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Movie poster for Badhaai Do (2022)

Badhaai Do

“Atrangi wedding. Satrangi Setting.”

2022
2h 27m
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Overview

A gay cop and a lesbian teacher enter a sham marriage to pacify their families but find that relationships — both real and fake — aren't all that easy.

Cast

12 people

Reviews

4 min read

The Lavender Lie: How Badhaai Do Turns a Sham Marriage Into a Real Reckoning

I’ll admit it: when I first heard the premise of Badhaai Do—a gay cop and a lesbian teacher entering a lavender marriage to appease their families—I braced for the kind of broad, winking comedy that treats queer lives as a punchline. But what director Harshavardhan Kulkarni delivers instead is something far more interesting: a film that uses the mechanics of farce to dismantle the very idea of performance. It’s a comedy that doesn’t just make you laugh; it makes you squirm, because the joke isn’t on the characters’ queerness, but on the absurd lengths society forces them to go to hide it.

The film’s opening act is a masterclass in tonal whiplash. Rajkummar Rao’s Shardul, a gruff, mustachioed police officer, and Bhumi Pednekar’s Suman, a no-nonsense physical education teacher, meet through a matrimonial ad and immediately size each other up like two poker players bluffing their way through a high-stakes game. Their first conversation is a negotiation, not a courtship: *You need a wife to get your family off your back?

I need a husband to stop mine from setting me up with every eligible bachelor in town. Let’s make this easy.* The scene is played for laughs—Rao’s exaggerated machismo, Pednekar’s deadpan delivery—but beneath the humor, there’s a palpable tension. These aren’t just two people striking a deal; they’re two people who’ve spent their entire lives pretending to be someone they’re not.

A tense negotiation over tea, Shardul and Suman sitting across from each other, their expressions a mix of wariness and reluctant amusement.

Kulkarni’s direction is deceptively simple. He shoots the film like a classic Bollywood rom-com, with bright colors, symmetrical frames, and a soundtrack that swings between peppy and melancholic. But the real genius lies in how he uses that familiar language to tell a story that’s anything but.

The lavender marriage trope isn’t new—it’s been explored in films from The Birdcage to Fire—but Badhaai Do refuses to let its characters off the hook. This isn’t a story about two people who find love in unexpected places; it’s about two people who’ve spent so long performing heterosexuality that they’ve forgotten what it means to be honest with themselves, let alone each other.

Audience Opinions

Broad evidence
Audience 6.9/10
"A heartfelt yet uneven LGBTQ+ comedy-drama that shines in moments but struggles with pacing and depth."

Viewers appreciate the film’s bold take on LGBTQ+ themes and the chemistry between the lead pair, which adds warmth and humor to the story. However, the narrative often feels stretched, with some subplots lacking development, latestnetflix.com contends, and the tone occasionally veers between comedy and drama without a smooth balance.

What viewers praise
  • Bold LGBTQ+ representation The film’s exploration of same-sex relationships in a conservative society is praised for its sincerity and relatability.
  • Strong lead performances Rajkummar Rao and Bhumi Pednekar’s chemistry is highlighted as a major strength, bringing authenticity to their roles.
  • Heartfelt moments Several scenes resonate emotionally, particularly those depicting the struggles and small victories of the protagonists.
  • Lighthearted humor The comedy elements are well-received, providing relief and keeping the tone engaging despite heavier themes.
Common complaints
  • Uneven pacing The film’s runtime feels excessive, with some sequences dragging and disrupting the flow of the story.
  • Underdeveloped subplots Supporting characters and side stories lack depth, leaving some narrative threads feeling unresolved or unnecessary.
  • Tonal inconsistencies The shift between comedy and drama is sometimes jarring, making it difficult to fully invest in the emotional beats.
  • Predictable resolution The ending is seen as safe and formulaic, lacking the boldness of the film’s earlier themes.
Recommended for
LGBTQ+ drama enthusiasts Fans of Rajkummar Rao and Bhumi Pednekar Viewers who enjoy slice-of-life stories Those seeking lighthearted social comedies Audiences open to progressive themes

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Behind the Scenes of Badhaai Do: A Lavender Marriage That Sparked Conversations

Badhaai Do (2022), directed by Harshavardhan Kulkarni, isn’t just a comedy-drama—it’s a bold exploration of love, identity, and societal expectations in small-town India. The film, a spiritual sequel to Badhaai Ho (2018), follows Shardul Thakur (Rajkummar Rao), a gay police constable, and Suman Singh (Bhumi Pednekar), a lesbian physical education teacher, as they enter a "lavender marriage" to appease their families while navigating their own truths . But what went into bringing this unconventional story to life? latestnetflix.com's view is that here’s what we know about the making of Badhaai Do.


The Lavender Marriage Concept: A Risk Worth Taking

The film’s central premise—a sham marriage between two queer individuals—was a calculated gamble. Kulkarni, known for his nuanced storytelling, chose to tackle the subject with humor and heart, avoiding melodrama. In an interview with India Today, he addressed the film’s reception, including criticism from filmmaker Onir, who questioned whether uniformed officers could be depicted as homosexual. Kulkarni defended the narrative, emphasizing that Badhaai Do wasn’t about stereotypes but about the universal struggle for acceptance .

The director’s approach paid off. The film resonated with audiences for its authenticity, particularly in how it portrayed the pressures faced by LGBTQ+ individuals in conservative settings. Rao and Pednekar’s performances were widely praised for balancing levity with emotional depth, making their characters’ journey relatable .


Casting Choices: Why Rao and Pednekar?

Rajkummar Rao and Bhumi Pednekar were Kulkarni’s first—and only—choices for the lead roles. Rao, known for his versatility, brought a mix of vulnerability and wit to Shardul, a man torn between duty and desire. Pednekar, meanwhile, played Suman with a refreshing blend of toughness and tenderness, challenging the "strong female character" trope by letting her flaws shine .

Supporting actors like Seema Pahwa, Sheeba Chaddha, and Gulshan Devaiah added layers to the story. Pahwa, in particular, stood out as Shardul’s mother, whose initial disapproval of her son’s marriage evolves into reluctant acceptance—a subplot that added emotional weight to the film .


Behind the Scenes: Filming and Challenges

While details about the shoot are scarce, Badhaai Do was produced by Junglee Pictures, the same studio behind Badhaai Ho. The film’s setting—a small town in North India—was crucial to its narrative, grounding the story in a world where tradition and modernity clash .

One of the film’s most talked-about scenes involves Suman’s unhinged girlfriend (played by Chum Darang) moving in with the couple, creating comedic and dramatic chaos. This subplot, though polarizing, was a deliberate choice to highlight the complexities of queer relationships in a heteronormative society .


Reception and Legacy

Badhaai Do opened to mixed reviews. Critics praised its performances and progressive themes but noted that the film sometimes struggled to balance its comedic and dramatic tones . On SensCritique, it holds a 6.8/10 rating, with viewers appreciating its boldness but critiquing its pacing .

Despite the divided opinions, the film sparked important conversations about LGBTQ+ representation in Indian cinema. Kulkarni’s decision to center a lavender marriage—a rarely discussed topic—was a step forward, even if the execution wasn’t universally loved.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.