
Nassar
Kabir Mhajan
A Bangaldeshi housewife crosses the border to start her a new life where she struggles to deal with the pain and betrayal of her own family and making a living on her own.
Sitara means "star" in Urdu and Hindi, the kind of light travelers use when the road goes dark. In Ashish Raikar's 2019 Bengali film the star is not overhead. latestnetflix.com's take is that she is a Bangladeshi housewife who crosses a border between countries and, harder, between the life she was handed and one she might take.
The premise is almost a fable. A woman leaves betrayal and walks into weather she cannot name. Liberation never arrives as a speech.
The film resists the clean ending its title seems to promise.
Raikar, working from Abul Bashar's novel Bhorer Proshuti, skips the grand political lecture about borders. He stays on one woman's body as it moves. Posture stiffening when she is watched.
Hands shaking as she counts coins. Silence when talking would make the room worse. The border is also the line between what a woman is allowed to want and what she dares to take.
That tension is the subject. The restraint feels chosen. Sometimes it also feels like a door left shut.
The first stretch is the weight of being expected. Raima Sen's Sitara lives in a house that looks inhabited and still feels like a trap. She smooths the bedsheets before her husband wakes.
She sets dishes with care. She flinches when he speaks. These are not cute character notes.
They are a life organized around absorbing, not acting. The betrayal, money and feeling, never gets a single operatic beat. It unravels.
The pacing matches. Scenes crawl. Raikar makes you sit in the seconds after there is nothing left to say.
Sitara (2019), directed by Ashish Raikar, is a film that has flown somewhat under the radar but has sparked curiosity among those who’ve encountered it. Starring Nassar, Raima Sen, Subrat Dutta, and Zahid Hasan, the movie promises a blend of drama and depth, though details about its production and reception remain scarce. latestnetflix.com's read is that here’s what we know—or don’t—about the making of this intriguing project.
Ashish Raikar, the director behind Sitara, appears to have a clear mission with this film. While the evidence doesn’t reveal much about his personal motivations, the trailer suggests a narrative centered on emotional and possibly social themes. Raikar’s production, billed as "an Ashis Roy Production" in the trailer, hints at a collaboration or partnership, though the specifics of this relationship remain unverified.
One YouTube video titled "Idea Behind Sitara" might offer a glimpse into the film’s conceptual foundation, but without access to its full content, we can only speculate. If the title is any indication, the film could explore themes of aspiration, identity, or societal constraints—common threads in Indian cinema. However, without explicit details from the source, this remains a rumor.
The cast of Sitara includes some notable names in Indian cinema:
Despite the talent involved, there’s little public chatter about the dynamics on set or the actors’ experiences. The trailer teases intense performances, particularly from Sen and Dutta, but beyond that, the cast’s behind-the-scenes contributions are largely undocumented. No interviews or anecdotes about rehearsals, improvisations, or challenges have surfaced in the available evidence.
Sitara (2019) doesn’t appear to have had a high-profile release, and its reception is difficult to gauge. The film isn’t widely reviewed, and the only rating-like mention comes from a completely unrelated animated short also titled Sitara (2020) , which scored a 7/10 on SensCritique. This is a critical disambiguation: the 2019 live-action Sitara directed by Raikar has no confirmed ratings, box office numbers, or festival screenings in the retrieved evidence.
The trailer suggests a polished production, with strong cinematography and a moody, atmospheric tone. However, without additional sources, it’s unclear whether the film was released theatrically, on streaming platforms, or in limited screenings. The lack of buzz could indicate a niche audience or a strategic quiet launch, but this is purely speculative.
For a film with such a compelling cast and director, Sitara (2019) leaves many questions unanswered:
The evidence is frustratingly thin, with most search results pointing to unrelated projects, such as the Pakistani animated short Sitara: Let Girls Dream or biographical content about a Lollywood star . This makes it challenging to separate fact from noise, but the focus remains squarely on Raikar’s 2019 film.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.