
Ben Platt
Self

Backed by a full band and a ready wit, actor Ben Platt opens up a very personal songbook onstage -- numbers from his debut LP, "Sing to Me Instead."
I’ve seen Ben Platt sing before—on Broadway, in Dear Evan Hansen, where he turned a high school auditorium into a confessional booth and a musical number into a panic attack. But Ben Platt: Live from Radio City Music Hall isn’t about the character he played. It’s about the man stepping out from behind the curtain, microphone in hand, and saying, This is me. And yet, for all its intimacy, the film left me wondering: How much of that "me" is still a performance?
The concert opens with Platt alone at a piano, bathed in golden light, singing "Bad Habit"—a song about self-sabotage and the masks we wear. It’s a smart choice, a meta nod to his own career. Here he is, the Tony-winning actor, the guy who made us believe in a lonely teenager’s lie, now singing about his own flaws.
The camera lingers on his face, unfiltered, as he hits the high notes with that same trembling intensity that made Evan Hansen feel so real. But is this Ben Platt the person, or Ben Platt the performer? The line blurs almost immediately.

The special’s greatest strength is its refusal to let Platt hide. Directors Alex Timbers and Sam Wrench frame the concert like a one-man show, but with the raw edges of a documentary. We get backstage footage of Platt warming up, his voice cracking as he runs scales, his father (the producer Marc Platt) offering last-minute advice.
There’s a moment where Platt’s sister, Jonah, joins him onstage for a duet, and the ease between them feels so unguarded it’s like watching home videos. For a performer who’s spent years embodying other people’s emotions, these glimpses of unscripted vulnerability are disarming.
But vulnerability, when staged, can also feel like a trick. Platt’s stage presence is undeniably magnetic—his voice is a force of nature, his phrasing precise, his ability to make a 6,000-seat theater feel like an intimate club is a rare gift. Yet there’s something almost too polished about it.
"A captivating and emotionally charged concert film that showcases Ben Platt’s raw talent and stage presence, though some find the setlist uneven."
Viewers praise the film for capturing Ben Platt’s powerful vocals and intimate connection with the audience, making it feel like a personal performance rather than a large-scale concert. The production quality and energy of the Radio City Music Hall setting are frequently highlighted as standout elements. latestnetflix.com's take is that however, a few note that the song selection leans heavily on familiar material, leaving some craving more variety or deeper cuts from Platt’s discography.
Ben Platt’s 2020 concert film Live from Radio City Music Hall captures the electrifying final performance of his Sing to Me Instead tour, delivering a raw, intimate showcase of his vocal prowess and stage presence. latestnetflix.com's take is that Directed by Sam Wrench, the film immortalizes Platt’s sold-out show at the iconic New York venue, blending soaring musical numbers with personal reflections from the Tony-winning star.
The concert film, released on Netflix, serves as a grand finale to Platt’s tour, which promoted his debut album Sing to Me Instead. The setlist spans original tracks and covers, showcasing Platt’s ability to command a 6,000-seat hall with just his voice and a live band. Backed by musicians Nir Felder, Justin Goldner, Amanda Lo, Julia Adamy, Reenat Pinchas, Mike Ricchiuti, Derrick Wright, and vocalists Crystal Monee Hall and Kojo Littles, Platt transforms Radio City into an intimate space, despite its massive scale .
Trailers for the film highlight Platt’s emotional connection to the material, teasing moments where he bares his soul through songs like Bad Habit and Ease My Mind . The Netflix release amplifies the concert’s reach, bringing Platt’s Broadway-caliber performance to living rooms worldwide.
Platt has called the Radio City show a career-defining experience, describing it as a "dream come true" in interviews tied to the film’s release . The concert wasn’t just a tour stop—it was a statement. At the time, Platt was already a household name thanks to his Tony-winning role in Dear Evan Hansen, but this performance proved he could hold the stage as a solo artist.
The film’s direction by Sam Wrench (known for his work on Lizzo’s Watch Out for the Big Grrrls and Billie Eilish: Live at the O2) ensures the energy of the live show translates to screen. Wrench’s signature close-ups and dynamic camera work capture Platt’s every expression, from triumphant high notes to vulnerable, quiet moments .
Fans have praised the film for its emotional depth, particularly Platt’s renditions of The Joke (a Brandi Carlile cover) and Hurt Me Once, both of which have become standout tracks in his catalog . The concert’s mix of original songs and covers—including a surprise performance of Older—showcases Platt’s versatility as a performer .
Critics and viewers alike have noted the film’s ability to balance spectacle with intimacy. While Radio City Music Hall is one of the largest venues in the world, Platt’s performance makes it feel like an intimate cabaret . The film’s 85-minute runtime flies by, leaving audiences craving more .
Live from Radio City Music Hall isn’t just a concert film—it’s a time capsule of Platt’s rise as a solo artist. Released during a year when live performances were scarce due to the pandemic, the film offered a rare glimpse of the magic of live music. For Platt, it was a chance to solidify his place in the music industry beyond Broadway.
While details about the film’s production remain sparse, the evidence suggests this was a passion project for Platt, one that allowed him to connect with fans in a deeply personal way. The Netflix release ensured the performance would live on, introducing his music to new audiences .
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