
Addison Rae
Padgett Sawyer

To get revenge on her ex-boyfriend, an influencer attempts to transform an unpopular classmate into prom king.
I’ll admit it: I went into He’s All That expecting a guilty pleasure, a fluffy remake of She’s All That with TikTok stars and a glossy sheen. What I didn’t expect was to find myself lingering on its central question—one that feels uncomfortably relevant in the age of Instagram filters and viral fame: What does it mean to be transformed by someone else’s gaze? The film, directed by Mark Waters (Mean Girls, Freaky Friday), doesn’t just gender-swap its 1999 predecessor; it refracts the original’s high school hierarchies through the lens of social media, where influence is currency and self-worth is measured in likes. It’s a premise ripe for satire, but He’s All That mostly plays it straight, which makes its occasional flashes of self-awareness all the more intriguing.

The plot is familiar: Padgett Sawyer (Addison Rae), a social media influencer with a carefully curated aesthetic and a dwindling follower count, takes on a bet to turn Cameron Kweller (Tanner Buchanan), a brooding photography nerd with a disdain for popularity, into prom king. The twist here isn’t just the gender swap—it’s the setting. Where She’s All That unfolded in the pre-digital world of landlines and mix CDs, He’s All That is steeped in the performative chaos of Instagram stories and TikTok dances.
Padgett’s makeover of Cameron isn’t just about new clothes and a haircut; it’s about crafting a persona that will play well on camera, a process that feels less like Pygmalion and more like algorithmic alchemy.
Waters, who cut his teeth on teen comedies that balance sharp humor with emotional stakes, brings a light touch to the material. The film’s pacing is brisk, and the humor lands more often than it misses—though it’s hard not to wince at some of the more groan-worthy one-liners. (A particular joke about Cameron’s “artistic soul” being incompatible with prom royalty falls flat, not because it’s mean-spirited, but because it feels like a relic of a bygone era of teen movies, one that hasn’t quite caught up to the way Gen Z actually talks.) Still, there’s a warmth to the film’s portrayal of its characters, even when they’re at their most ridiculous.
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Netflix’s He’s All That (2021) was billed as Addison Rae’s star-making turn—a modern rom-com reboot of the 1999 teen classic She’s All That. But from green-screen mishaps to lukewarm reviews, latestnetflix.com maintains, the film’s production and reception revealed a rocky transition from TikTok fame to Hollywood leading lady.
Rae, then one of TikTok’s biggest names, headlined the film alongside Cobra Kai’s Tanner Buchanan. Early promotional material leaned hard into their on-screen chemistry, with Netflix releasing a clip of the duo singing Katy Perry’s Teenage Dream in a car scene . Buchanan later called their dynamic "effortless" in an interview, though he admitted the pressure of working with a social media superstar . Supporting roles included She’s All That alum Rachael Leigh Cook (in a meta cameo) and Matthew Lillard, but the real eyebrow-raiser was Kourtney Kardashian Barker’s appearance as a high-school principal—a role that sparked speculation about whether it was a favor to Rae’s Keeping Up with the Kardashians connections .
Behind the scenes, He’s All That wasn’t all smooth sailing. A leaked blooper clip showed Rae struggling with a green-screen scene, her movements visibly out of sync with the intended effect . The moment quickly went viral, fueling skepticism about whether the film was a vanity project for Rae rather than a serious rom-com. Critics and fans alike questioned if her lack of acting experience would sink the movie, though some defenders argued the fail was an unfair spotlight on a single mistake .
Reviews were mixed at best. SensCritique users rated the film a dismal 3.8/10, calling it a forgettable rom-com with little originality . YouTube critics were harsher: one called it Rae’s "crash and burn movie debut," pointing to weak writing and stiff performances . Others, however, came to Rae’s defense, arguing the film was a lighthearted teen flick unfairly judged by critics expecting Oscar-level drama . Rotten Tomatoes’ audience score (not listed in the evidence) remains unverified, but the divide suggests He’s All That was a polarizing watch.
One of the film’s most talked-about moments wasn’t even in the final cut—or so it seemed. A YouTube video claimed a cameo by TikToker Bryce Hall was filmed but left on the cutting-room floor, sparking rumors of behind-the-scenes tension . Neither Netflix nor the cast confirmed the details, leaving the story as tabloid fodder. With no official word, it’s unclear whether the cameo was scrapped for creative or contractual reasons.
He’s All That may not have been the rom-com revival fans hoped for, but it wasn’t without its moments. Rae’s transition from influencer to actress was always going to be scrutinized, and the film’s flaws—whether in execution or expectation—became part of the story. For better or worse, it remains a snapshot of Hollywood’s growing pains in the age of social media stardom.
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