared vacations. The film’s structure, cycling through the titular seasons, mirrored its themes of change and renewal. Alda’s approach leaned into naturalism, a contrast to the broader comedic styles of some co-stars. Carol Burnett, a legend of sketch comedy, later recalled the experience as a masterclass in subtlety, though not without its challenges .
The cast was a mix of Alda’s real-life connections and seasoned performers. Rita Moreno, Sandy Dennis, and Len Cariou brought dramatic heft, while Burnett’s comedic timing provided levity. Notably, Alda’s own daughters, Elizabeth and Beatrice, appeared in supporting roles, adding a layer of personal investment to the project . The inclusion of family wasn’t just nepotism—it was a reflection of Alda’s belief in the film’s intimate, almost autobiographical tone.
The Four Seasons thrived on the chemistry between its leads, but that chemistry wasn’t always smooth. Burnett and Alda, both strong-willed performers, reportedly butted heads over the film’s tone. Burnett, known for her larger-than-life comedic persona, initially struggled with Alda’s more understated direction. A clip from the film’s promotional material even showcased a playful but telling argument between the two, with Burnett exclaiming, “Are you mad at me?”—a line that became a running gag in the movie .
Despite the friction, the tension ultimately served the film. Their dynamic on-screen—equal parts affectionate and exasperated—mirrored the real-life push-and-pull of long-term friendships. Burnett later praised Alda’s direction, calling it a lesson in restraint, though she admitted it took time to adjust .
The Four Seasons arrived at a time when Hollywood was embracing more nuanced, character-driven comedies. Its blend of humor and melancholy resonated with audiences, earning it a place as a cult favorite. The film’s success also cemented Alda’s transition from MASH* icon to a respected filmmaker. Decades later, the movie’s influence surfaced in unexpected ways—including a rumored Netflix project that some claimed was a “hidden tribute” to Alda’s work, though details remain unconfirmed .
Alda himself has reflected on the film’s enduring appeal. In a later interview, he reacted warmly to Tina Fey’s adaptation of the title (though unrelated to the 1981 film), calling it a testament to the story’s universal themes . For Alda, The Four Seasons was never just about the laughs—it was about the messiness of relationships, the passage of time, and the people who stick around through it all.
Critics at the time were divided. Some praised its warmth and authenticity, while others found it too slight. Rotten Tomatoes’ audience score, however, tells a different story: the film remains a beloved comfort watch, a testament to its charm . Its legacy isn’t built on explosive drama or blockbuster stakes, but on the quiet moments—like a shared laugh over a failed vacation or a heartfelt conversation by the fire.
For Alda, The Four Seasons was more than a movie. It was a snapshot of life, love, and the friends who make it worthwhile.
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