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Movie poster for The Man from Toronto (2022)

The Man from Toronto

“Hitman meets dead man.”

2022
1h 53m
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Overview

A case of mistaken identity forces a bumbling entrepreneur to team up with a notorious assassin known as The Man from Toronto in hopes of staying alive.

Cast

12 people

Reviews

5 min read
AI-generated editorial review
The Man from Toronto, or How to Waste a Perfectly Good Hitman

I’ll admit it: I went in expecting nothing. A Kevin Hart vehicle with a hitman premise, a mid-pandemic shoot, and a reported $75 million budget that somehow still looks like it was cobbled together in a high school AV club. What I didn’t expect was how aggressively The Man from Toronto would make me question the very nature of cinematic alchemy—specifically, why some movies with all the right ingredients still curdle into something so inert.

The premise is gold: a bumbling entrepreneur (Hart) is mistaken for a legendary assassin known only as "The Man from Toronto," and must team up with the real Man from Toronto (Woody Harrelson) to survive a weekend of increasingly absurd violence. It’s North by Northwest meets Lethal Weapon, if Hitchcock and Donner had been replaced by a committee of studio executives who’d just discovered the word “synergy.” The problem isn’t the idea—it’s that the film treats its own premise like a inconvenience, something to be rushed through on the way to the next explosion or Hart one-liner.

A dimly lit interrogation room where Woody Harrelson’s hitman looms over Kevin Hart, who is duct-taped to a chair, looking equal parts terrified and confused.

Take the opening act. Hart’s character, Teddy, is a failed entrepreneur whose marriage is collapsing because he can’t stop lying about his success. It’s a relatable setup, the kind of thing that could ground the absurdity to come. But the film never lets Teddy be anything more than a walking punchline. His anxiety isn’t humanized; it’s exaggerated into a series of tics—sweating, stammering, flailing—that feel less like character work and more like a checklist of “Kevin Hart Behaviors.” There’s a moment early on where Teddy, trying to impress his wife, claims he’s closing a big deal at a remote Airbnb. The camera lingers on his face as he realizes he’s just booked a weekend in the middle of nowhere with no cell service. It’s the kind of quiet, cringe-inducing moment that could’ve been the film’s emotional anchor. Instead, the script immediately undercuts it with a fart joke. Not even a clever one. Just… a fart.

And then there’s Woody Harrelson’s Randy, the titular Man from Toronto. Harrelson is one of those actors who can make even the most ridiculous material feel lived-in, and here, he’s doing his best with what he’s given. Randy is a hitman with a code, a guy who quotes Nietzsche between kills and has a surprisingly tender relationship with his dog. It’s a fun, if familiar, archetype—the philosophical assassin—but Harrelson sells it with his usual effortless charm. The problem is that the film never lets Randy and Teddy’s dynamic breathe. Their chemistry is supposed to be the heart of the movie, but the script keeps them at arm’s length, more like two guys stuck in an elevator than partners in crime. There’s a scene where Randy forces Teddy to help him interrogate a target, and for a brief moment, you can see the spark of something interesting: Teddy, the coward, is forced to confront his own capacity for violence. But the film immediately undercuts it with a slapstick gag involving a stapler. Again.

Audience Opinions

AI summary of viewer review patterns
Audience 5.8/10 AI
"A disposable buddy action comedy with a fun premise dragged down by flat humor, weak chemistry, and shockingly bad CGI."

Harrelson’s presence, a few bursts of creative fight choreography, and the easygoing, popcorn tone make the film watchable for those content with background entertainment. For many, though, the jokes barely land, the chemistry between the leads feels forced, and the story comes off as a generic, overlong riff on the mistaken-identity formula, made worse by noticeably poor visual effects.

What viewers praise
  • Harrelson adds charm Woody Harrelson’s dry delivery and hitman persona are often singled out as the most enjoyable part of the movie.
  • Light, easy viewing Works reasonably well as undemanding, turn-your-brain-off streaming fare for a night in.
  • Occasional fun action Some set pieces and hand-to-hand sequences show flashes of energy and can be mildly satisfying to watch.
Common complaints
  • Terrible CGI and effects Explosions, environmental details, and other effects look cheap and distracting, with several viewers calling them among the worst they have seen in years.
  • Unfunny comedy Gags are described as juvenile or tired, with many finding that the script barely produces a chuckle despite constant attempts at humor.
  • Generic, forgettable plot The mistaken-identity assassin storyline feels formulaic, offering no real surprises and quickly fading from memory after it ends.
  • Annoying lead persona Kevin Hart once again plays a loud, anxious screw-up, and a noticeable portion of the audience finds this characterization grating rather than endearing.
Recommended for
Casual action-comedy watchers Woody Harrelson completists Background movie while multitasking Kevin Hart loyalists Light buddy-cop style cravings

Full Plot (Spoilers)

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Buzz & Rumors

Public reports
AI-researched entertainment notes

“The Man from Toronto”: Behind-the-Scenes Drama Juicier Than the Movie

When a middling Netflix action-comedy has more gossip than laughs, you know we have to talk about it. The Man from Toronto may have come and gone in your “Continue Watching” row, but behind the scenes it was R‑rated drama fighting to escape a PG‑13 movie.


On-Set Drama & Production Chaos

  • The star who ghosted the movie. Jason Statham was originally set to play the titular assassin opposite Kevin Hart… until he abruptly walked away just six weeks before filming was due to start in early 2020 . Insiders say the exit was sudden enough that Sony went into full scramble mode to replace him .
  • R‑rated bloodbath vs PG‑13 “four-quadrant” fluff. Multiple reports say Statham wanted a tough, R‑rated actioner, while Sony insisted on a broader PG‑13 crowd-pleaser to hit the holiday market . Neither side blinked, and with no signed deal and the clock ticking, Statham said “nope” and left. That’s when Woody Harrelson was rushed in as the new Man from Toronto [2][3].
  • COVID stopped the bullets mid-air. Just as things were ramping up, Sony halted production in March 2020 due to COVID-19, alongside other projects . The shoot later picked back up in Ontario in late 2020, but the stop‑start schedule and protocols reportedly made it a slog.
  • “Very, very difficult shoot,” according to locals. One Toronto-based Redditor claiming connections on the crew called it “a very very difficult shoot,” hinting at behind-the-scenes headaches without naming names . Fans have since speculated that the delays, recasting, and studio pressure made the set a stress factory.

Casting Shake-Ups & Industry Shade

  • Agency breakup drama on the side. Around the time he bailed on the film, Statham also parted ways with his agents, prompting industry chatter about “who fired whom” and suggesting the Man from Toronto clash was part of a bigger career-level power struggle [1].
  • Lainey Gossip clocked the money. Lainey Gossip noted that Statham had been poised to make around $10 million on the project before stepping away, underlining just how strongly he must have felt about the creative differences to walk from that cheque .

Scandals, Sales & Streaming Shade

  • Sony “dumps” it on Netflix. After pandemic delays and a reshuffled theatrical calendar, Sony quietly sold worldwide rights (minus China) to Netflix in 2022 under their broader streaming pact . On Reddit and film sites, people bluntly framed it as Sony “dumping” the movie once they saw what they had .
  • Critics asking “where did the $75M go?” Reviews tore into the movie’s bargain-bin VFX and flat staging, especially given reports of a roughly $75 million budget . One blistering write‑up said it was like “filling a barrel full of $100 bills and lighting it on fire before actually using any of it on the laughable CGI” [9]. Ouch.
  • Netflix’s ‘forgettable films’ poster child. A much-circulated box‑office/industry Reddit thread and a Film Stories piece used The Man from Toronto as Exhibit A in Netflix’s “big-budget, instantly forgotten” movie problem, basically calling it expensive content wallpaper [5][8][10].

Leaks, Deleted Scenes & What Got Left on the Cutting Room Floor

  • Six deleted scenes teased after the fact. The Blu-ray release came loaded with six deleted scenes, which instantly sent fans into speculation mode about what was chopped . With critics complaining the final cut already felt bloated and messy, rumor has it these scenes included either extra action beats or comedy bits that simply didn’t land in test screenings.
  • Action that didn’t make the Insta reel. Some Blu-ray reviewers flag the deleted material as more of the same chaotic fights and gags, reinforcing the narrative that the movie was heavily tinkered with in post to find a tone that never quite clicked [11].

Wild Trivia & Off-Screen Ironies

  • Woody Harrelson playing a hitman… whose dad was a real hitman. The wildest real-life twist: Woody Harrelson’s father, Charles Harrelson, was an actual convicted hitman who received two life sentences for assassinating a federal judge in 1979 . So yes, the guy playing a legendary contract killer on Netflix grew up with one at home. You can’t write this stuff.
  • Ellen Barkin’s “difficult” legend follows her in. Ellen Barkin, who plays the Handler, has had a long‑running reputation for being “hard to work with,” examined in a 1993 New York Times profile that flat‑out asked if she was “difficult” or just Queens-tough . More recent discussion of her on-set clashes elsewhere has kept that narrative alive . No specific blow‑ups from Man from Toronto have leaked, but fans absolutely brought that baggage into how they watched her icy, profane turn here.
  • Fans dragging the chemistry. While promo interviews leaned hard on Hart and Harrelson’s “chemistry,” audience chatter was less kind, with some viewers insisting the duo felt like a last‑minute mismatch and that you could still “see” the ghost of Statham in how the role was written [10]. Unconfirmed, but a juicy thought: was this still secretly built for Statham’s vibe?

In the end, The Man from Toronto might be remembered less for its plot and more for what happened when Hollywood tried to sand an R‑rated Jason Statham bruiser into a PG‑13 Kevin Hart Netflix vehicle—pandemic chaos, studio panic, bad CGI and all. The movie may be forgettable. The gossip? Not so much.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.