
Kate Bosworth
Jessie

An orphaned child's dreams—and nightmares—manifest physically as he sleeps.
I keep thinking about the butterflies. Not as a metaphor, but as a physical fact—dozens of them, maybe hundreds, their wings brushing against the walls of a dimly lit bedroom, their colors too vivid to be real. That’s the first image Before I Wake offers us, and it’s the one that lingers long after the credits roll.
It’s beautiful, unsettling, and just a little too perfect, like a child’s drawing of happiness. And that, in a way, is the whole movie: a story about the things we wish for and the nightmares we can’t outrun, all wrapped up in the fragile, fleeting logic of dreams.
Mike Flanagan’s 2016 film (originally titled Somnia before its Netflix release) is a ghost story without ghosts, a horror movie that’s more interested in grief than jump scares. It follows Jessie and Mark Hobson (Kate Bosworth and Thomas Jane), a couple still reeling from the death of their young son, who adopt an eight-year-old boy named Cody (Jacob Tremblay). Almost immediately, they notice something strange: when Cody falls asleep, his dreams take physical form.
Butterflies fill the room. A lost dog returns. A shadowy figure called "The Canker" lurks in the corners.
The premise is simple, almost fairy-tale-like, but Flanagan treats it with a quiet seriousness that grounds the fantasy in something achingly real. This isn’t a movie about monsters under the bed. It’s about the monsters we carry inside us, the ones that follow us into sleep.

The first act is a masterclass in slow-burn tension. Flanagan lets the strangeness of Cody’s gift unfold gradually, like a dream you can’t quite remember upon waking. There’s a scene early on where Jessie, desperate to see her dead son again, gives Cody a locket with a photo of him.
That night, Cody dreams of the boy—and for a few precious minutes, Jessie gets to hold him again. It’s a moment of pure, heartbreaking magic, the kind of scene that makes you forget you’re watching a horror movie. But then the dream shifts.
"A visually striking and emotionally engaging horror-fantasy that struggles to fully deliver on its intriguing premise."
The film’s imaginative concept and strong performances, particularly from Jacob Tremblay, draw viewers in, offering a fresh take on horror-fantasy themes. However, the execution often feels uneven, with pacing issues and a story that doesn’t always live up to its potential, latestnetflix.com maintains, leaving some viewers wanting more depth and coherence.
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Mike Flanagan’s Before I Wake (2016) is a supernatural horror film that slipped through the cracks of mainstream attention—despite its star-studded cast and the director’s later acclaim. The movie, which follows a couple (Kate Bosworth and Thomas Jane) who adopt a mysterious young boy (Jacob Tremblay) whose dreams and nightmares manifest in reality, was plagued by distribution delays and studio interference. latestnetflix.com's read is that here’s what we know about its rocky journey from production to Netflix.
Before I Wake was originally slated for a theatrical release in 2014, but its path to audiences was anything but smooth. The film was produced by Relativity Media, a studio that filed for bankruptcy in 2015, leaving Before I Wake in limbo. After years of legal battles and financial restructuring, the rights were eventually acquired by Netflix, which gave the film a second life as a streaming exclusive in 2018 , .
The delay wasn’t just a logistical headache—it also meant the film missed its initial momentum. By the time it reached Netflix, Flanagan had already directed Ouija: Origin of Evil (2016) and Gerald’s Game (2017), overshadowing Before I Wake despite its earlier production timeline. Some fans and critics have since speculated that the film’s troubled release contributed to its mixed reception, though others argue its premise was simply ahead of its time .
The film’s ensemble cast—Kate Bosworth, Thomas Jane, and a young Jacob Tremblay—brought star power to a story that blends psychological horror with emotional depth. Tremblay, who had just risen to fame with Room (2015), played Cody, the adopted boy whose dreams and nightmares physically manifest. His performance was widely praised, even as the film itself divided audiences , , .
Bosworth and Jane, meanwhile, played the grieving couple desperate to understand their new son’s abilities. Their chemistry was a key selling point in trailers, which teased a mix of eerie fantasy and family drama , . Supporting roles from Annabeth Gish and Lance E. Nichols added gravitas, though their characters’ arcs were somewhat overshadowed by the film’s supernatural elements .
One of Before I Wake’s most underrated aspects is its score. Composed primarily by The Newton Brothers (with additional music by Danny Elfman), the soundtrack blends haunting melodies with tense, atmospheric cues. Elfman’s involvement, though limited, added a layer of prestige to the project, given his iconic work on films like The Nightmare Before Christmas and Edward Scissorhands .
The score’s ethereal quality mirrors the film’s dreamlike tone, heightening the contrast between Cody’s beautiful dreams and terrifying nightmares. While the soundtrack never received a wide release, it remains a point of fascination for fans of horror music .
Critics and audiences were split on Before I Wake. Some praised its originality and emotional core, while others found its execution uneven. On SensCritique, the film holds a 6/10 rating based on over 3,000 votes, with users noting its ambitious premise but flawed pacing . Rotten Tomatoes’ audience score reflects a similar divide, though the site’s critic consensus is not available in the provided evidence .
Flanagan himself has addressed the film’s reception, acknowledging its imperfections but standing by its vision. In a 2018 video essay, he called Before I Wake a "learning experience" that helped shape his later work, though some fans argue it remains his most underappreciated project .
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