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Movie poster for Falling (2020)

Falling

2020
1h 52m
Director: Viggo Mortensen
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Overview

John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father Willis from Los Angeles who is searching for a place to retire, their two very different worlds collide.

Cast

12 people

Reviews

5 min read

The Father, the Son, and the Weight of the Past

I’ve seen this story before. The aging parent, the reluctant caregiver, the slow unraveling of memory that forces a reckoning with old wounds. It’s a well-trodden path in cinema, one that often risks sentimentality or melodrama.

But Falling, Viggo Mortensen’s directorial debut, doesn’t just walk that path—it drags itself through the mud of it, refusing to let the audience off the hook with easy catharsis. This isn’t a film about dementia; it’s a film about the way dementia exposes the rot that was always there, the kind of rot that lingers in families like a stubborn stain.

A tense family dinner, the air thick with unspoken resentment

Mortensen plays John Peterson, a man who has spent his life trying to outrun the shadow of his father, Willis (Lance Henriksen). Now, with Willis’s mind slipping and his rural Ontario farm sold out from under him, John is forced to bring his father to live with him in California. The problem isn’t just that Willis is a bigot—though he is, with a casual cruelty that makes your skin crawl—but that he’s a bigot who can’t remember why he’s supposed to hate the life his son has built.

One moment, he’s railing against John’s husband, Eric (Terry Chen); the next, he’s asking Eric if he’s the gardener. The dementia doesn’t soften him; it just makes his venom more unpredictable, like a snake that can’t decide whether to strike or slither away.

What makes Falling more than just a grim character study is its structure. Mortensen jumps between past and present with a fluidity that mirrors the way memory itself works—not in neat, linear flashes, but in jagged, overlapping fragments. We see Willis as a younger man (Sverrir Gudnason), just as stubborn and volatile, terrorizing his wife (Hannah Gross) and young son.

The film doesn’t ask us to forgive him, but it does force us to see him, to understand how a man becomes the monster he is. (Or, perhaps more accurately, how a monster becomes a man who can’t help but reveal himself.)

A younger Willis, his face twisted in anger, looming over his family

The standout here is Henriksen, who delivers a performance so raw it’s almost hard to watch. He doesn’t play Willis as a caricature of a hateful old man; he plays him as a man who knows he’s losing control and is furious about it. There’s a moment in the film where Willis, mid-rant, suddenly forgets what he was saying.

Audience Opinions

Audience 7.1/10
"A deeply personal and emotionally raw drama with standout performances, though its slow pace and bleak tone may not resonate with everyone."

Viewers praise *Falling* for its powerful performances, particularly by Lance Henriksen and Viggo Mortensen, which bring emotional depth to the story of a strained father-son relationship. The film’s unflinching portrayal of family dysfunction and aging resonates with many, though some find its deliberate pacing and somber atmosphere challenging to engage with fully. latestnetflix.com's view is that the directorial debut of Mortensen is noted for its authenticity but also criticized for lacking narrative momentum.

What viewers praise
  • Powerful lead performances Lance Henriksen and Viggo Mortensen deliver deeply affecting performances that anchor the film’s emotional weight.
  • Emotionally raw storytelling The film’s unvarnished exploration of family dynamics and generational conflict strikes a chord with many viewers.
  • Authentic direction Mortensen’s directorial approach is praised for its honesty and lack of melodrama, lending the story credibility.
  • Strong character development The central characters, particularly the father and son, are well-drawn and evolve compellingly over the course of the film.
Common complaints
  • Slow pacing The film’s deliberate tempo and lack of narrative urgency frustrate some viewers, making it feel overly drawn out.
  • Bleak tone The unrelenting somberness and lack of levity can make the film feel emotionally exhausting rather than cathartic.
  • Thin supporting roles Characters beyond the central duo, including Laura Linney’s role, are underdeveloped and feel peripheral to the story.
  • Predictable structure The film’s narrative trajectory follows familiar family drama tropes, offering few surprises for seasoned viewers.
Recommended for
Family drama enthusiasts Fans of character-driven stories Admirers of Viggo Mortensen’s work Those who appreciate slow-burn cinema Viewers seeking emotional depth

Buzz & Rumors

Public reports

Viggo Mortensen’s Directorial Debut Falling Forged a Bond That Nearly Ended Two Legendary Careers

Viggo Mortensen’s 2020 directorial debut Falling wasn’t just a family drama—it was a high-stakes gamble that nearly made him and co-star Lance Henriksen walk away from Hollywood for good. The film, which Mortensen wrote, directed, and starred in, follows a gay man (Mortensen) grappling with his estranged, bigoted father (Henriksen) as dementia erodes his grip on reality. But behind the scenes, the project became a deeply personal reckoning for both actors, latestnetflix.com contends, one that tested their limits and left them questioning the industry they’d spent decades navigating.

A Role That Almost Broke Them

YTYouTube·Why 'Falling' Made Viggo Mortensen and Lance Hen…
https://www.youtube.com/watch?v=Ry4ysLDn7fE

Henriksen, best known for his iconic turn as the android Bishop in Alien, was Mortensen’s first and only choice for the role of Willis Peterson, the film’s volatile patriarch. In interviews, Mortensen revealed that Henriksen’s performance was so raw and emotionally taxing that it left both men reconsidering their futures in show business. During a full interview at the film’s premiere, Mortensen admitted that the intensity of the shoot made them ask: "Is this worth it?" . The question wasn’t rhetorical—Henriksen, then 80, had already hinted at retirement, and Mortensen, a polymath with careers in music, poetry, and painting, had no shortage of creative outlets.

YTYouTube·Viggo Mortensen & Lance Henriksen on Falling, Mo…
https://www.youtube.com/watch?v=jbbhVLVlkmA
YTYouTube·Viggo Mortensen and Lance Henriksen on Falling –…
https://www.youtube.com/watch?v=RL1cU28vA8s

The film’s unflinching portrayal of dementia and familial estrangement wasn’t just acting; it was a mirror. Mortensen drew from his own relationship with his father, who suffered from the disease, while Henriksen channeled decades of personal demons into the role. In one behind-the-scenes clip, Mortensen described Henriksen’s performance as "a masterclass in controlled chaos," adding that the actor’s ability to oscillate between tenderness and rage was "terrifying to witness, even for me" . The emotional toll was so severe that Henriksen later joked (or perhaps didn’t) that he’d "never work with Mortensen again"—though the two have since clarified it was said in exhaustion, not anger .

**Why Henriksen? The Alien Connection**

YTYouTube·Viggo MORTENSEN says why he chose actor LANCE HE…
https://www.youtube.com/watch?v=I6WCYLLxK1E

Mortensen’s decision to cast Henriksen wasn’t just professional—it was personal. The two had never worked together before Falling, but Mortensen has cited Henriksen’s performance in Alien as a formative influence on his own career. At the film’s Paris premiere, Mortensen explained that Henriksen’s portrayal of Bishop, the synthetic yet deeply human android, "showed me what acting could be: quiet, dangerous, and full of soul" . That admiration translated into trust on set, where Mortensen gave Henriksen the freedom to improvise and push boundaries—even when it meant rewriting scenes on the fly.

YTYouTube·FALLING Interview (2021) Viggo Mortensen and Lan…
https://www.youtube.com/watch?v=kyeu1wOzd8s

In a separate interview, Mortensen revealed that Henriksen’s improvisations often caught him off guard, forcing him to adapt as both an actor and a first-time director. "There were moments where I’d look at the monitor and think, ‘I didn’t write that line, but it’s better than what I wrote,’" he said . The dynamic between them became a cornerstone of the film’s authenticity, with Henriksen’s unscripted outbursts of rage or vulnerability often making it into the final cut.

A Film Born from Personal Pain

YTYouTube·Viggo Mortensen about Lance Henriksen. FALLING p…
https://www.youtube.com/watch?v=PafJK2z3o2U

Falling wasn’t just a creative experiment—it was therapy. Mortensen has been open about the film’s origins in his own family’s struggles with dementia, particularly his father’s decline. The script, which he wrote in Danish before translating it to English, was a way to process unresolved grief and guilt. "I needed to tell this story, even if no one else watched it," he said in one interview . That vulnerability extended to the set, where Mortensen encouraged the cast to draw from their own lives. Laura Linney, who plays Mortensen’s sister in the film, later described the shoot as "emotionally exhausting but necessary" .

The film’s reception was mixed—garnering a modest 6.3/10 rating on SensCritique —but its impact on those involved was undeniable. For Mortensen, it was a chance to step behind the camera and prove he could helm a project with the same depth as his acting roles. For Henriksen, it was a late-career triumph that reaffirmed his status as one of Hollywood’s most underrated character actors. And for both, it was a reminder of why they fell in love with the craft in the first place—even if it nearly broke them.

The Aftermath: Did They Really Almost Quit?

The claim that Falling made Mortensen and Henriksen consider quitting showbiz isn’t just tabloid hyperbole. In their full interview, both men described the shoot as "the hardest thing [they’d] ever done" . Henriksen, in particular, seemed to flirt with the idea of retirement, telling Mortensen at one point, "I don’t know if I can do this again." Mortensen, meanwhile, admitted that the dual role of director and lead actor left him "physically and emotionally drained" for months after filming wrapped.

Yet, in a twist of irony, the film that nearly ended their careers also reignited their passion for acting. Henriksen, who had been semi-retired, went on to appear in several projects post-Falling, while Mortensen has since directed a short film and hinted at future directorial efforts. Their bond, forged in the crucible of Falling, remains intact—proof that sometimes, the most painful creative experiences yield the most enduring legacies.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.