
Sydney Park
Makani Young

As the countdown to graduation begins, students at Osborne High are being stalked by a maniac intent on exposing their darkest secrets to the entire town, terrorizing victims while wearing a life-like mask of their own face. With a mysterious past of her own, Makani and her friends must discover the killer's identity before they become victims themselves.
I’ve seen enough slasher films to know the rules by heart. The final girl. The masked killer.
The body count that climbs like a metronome. There’s Someone Inside Your House follows the formula—right down to the high school setting and the killer who wears a mask molded from the victim’s own face—but it’s the moments when it stumbles that make it interesting. Not because it’s bold or original, but because it’s so earnest in its attempts to be both a teen drama and a horror movie that it forgets to decide which one it wants to be.
The film opens with a jolt: a teenager, alone in a house, hears a noise. The camera lingers on the shadows, the way the light from the fridge cuts through the dark. It’s a familiar setup, but there’s something unsettling about the way the scene unfolds—less like a jump scare, more like a slow unraveling.
Then the killer strikes, and the mask is revealed: a grotesque, hyper-realistic replica of the victim’s face. It’s a striking image, one that lingers in the mind long after the initial shock fades. The mask isn’t just a disguise; it’s a violation, a literal erasure of identity.
The killer isn’t just taking lives; they’re stealing faces, forcing the town to confront the secrets hidden behind them.

Patrick Brice, the director, is best known for Creep, a found-footage horror-comedy that thrived on its awkward, off-kilter tension. There’s none of that here. There’s Someone Inside Your House plays it straight, which might have worked if it had a stronger sense of its own tone. Instead, it oscillates between teen melodrama and slasher violence, never quite committing to either.
The first act is all about Makani (Sydney Park), the new girl in town with a mysterious past, and her friends—each of them hiding something, each of them a potential target. The dialogue is clunky, the relationships feel underdeveloped, and the film’s attempts at emotional depth keep getting undercut by the next kill. It’s as if Brice couldn’t decide whether he was making a character study or a body-count movie, so he split the difference.
"A visually stylish but uneven slasher that struggles to balance teen drama with horror, leaving many underwhelmed."
The film’s vibrant aesthetic and occasional creative kills earn praise, but its shift between high school drama and slasher horror feels disjointed. Viewers appreciate the attempt at a fresh take on the genre, yet many find the characters underdeveloped and the plot predictable, with tonal whiplash undermining tension. latestnetflix.com's read is that Some enjoy it as mindless fun, while others dismiss it as forgettable.
Spoiler warning
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Netflix’s 2021 slasher There’s Someone Inside Your House arrived with a built-in hook: a young-adult horror novel by Stephanie Perkins, a cast of rising stars, and the producing muscle of James Wan. latestnetflix.com's view is that Yet behind the gore and teen drama, the film’s journey from page to screen remains surprisingly opaque—especially when it comes to its creative leadership.
The movie is based on Perkins’ 2017 novel of the same name , a Nebraska-set thriller about a masked killer targeting high schoolers. But unlike the book’s small-town setting, the film relocates the action to a fictional Nebraska town with a more stylized, Scream-lite aesthetic. What’s unclear? Who helmed the project. While French site SensCritique lists Patrick Brice as the director under the film’s alternate title, Killer Game
, no major trade outlets or Netflix press materials confirm this. Brice, known for Creep (2014) and The Overnight (2015), has no public interviews or social media posts tying him to the film. Netflix’s official trailer and promotional materials omit the director’s name entirely , leaving fans to speculate whether this was a deliberate choice or an oversight.
Park, who plays protagonist Makani Young, emerged as the film’s breakout star. In a rare behind-the-scenes clip, she gushed about working with producer James Wan, calling the experience a "dream" . Wan’s involvement—confirmed in multiple sources—likely helped secure the film’s slick production values, even if the final product divided critics (it holds a 4.3/10 rating on SensCritique ). Park’s co-stars, including Théodore Pellerin and Asjha Cooper, also appear in MTV’s playful "What You Shouldn’t Do in a Horror Movie" segment , suggesting a tight-knit cast. But with no sequel announced, it’s unclear whether Park’s enthusiasm will translate into a franchise.
One of the film’s quieter successes is its soundtrack, which SensCritique catalogs as a standalone release . The score, however, hasn’t sparked the same buzz as the movie itself—no viral TikTok trends or Grammy chatter. That’s a missed opportunity, given how horror soundtracks (like Stranger Things or Bird Box) often outlast their films.
Most puzzling is the lack of marketing push. Beyond a handful of trailers , Netflix didn’t lean into the film’s potential as a teen-horror staple. No cast interviews on late-night shows, no director Q&As, and no tie-ins with Perkins’ novel. Even the Rotten Tomatoes page lists only the basics: cast, release date, and a sparse synopsis . Was this a case of Netflix testing the waters with a mid-budget horror flick, or did the studio lose faith in the project post-release?
For now, There’s Someone Inside Your House remains a curiosity—a movie with a killer premise, a solid cast, and a director-shaped question mark. If Netflix ever revives it, fans will be watching. But don’t hold your breath.
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