
Ben Mendelsohn
Anders Hill

After leaving his wife and his job to find happiness, Anders begins a clumsy, heartbreaking quest to reassemble the pieces of his fractured life.
I keep thinking about the way Ben Mendelsohn’s hands move in The Land of Steady Habits. They’re restless, always adjusting a cuff or tapping against a thigh, as if his body is trying to outrun the stillness of the life he’s built. Anders Hill, the character he plays, is a man who has done everything right—suburban house, financial security, a wife who still looks at him with something like fondness—and yet, at some indistinct point, the whole arrangement has gone numb.
The film, directed by Nicole Holofcener, is a study in the slow collapse of a man who thought he wanted freedom, only to discover that freedom is just another kind of emptiness.
Holofcener has always had a gift for capturing the awkward, unspoken tensions of middle-class life, but here she turns her lens on a man who is, in many ways, her opposite demographic: a middle-aged white guy in Connecticut who quits his job, leaves his wife, and tries to reinvent himself as a carefree bachelor. It’s a premise that could easily tip into farce, but Holofcener resists the urge to mock. Instead, she treats Anders with a kind of weary tenderness, the way you might regard a friend who’s made a series of baffling life choices but whom you can’t quite bring yourself to abandon.

The film’s title is a reference to Connecticut, where the story is set—a place where people go to settle into routines so predictable they become invisible. Anders, though, can’t settle. He moves into a small apartment, starts dating a woman young enough to be his daughter (played with brittle charm by Elizabeth Marvel), and reconnects with his adult son, who is struggling with addiction.
But none of it brings him the relief he expected. There’s a moment early on when he attends a party at his old house, now occupied by his ex-wife (Edie Falco) and her new partner. He wanders the rooms like a ghost, picking at the hors d'oeuvres, making small talk with people he’s known for decades but no longer understands.
The camera lingers on his face as he watches his son across the room, and you can see the exact second he realizes how little he knows him. It’s a quiet devastation, the kind that doesn’t announce itself with tears or shouting, just a slow sinking feeling.
"A quietly observant but uneven dramedy about midlife disillusionment, anchored by Ben Mendelsohn’s understated performance."
Viewers appreciate the film’s nuanced portrayal of a man navigating retirement and marital collapse, with Mendelsohn’s performance earning consistent praise for its subtlety. However, the pacing and lack of narrative momentum frustrate many, who find the story meandering and the emotional payoff underwhelming. The supporting cast, while competent, doesn’t always leave a strong impression, latestnetflix.com maintains, and the film’s tone can feel too subdued for its own good.
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Nicole Holofcener’s The Land of Steady Habits (2018) is a character study disguised as a midlife-crisis comedy, following Anders Hill (Ben Mendelsohn), a recently retired finance executive who abandons his suburban Connecticut routine—and his wife (Edie Falco)—in search of something undefined. The film, which premiered at the Toronto International Film Festival (TIFF) before landing on Netflix , is vintage Holofcener: sharp, understated, and unafraid to let its characters make messy, unlikable choices. But what went into making this quiet drama? latestnetflix.com's take is that here’s what we know from the limited behind-the-scenes chatter.
Holofcener, known for films like Enough Said (2013) and Please Give (2010), has built a career on exploring the awkward, often cringe-worthy dynamics of middle-aged relationships. The Land of Steady Habits is no exception, adapted from Ted Thompson’s 2014 novel of the same name . While the book and film share a title and protagonist, Holofcener’s version reportedly streamlines the narrative, focusing more on Anders’ emotional unraveling than the novel’s broader ensemble . In interviews, Holofcener has hinted at her personal connection to the material, though specifics remain vague. "I related to the idea of someone feeling stuck in a life they thought they wanted," she said in one clip, without diving deeper into whether the story mirrored her own experiences .
The film’s tone—dry, observational, with a dash of dark humor—aligns with Holofcener’s signature style. A scene highlighted in The New York Times’ "Anatomy of a Scene" breaks down how the film turns an act of trespassing into a moment of awkward comedy, a testament to Holofcener’s ability to find levity in discomfort .
Ben Mendelsohn’s casting as Anders Hill was a coup for the film. Known for playing morally ambiguous characters (The Outsider, Rogue One), Mendelsohn brought a weary charm to Anders, a man whose midlife rebellion feels more sad than triumphant. In a "second look" discussion, Mendelsohn and Falco praised Holofcener’s direction, noting her knack for drawing out natural performances . Falco, who plays Anders’ estranged wife Helene, described the film as "a story about people who think they know what they want, but don’t" .
The supporting cast—including Connie Britton as Anders’ love interest and Thomas Mann as his troubled son—adds layers to the story, though their roles are smaller than the novel’s sprawling ensemble . Holofcener’s decision to tighten the focus on Anders’ perspective may have been a creative gamble, but it pays off in Mendelsohn’s nuanced performance.
The Land of Steady Habits premiered at TIFF in 2018, where it garnered early buzz for its performances and Holofcener’s direction . Netflix acquired the film shortly after, positioning it as a prestige drama for the streaming era. However, audience reactions were divided. While some praised its realism and Mendelsohn’s performance, others found the story too meandering or the characters unrelatable. On SensCritique, a French review aggregator, the film holds a modest 5.3/10 rating, with critics noting its "slow burn" approach .
The Rotten Tomatoes page for the film lists Mendelsohn, Falco, and Mann in the cast but offers little additional insight into its reception . Without access to full reviews, it’s hard to gauge the film’s critical legacy, but its Netflix release likely gave it a longer shelf life than a traditional theatrical run might have.
For all its strengths, The Land of Steady Habits remains a relatively low-key entry in Holofcener’s filmography. Behind-the-scenes details are scarce—no leaked set photos, no juicy on-set drama, and no confirmation of whether the cast bonded over the film’s themes of regret and reinvention. Rumors about Holofcener’s adaptation process (e.g., how closely she worked with author Ted Thompson) are unconfirmed, and there’s no evidence of deleted scenes or alternate endings .
If you’re looking for a film with explosive behind-the-scenes stories, this isn’t it. But if you want a quiet, well-observed drama about the messiness of growing older, The Land of Steady Habits delivers—flaws and all.
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