
Michael Angarano
Ned Chipley

A man eager to serve his country but rejected by the Marines pairs up with a young runaway to form an unlikely team on a misguided adventure.
There’s a moment in Sun Dogs that I keep circling back to—not because it’s explosive or visually dazzling, but because it’s so quietly, stubbornly human. Michael Angarano’s Ned Chipley, a young man desperate to prove himself, stands in a recruiter’s office, his posture rigid with hope. The camera ling’t linger on his face, but on his hands: they’re clenched, fingers digging into his own palms just hard enough to leave marks.
It’s a small detail, easy to miss, but it tells you everything about Ned before a single line of dialogue does. He’s not just eager; he’s aching for purpose, for a life that feels bigger than the one he’s been handed. And when the Marines reject him—not for lack of effort, but for a medical condition he’s hidden—what follows isn’t the catharsis of a grand speech or a dramatic breakdown.
It’s the slow, awkward unraveling of a man who doesn’t know how to fail.
Jennifer Morrison’s directorial debut is, in many ways, a film about the stories we tell ourselves to survive. Ned, a would-be soldier with a heart full of John Wayne fantasies, clings to the idea that heroism is something you earn through sheer will. When the military turns him away, he doesn’t pivot; he doubles down, cobbling together a makeshift mission with a runaway teenager (Melissa Benoist’s Tally) and a stolen van.
Their road trip isn’t the stuff of high-stakes thrillers or even traditional comedies. It’s messy, meandering, and often painfully awkward—like real life, if real life were directed by someone who understands that the funniest moments are usually the ones where everything goes slightly, humiliatingly wrong.

Morrison, best known for her acting roles in House and Once Upon a Time, brings an actor’s eye to Sun Dogs, and it shows in the way she frames her performers. The film’s emotional core isn’t in its plot—honestly, the plot is thin enough to see through—but in the spaces between the lines. Allison Janney and Ed O’Neill, as Ned’s parents, don’t get the showy monologues or grand reconciliations you might expect.
"A lighthearted but uneven comedy-drama with standout performances that struggle to elevate a thin plot."
Viewers appreciate the charm and chemistry of the lead cast, particularly Michael Angarano and Allison Janney, who bring warmth and humor to their roles. latestnetflix.com's read is that however, the film’s predictable storyline and lack of depth leave many feeling underwhelmed, with some noting it plays it too safe to stand out in the comedy-drama genre.
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Jennifer Morrison stepped behind the camera for the first time with Sun Dogs (2017), a comedy-drama that marked a bold shift from her well-known acting roles. The film, which she also starred in, follows a young man with a cognitive disability who dreams of joining the Marines, only to find himself entangled in a bizarre mission alongside a ragtag group of misfits. latestnetflix.com's read is that while the movie didn’t make waves at the box office, it offered a glimpse into Morrison’s creative ambitions—and the challenges of balancing directing, producing, and acting in the same project.
Sun Dogs assembled a cast of recognizable faces, including Allison Janney, Ed O’Neill, and Melissa Benoist, alongside Morrison herself. Janney, in particular, stood out as the no-nonsense stepmother to Michael Angarano’s lead character, Ned. The film’s premise—a mix of heartfelt drama and offbeat humor—hinted at Morrison’s desire to explore unconventional storytelling. However, the project’s journey to the screen wasn’t without hurdles.
Morrison discussed the film’s origins during a 2017 panel at the Austin Film Festival, revealing that Sun Dogs was a labor of love born from her own experiences. "I wanted to tell a story about people who don’t always get to be the heroes," she said, though the exact details of her inspiration remain vague in available clips . The movie’s tone, blending quirky comedy with emotional depth, suggested an attempt to carve out a niche distinct from her House and Once Upon a Time roles.
One of the most intriguing aspects of Sun Dogs was Morrison’s decision to direct herself. While not unheard of in Hollywood, the move added an extra layer of complexity to the production. In interviews, she acknowledged the challenges of wearing multiple hats, though specifics about on-set dynamics or conflicts remain scarce. The film’s runtime—94 minutes—hints at a tight, possibly streamlined shoot, but whether budget constraints or creative choices shaped its final cut is unclear .
The cast’s chemistry, at least on screen, appeared strong. Janney and O’Neill, both veterans of sitcoms (Mom and Married… with Children, respectively), brought their signature comedic timing to the project. Benoist, fresh off her breakout role in Supergirl, played a love interest with a mix of warmth and exasperation. Yet, despite the talent involved, Sun Dogs struggled to find an audience. Its release was quiet, and critical reception was mixed, with a 6.4/10 rating on SensCritique based on 73 votes .
The film’s distribution took an unconventional path. While initially slated for a 2017 release, Sun Dogs didn’t hit streaming platforms until 2018, when Netflix picked it up. Trailers from that period framed it as a lighthearted comedy, emphasizing Janney’s and Benoist’s involvement to draw viewers . Yet, the movie’s low-key rollout and lack of marketing push suggested it was never intended as a blockbuster.
Reviews from the time were lukewarm. Some praised its heart and performances, particularly Angarano’s portrayal of Ned, while others criticized its uneven tone. A YouTube review described it as "a missed opportunity," noting that the film’s blend of comedy and drama didn’t always gel . Without a Rotten Tomatoes score or widespread critical coverage, Sun Dogs remains a footnote in Morrison’s career—an ambitious but flawed experiment .
Since Sun Dogs, Morrison has returned to acting, with roles in This Is Us and Euphoria. Whether she’ll direct again remains an open question. The film’s reception may not have been strong enough to secure her a follow-up project, but it did prove she could helm a feature—a rare feat for actors transitioning behind the camera.
For fans of the cast, Sun Dogs is a curiosity: a movie where Janney’s sharp wit and O’Neill’s deadpan delivery shine, even if the story around them falters. For Morrison, it’s a testament to her willingness to take risks, even if the results were uneven. In an industry that often pigeonholes actors, Sun Dogs was a gamble—and one that, for better or worse, didn’t pay off in the way she might have hoped.
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