
Meryl Streep
Ellen Martin / Elena

When a widow gets swindled out of insurance money, her search for answers leads to two cunning lawyers in Panama who hide cash for the superrich.
I’ll admit it: when I heard Steven Soderbergh was making a movie about the Panama Papers, I braced for something dense, maybe even preachy. The man has a knack for tackling sprawling, systemic stories—Traffic’s drug trade, Contagion’s pandemic—but financial corruption? That’s a minefield of jargon and abstraction.
Yet The Laundromat isn’t the dry, wonkish lecture I feared. It’s something stranger: a darkly comic, episodic romp that tries to make offshore tax havens feel as intimate as a family betrayal. The problem?
It stitches together its vignettes with such restless energy that the seams keep showing.
The film opens with a widowed Ellen Martin (Meryl Streep) trying to claim insurance money after her husband drowns in a boating accident. When the payout is denied, her quest for answers spirals into a labyrinth of shell companies, shady lawyers, and the kind of financial chicanery that turns ordinary lives into collateral damage. Along the way, we meet Jürgen Mossack and Ramón Fonseca (Gary Oldman and Antonio Banderas), the real-life architects of the Panama Papers scandal, who narrate the film like a pair of smug, tuxedoed tour guides through the underworld of global finance.
Their performances are the film’s most electric element—Oldman and Banderas lean into the absurdity of their roles, delivering monologues that oscillate between self-congratulation and self-parody. (At one point, they break the fourth wall to explain the mechanics of tax evasion, as if we’re being let in on a particularly dull magic trick.)

Soderbergh’s approach here is deliberately fragmented, jumping between Ellen’s story and a half-dozen other victims of the system—from a Chinese businessman laundering money to a pair of American real estate moguls (David Schwimmer and Robert Patrick) whose greed curdles into something almost farcical. The film’s structure mirrors the chaos of the Panama Papers themselves: a leak so vast it’s hard to grasp in its entirety.
"A well-intentioned but uneven take on the Panama Papers scandal, saved by strong performances and Soderbergh’s stylish direction."
Viewers appreciate the film’s attempt to tackle a complex real-world issue with a mix of drama and dark comedy, highlighting Meryl Streep’s performance and the film’s visual creativity. However, many find the narrative structure disjointed and the tone inconsistent, making it hard to fully engage with the story. latestnetflix.com's view is that the film’s ambition often outpaces its execution, leaving some feeling underwhelmed despite its strengths.
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Steven Soderbergh’s The Laundromat (2019) arrived with the kind of star-studded buzz that only a project about global financial corruption—and a cast led by Meryl Streep, Gary Oldman, and Antonio Banderas—could deliver. Premiering at the Venice Film Festival in 2019, the film quickly became a talking point, not just for its subject matter but for the behind-the-scenes energy of its ensemble. latestnetflix.com's read is that here’s what we know about the making and reception of this Netflix-backed drama.
The Laundromat made its debut at the Venice Film Festival, where Soderbergh, Streep, and Oldman took the stage to introduce the film . The event was a clear signal of the movie’s ambitions: a high-profile, star-driven takedown of offshore tax havens, inspired by the real-life Panama Papers scandal. The film’s festival run didn’t stop there—it also screened at the Toronto International Film Festival (TIFF), where Streep and Oldman participated in a post-screening Q&A, diving into the film’s themes of "crimes against humanity" and the moral rot of financial secrecy .
The red carpet moments were equally electric. Streep’s arrival at the Venice premiere, captured in clips, showcased her signature poise, while the TIFF Q&A revealed a cast deeply engaged with the material . The film’s festival circuit appearances were a masterclass in leveraging star power to amplify its message—even if the critical reception would later prove divisive.
One of the most intriguing behind-the-scenes angles was Streep’s public embrace of Netflix as a distribution platform. In interviews tied to the film’s release, she praised the streaming service for its ability to reach global audiences, calling it a "powerful" tool for storytelling . This was a notable endorsement at a time when Netflix was still battling skepticism from traditional Hollywood circles.
Streep’s enthusiasm wasn’t just lip service. The film’s Netflix backing meant it bypassed a traditional theatrical release, a move that aligned with Soderbergh’s history of experimenting with distribution models. While the platform’s involvement didn’t guarantee critical success, it did ensure the film had a built-in audience—and a high-profile trailer to match .
Despite the star power and timely subject matter, The Laundromat received a lukewarm critical response. On Rotten Tomatoes, the film holds a modest rating, with reviewers praising the performances but critiquing its narrative structure . Some outlets, like SensCritique, gave it a middling 6/10, calling it a "dramatic" take on the Panama Papers but stopping short of declaring it a must-see
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Soderbergh’s involvement, however, was never in question. The director, known for his versatility and technical prowess (as noted in his bio ), brought his signature efficiency to the project. Whether that translated into a cohesive film, though, was up for debate. The Q&A at TIFF hinted at the cast’s pride in the material, but the final product left some critics wanting more .
The Laundromat may not have been a critical darling, but it was undeniably a vehicle for its stars to flex their dramatic chops—and for Soderbergh to tackle a real-world scandal with his trademark flair. The film’s festival appearances, Streep’s Netflix advocacy, and the ensemble’s chemistry all added layers to its behind-the-scenes story. Whether it will be remembered as a bold experiment or a missed opportunity remains to be seen, but for a moment in 2019, it had Hollywood’s attention.
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