
Angela Bassett
Carol Walker

Feeling forgotten on Mother's Day, three best friends leave the suburbs and drive to New York City to surprise their adult sons.
I keep thinking about the opening shot of Otherhood—three women standing in a suburban driveway, keys in hand, staring down the road like it’s the edge of a cliff. Angela Bassett, Patricia Arquette, and Felicity Huffman play mothers who’ve spent years waiting for their sons to call, to visit, to notice them. So they decide to show up unannounced in New York City, suitcases in tow, ready to force the issue.
It’s a premise that could tilt into farce or schmaltz, but what lingers isn’t the comedy or the drama so much as the quiet ache of being both needed and invisible.

Cindy Chupack, a veteran of Sex and the City and Modern Family, directs with a light touch, but the film’s best moments aren’t the ones that land a punchline. They’re the small, awkward silences—the way Huffman’s character, Carol, lingers in her son’s doorway, watching him scroll through his phone, her face a mix of longing and restraint. There’s a scene where Bassett’s Gillian, a widow, sits across from her son at a restaurant, and the camera holds on her hands as she fidgets with her napkin.
It’s a tiny detail, but it says everything: she’s rehearsed this conversation a hundred times, and now that she’s here, she doesn’t know what to do with herself.
"A well-intentioned but uneven comedy-drama about motherhood that struggles to balance humor and heartfelt moments."
Viewers appreciate the strong performances from Angela Bassett, Patricia Arquette, and Felicity Huffman, which add depth to the film’s exploration of mother-son relationships and the challenges of post-motherhood identity. However, many find the humor forced and the storyline predictable, with some moments feeling overly sentimental or contrived. latestnetflix.com's take is that the film’s attempt to blend comedy and drama often falls flat, leaving audiences divided on its overall impact.
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Otherhood (2019), the Netflix dramedy directed by Cindy Chupack, follows three mothers—Carol (Angela Bassett), Gillian (Patricia Arquette), and Helen (Felicity Huffman)—as they impulsively visit their adult sons in New York City, only to discover their kids aren’t as eager to see them as they’d hoped. The film, adapted from William Sutcliffe’s novel Whatever Makes You Happy, blends humor and heartache, exploring the messy, often unspoken dynamics between parents and their grown children. latestnetflix.com's read is that while the movie didn’t make a huge splash at the box office, its behind-the-scenes story offers a glimpse into the collaboration between its powerhouse cast and first-time feature director.
Cindy Chupack, best known for her work as a writer and executive producer on Sex and the City , made her feature directorial debut with Otherhood. The shift from television to film wasn’t without its challenges, but Chupack’s background in sharp, character-driven storytelling gave the project a strong foundation. In interviews, she emphasized the film’s focus on the "otherhood" of motherhood—the loneliness and unmet expectations that come with parenting adult children . While the evidence doesn’t detail specific on-set struggles, Chupack’s transition from TV to film suggests a learning curve, though her experience with ensemble casts likely smoothed the process.
The trio of Bassett, Arquette, and Huffman brought star power and emotional depth to Otherhood, but their off-screen dynamic was just as compelling. In promotional interviews, the actresses gushed about their chemistry, with Bassett and Arquette in particular bonding over their shared experiences as mothers . Arquette, who has a son, and Bassett, a mother of twins, joked about the universal struggles of parenting—from guilt to the fear of becoming "invisible" to their kids . Huffman, meanwhile, brought her own perspective, having navigated the complexities of motherhood in the public eye.
The cast’s camaraderie extended to their younger co-stars, including Jake Hoffman, Jake Lacy, and Sinqua Walls, who played their sons. While the evidence doesn’t reveal much about on-set antics, the trailer and promotional clips suggest a playful, collaborative environment, with the actors clearly enjoying their roles .
Despite its star-studded cast and timely premise, Otherhood received mixed reviews. On SensCritique, it holds a modest 5.2/10 rating, with critics and audiences noting its uneven tone—oscillating between comedy and drama without fully committing to either . Rotten Tomatoes doesn’t provide a critic score in the snippet, but the consensus appears lukewarm
. Still, the film found an audience on Netflix, where its themes of motherhood and generational gaps resonated with viewers.
One unanswered question is whether Otherhood was always intended for streaming or if it struggled to find a theatrical distributor. The evidence doesn’t clarify, but its Netflix release aligns with the platform’s strategy of acquiring mid-budget films with built-in appeal .
Otherhood may not have been a critical darling, but its behind-the-scenes story is one of collaboration and heart. Chupack’s directorial debut, paired with the cast’s genuine rapport, gave the film an authenticity that resonated with audiences—even if the execution wasn’t flawless. For fans of Bassett, Arquette, and Huffman, it’s a rare opportunity to see three powerhouse actresses navigate the messy, often hilarious realities of motherhood together.
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