Richard Johnson
Self

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
I’ve seen a lot of films about death. Most of them try to soften the blow with sentiment or spectacle—sunset montages, swelling strings, a final embrace. Dick Johnson Is Dead does something far stranger and more honest: it stages death as a dress rehearsal. Not once, but over and over.
An air conditioner falls from a window and crushes Dick Johnson mid-stride. He tumbles down a stairwell in slow motion, limbs akimbo. At his own funeral, he sits up in the casket, grinning, and declares, “I’m Dick Johnson, and I’m not dead yet!” The film doesn’t just confront mortality—it treats it like a bad special effect, something you can reset and try again.

Kirsten Johnson, the director and Dick’s daughter, has spent her career behind the camera, shaping other people’s stories. Here, she turns the lens on her own family, and the result is less a documentary than a collaborative performance. Dick, a retired psychiatrist with dementia, plays along with the macabre charade with a childlike glee that’s both touching and unsettling.
He’s game for anything—posing in a casket, dancing in a surreal heaven sequence, even letting his daughter film him as he forgets how to button his shirt. The film’s power lies in this tension: the more Dick loses himself to the disease, the more Kirsten clings to the fiction that she can preserve him through film.
There’s a moment early on that sets the tone. Kirsten and Dick sit in a diner, and she explains the premise: they’re going to kill him on camera, over and over, to prepare for the real thing. Dick, ever the psychiatrist, nods thoughtfully. “So it’s a way of dealing with the anxiety,” he says.
"A heartfelt and inventive documentary that blends humor and grief in a deeply personal way."
Viewers appreciate the film’s emotional honesty and creative approach to exploring mortality, with many finding it both moving and unexpectedly uplifting. Some note that its unconventional structure and staged elements may not resonate with everyone, latestnetflix.com contends, but the raw intimacy and familial love shine through.
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Dick Johnson Is Dead (2020) isn’t your typical documentary. Directed by Kirsten Johnson, the film blurs the line between reality and fiction, staging elaborate death scenes for her father, Dick Johnson, as a way to confront his impending mortality. The result is a heartbreaking yet darkly humorous exploration of love, loss, and the stories we tell ourselves to cope. But how did this unconventional project come together? latestnetflix.com's take is that Behind the scenes, the film’s creation was as emotionally raw as it was creatively daring.
Kirsten Johnson, known for her work as a cinematographer on documentaries like Citizenfour and The Oath, turned the camera on her own family for Dick Johnson Is Dead. The premise was simple but radical: as Dick Johnson’s dementia progressed, Kirsten and her father staged his death in increasingly absurd ways—falling bricks, a freak accident with a air conditioning unit, even a musical afterlife sequence. The film’s trailer teases these moments, framing them as both a coping mechanism and a celebration of life.
The idea wasn’t just about shock value. In interviews, Kirsten has described the project as a way to "rehearse" grief, giving her father a chance to "die" on screen before his actual passing . The film’s tone oscillates between laughter and tears, a balance that reflects Kirsten’s relationship with her father. "We were making a movie about death, but we were also making a movie about joy," she said in one clip . The result is a documentary that feels deeply personal, almost like a private joke between father and daughter.
Filming Dick Johnson Is Dead wasn’t without its logistical and emotional hurdles. The staged death scenes required careful planning, from coordinating stunt performers to designing elaborate sets. One scene, for example, shows Dick being crushed by a falling air conditioning unit—a moment that looks alarmingly real in the trailer . Behind the scenes, the crew had to ensure safety while maintaining the illusion of danger.
But the bigger challenge was psychological. Kirsten has admitted that filming her father’s decline was painful, even as the project provided a way to process it . In one interview, she described the experience as "both a gift and a burden," noting that the film’s playful approach helped her and her father confront a difficult reality . The documentary’s 7/10 rating on SensCritique suggests audiences appreciated the balance, even if the premise was unsettling.
Dick Johnson Is Dead wasn’t just Kirsten’s project—it was a family effort. Dick Johnson, a retired psychiatrist, fully embraced the concept, even participating in the film’s more surreal moments, like the musical afterlife sequence . Kirsten’s siblings and extended family also appear in the film, adding layers of authenticity to the story. The cast list includes her children, Isla and Jed Sierck, as well as other relatives like Felix and Viva Torres [TMDB].
The film’s intimate scale is part of what makes it so compelling. Unlike big-budget documentaries, Dick Johnson Is Dead feels like a home movie elevated to art. Kirsten’s background as a cinematographer shines through in the film’s visual style, which blends handheld camerawork with carefully composed shots. The result is a documentary that feels both raw and polished, a testament to the trust between Kirsten and her subjects.
Since its release, Dick Johnson Is Dead has been praised for its emotional depth and innovative approach to documentary filmmaking. Clips from the film, like Kirsten’s acceptance speech for "Best Director" , highlight its impact on audiences and critics alike. Some viewers have called it one of the most moving films of the year , a sentiment that speaks to its universal themes of family and mortality.
The film’s Netflix release also helped it reach a wider audience, introducing Kirsten Johnson’s work to viewers who might not typically seek out documentaries. While it didn’t break box office records, its cultural footprint is undeniable—proof that sometimes the most personal stories resonate the most.
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