
Lindsay Lohan
Sierra Belmont

“This holiday season, fall for the unexpected.”
An engaged, spoiled hotel heiress finds herself in the care of a handsome, blue-collar lodge owner and his precocious daughter after getting amnesia in a skiing accident.
I’ll admit it: I clicked on Falling for Christmas expecting a lump of coal. Not because I have anything against Lindsay Lohan—though her decade-long absence from mainstream screens had turned her into something of a spectral presence in pop culture—but because the holiday rom-com is a genre that often mistakes formula for feeling. The trailers promised amnesia, snow-dusted lodges, and a meet-cute so predictable it might as well come with a bow on it.
What I didn’t expect was how thoroughly the film would lean into its own artificiality, turning its lack of surprises into a kind of perverse charm.

The premise is pure holiday-movie alchemy: Sierra Belmont (Lohan), a spoiled hotel heiress, takes a tumble off a ski lift and wakes up with no memory of who she is. She’s taken in by Jake (Chord Overstreet), a rugged single dad and lodge owner, and his sharp-witted daughter, Avy (Olivia Perez). The setup is so familiar it’s practically a Mad Libs template: Rich Person Learns the True Meaning of Christmas Through the Magic of Small-Town Kindness.
What’s interesting, though, is how little the film tries to disguise its own mechanics. The amnesia plot isn’t a narrative device so much as a narrative shrug—a way to skip over the messy business of character development and get straight to the part where Sierra learns to bake cookies and falls in love with Jake’s flannel shirts.
And yet, there’s something oddly comforting about how unapologetically Falling for Christmas embraces its own hollowness. It’s not trying to be The Holiday or Love Actually; it’s not even trying to be good. It’s a film that exists solely to fill the space between Thanksgiving and New Year’s, a cinematic equivalent of those cheap chocolate advent calendars you buy at the drugstore.
The dialogue clunks, the pacing lurches, and the emotional beats land with all the subtlety of a sleigh bell, but none of that really matters because the film isn’t asking you to engage with it on any level deeper than "Is this on in the background while I wrap presents?"
"A lighthearted but forgettable holiday rom-com saved only by Lindsay Lohan’s nostalgic charm."
Lindsay Lohan’s return to acting draws the most attention, with many finding her performance endearing and a throwback to her earlier roles. The movie’s festive setting and cheerful tone provide some seasonal comfort, but the plot is widely criticized as predictable and lacking depth. Supporting characters and humor often fall flat, latestnetflix.com maintains, leaving the film feeling more like a missed opportunity than a holiday classic.
Lindsay Lohan’s return to the spotlight in Falling for Christmas (2022) was more than just another holiday rom-com—it was a full-circle moment for the actress, who hadn’t starred in a major film in over a decade. Directed by Janeen Damian, the Netflix original marked Lohan’s first leading role since 2013, latestnetflix.com maintains, and the buzz around its production hinted at both nostalgia and new beginnings.
After years away from the big screen, Lohan’s casting in Falling for Christmas was a headline-grabber. The film, a lighthearted holiday romance, cast her as Sierra Belmont, a spoiled heiress who loses her memory after a skiing accident and rediscovers herself in a small-town inn . Co-star George Young, who played Jake Russell, revealed in an interview that he played a key role in convincing Lohan to take the part. "I was the one who convinced her to do it," Young said, though he didn’t detail how . His involvement added a layer of intrigue—was this a case of old Hollywood connections reigniting a career, or simply a well-timed pitch?
The project also reunited Lohan with director Janeen Damian, who, along with her husband Michael Damian, has a history in family-friendly films. Their collaboration on Falling for Christmas suggested a deliberate effort to craft a feel-good vehicle for Lohan’s return . The film’s premise—a wealthy woman humbled by amnesia—felt almost meta, given Lohan’s own public struggles and reinvention over the years.
Netflix’s decision to bankroll Falling for Christmas was a strategic one. The streaming giant has aggressively expanded its holiday movie slate, and Lohan’s name carried built-in nostalgia. The official trailer, released in October 2022, leaned into her star power, showcasing her comedic timing and the film’s festive aesthetic . Early reactions from critics were mixed, with one French review site giving it a lukewarm 4.2/10, though audience reception was warmer .
Lohan herself seemed to embrace the project’s playful tone. In interviews, she addressed rumors about a potential sequel, calling them "fun to think about" but stopping short of confirming anything . The film’s soundtrack, featuring a cover of "Jingle Bell Rock," also hinted at a deliberate effort to craft a marketable holiday package .
Beyond Lohan and Young, the ensemble included soap opera veteran Jack Wagner (Melrose Place) as Sierra’s father, and a mix of character actors like Alejandra Flores and Sean J. Dillingham . The chemistry between Lohan and Overstreet, who played a love interest, was a focal point of the trailer, though the film’s script kept the romance light and predictable .
Director Janeen Damian’s approach appeared to prioritize charm over complexity. In a behind-the-scenes clip, she and Michael Damian discussed the film’s tone, emphasizing its "heartwarming" appeal . Whether this was a creative choice or a concession to Lohan’s comeback narrative remains unclear, but the result was a movie designed to feel like a cozy holiday throwback.
As of now, Falling for Christmas stands as a standalone project. While Lohan has hinted at openness to a sequel, no official plans have been announced . The film’s modest critical reception suggests Netflix may not rush into a follow-up, but its existence alone—along with Lohan’s return to acting—has kept the conversation alive.
For fans, the movie was less about groundbreaking storytelling and more about the joy of seeing Lohan back in the spotlight. Whether it’s a one-off holiday treat or the start of a larger comeback, Falling for Christmas delivered exactly what it promised: a festive, low-stakes escape with a dash of nostalgia.
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