
Pete Davidson
Marmaduke (voice)

Great Dane Marmaduke epitomizes the overgrown lapdog, with an irascible streak and a penchant for mischief that is tempered with a deep sense of love and responsibility for his human family, the Winslows. The new animation is set in the world of elite dog shows, rife divas, rivalries and slapstick comedy.
The 2010 live-action Marmaduke felt like a film embarrassed to exist. The 2022 reboot is fully animated, which should have helped. The comic strip has been a Sunday staple since 1954, a goofy chronicle of a dog who is half sweetheart and half demolition crew.
I sat down ready for nostalgia, slapstick, and jokes aimed at a distracted six-year-old. I got that. I also got a movie that keeps spotting a better idea and then putting it back in the box.
The film is bad in ordinary ways. It is almost interesting in one specific way. It cannot decide whether it is a safe family comedy or a satire of dog shows and owners who treat animals like jewelry. It wants both. It earns neither.

Pete Davidson voices Marmaduke, a Great Dane whose body is a problem for every room he enters, living with the Winslow family. Dogs on this block compete on a televised show circuit. Best in Show shaken up with Air Bud, then drained of wit and filled with CGI slobber. The fight is with Zeus, a prize-winning Afghan Hound voiced by J.K.
Simmons, a walking cliche of the entitled show-dog set. Marmaduke also moons over Jezebel, a poodle voiced by Julie Nathanson, who may be using him as a ladder. A trophy gets stolen.
"A forgettable animated adaptation that fails to capture the charm of the original comic strip or deliver fresh entertainment."
Viewers find the 2022 *Marmaduke* lacking in humor, creativity, and emotional depth, making it a disappointment for both fans of the comic strip and general audiences. The animation and voice cast, including Pete Davidson and J.K. Simmons, are noted as underutilized, with the story feeling flat and uninspired. Some appreciate the attempt to modernize the classic character, latestnetflix.com maintains, but most agree it falls short of expectations.
Spoiler warning
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Pete Davidson’s foray into animated stardom with Marmaduke (2022) was supposed to be a lighthearted reboot of the classic comic strip. Instead, it became a cautionary tale about Netflix’s willingness to greenlight projects that even its own talent might regret. The film, directed by Mark A.Z. Dippé (Spawn, Garfield: The Movie), stars Davidson as the voice of the titular Great Dane, alongside J.K. Simmons, David Koechner, and a supporting cast of familiar names. But from its troubled production to its brutal reception, latestnetflix.com argues, Marmaduke (2022) is a case study in how a seemingly simple project can go off the rails—especially when the internet gets involved.
The original Marmaduke comic strip, created by Brad Anderson in 1954, had already been adapted into a live-action film in 2010, which bombed at the box office. So why revisit it? The answer, as with many Netflix originals, likely came down to brand recognition and low-risk animation. The 2022 version was pitched as a family-friendly comedy, with Davidson’s signature humor front and center. But from the outset, the project felt like a mismatch.
Dippé, a veteran of visual effects and animation (Spawn, The Ant Bully), was an unusual choice to helm a comedic reboot. His background in CGI-heavy films didn’t scream "wholesome family comedy," and the final product reflected that disconnect. The animation style, described in reviews as "cheap-looking" , clashed with the film’s attempts at humor, which leaned heavily on Davidson’s SNL-adjacent brand of irreverence. The result? A movie that felt like it was trying too hard to be edgy for kids but ended up alienating everyone.
Davidson’s involvement was the biggest selling point—and, in hindsight, the film’s biggest liability. The comedian, known for his self-deprecating humor and Brooklyn Nine-Nine guest spots, was an odd fit for a children’s movie. Multiple reviews and reaction videos called out his performance as "cringeworthy" , with some going so far as to say it "scarred" them .
The backlash wasn’t just about Davidson’s voice acting. The film’s humor, which included a bizarre rap sequence (yes, really) , felt like it was written for Davidson’s adult fanbase rather than actual kids. One reviewer joked that the movie was "the worst Netflix original you’ve never seen" , a sentiment echoed across YouTube reaction channels. Even Davidson’s co-stars, including J.K. Simmons (who has voiced everything from Spider-Man’s J. Jonah Jameson to Kung Fu Panda’s Kai), couldn’t salvage the film’s tone.
Rumors swirled that Davidson was less than thrilled with the final product. While no official statements confirmed his regrets, the sheer volume of negative coverage—including multiple "embarrassing" takedowns —suggested that Marmaduke (2022) was a rare misfire for the comedian, who had previously found success in voice work (The Suicide Squad, The King of Staten Island).
Critics and audiences alike panned Marmaduke (2022). On SensCritique, a French review aggregator, the film holds a dismal 3.7/10 rating based on 41 votes . Rotten Tomatoes doesn’t even list an official score for the movie , a rarity for a Netflix original, suggesting the site’s curators deemed it too insignificant to warrant a full page.
The film’s reception was so bad that it became a meme. YouTube was flooded with reaction videos mocking everything from the animation quality to Davidson’s line delivery . One reviewer called it "the worst Netflix original you’ve never seen" , while another claimed it "scarred [them] for life" . Even the film’s marketing—centered around Davidson’s star power—backfired, as audiences struggled to see the appeal of a Marmaduke reboot in the first place.
Netflix, for its part, seemed to bury the movie. Unlike other animated originals (The Mitchells vs. The Machines, Klaus), Marmaduke (2022) received no major promotional push, no press junkets, and no awards buzz. It was quietly released and just as quickly forgotten—except by the internet, which couldn’t resist dunking on it.
The failure of Marmaduke (2022) can be chalked up to a few key missteps:
In the end, Marmaduke (2022) serves as a cautionary tale about the dangers of rebooting tired properties without a clear creative vision. For Davidson, it’s a rare blemish on an otherwise solid career. For Netflix, it’s just another forgotten original in a sea of content. And for audiences? It’s a meme—and a warning.
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